Lincoln Music Publications

This is Pifa or Pastoral Symphony from G. F. Handel’s Messiah transcribed here for Brass Quintet.

Inspired by Psalm 19 from the Book of Psalms this is Benedetto Marcello’s Psalm 19 - “The Heavens Declare the Glory of God” transcribed here for Brass Quintet. This selection is programmable for a variety of sacred and secular occasion and accessible to the intermediate to advanced intermediate level players.

Pavane pour une infante défunte, or Pavane For A Dead Infanta, or Pavane For A Dead Princess as it most often referred, written by Maurice Ravel and arranged here for Brass Quintet. This is an advanced intermediate transcription of Ravels timeless classic.

This is “By The Blue Danube“, (direct German translation) or “The Blue Danube” as it is commonly referred by Johann Strauss II, transcribed here for Brass Quintet. This is an advanced intermediate to advanced transcription of Strauss’ most popular waltz and the second National Anthem of Austria. This suitable for many “Oktoberfest-ish” celebrations and year-round in Vienna. :-)

“Tales From the Vienna Woods” by Johann Strauss II arranged here for Brass Quintet. This is an advanced intermediate transcription of one of the “Waltz King’s” most popular compositions. This is suitable for some Oktoberfest events.

Ruffles & Flourishes and the “The General’s & Flag Officer’s Marches”, transcribed here for Brass Quintet. Those in need of these pieces will know their purpose...

“Army of the Nile” by Kenneth Alford, transcription for Brass Quintet by Kenneth Abeling, is a British Style March. This is one Alford’s most popular marches and is of an advanced intermediate to easier advanced level of difficulty.

“The Black Horse Troop”, here for Brass Quintet, is one of John Philip Sousa’s most popular marches. This arrangement is of intermediate level difficulty and audiences should readily recognize the melody.

“Bravura” is arguably C.E. Duble’s most popular and recognizable marches, transcribed here for Brass Quintet. This is an advanced intermediate to advanced transcription and playable at either march tempo, or circus march tempo. Playing time: 2:00

“El Capitan”, transcribed here for Brass Quintet, is another one of John Philip Sousa’s famous marches. This transcription is of intermediate level difficulty.

“Garry Owen” or “Garryowen” is a Traditional Irish Air and adopted as the official tune/march of the US 7th Cavalry Regiment arranged here for Brass Quintet. This is an advanced intermediate arrangement.

“Hands Across the Sea” transcribed here for Brass Quintet, is another one of John Philip Sousa’s famous marches.

Joyce’s 71st N.Y. Regiment March by Thornton Barnes Boyer and arranged here for Brass Quintet by Kenneth Abeling. This March honoring the 71st Regiment who participated in many of the major battles during the Civil War is still a part of the Marching Band and Concert Band literature performed by U.S. American Military Bands. Performance Time 2:30.

This is the “National Emblem” march by E. E. Bagely transcribed here for Brass Quintet. This is an advanced intermediate arrangement of the very well know march.

C. Teike's Old Comrades (Alte Kamaraden) is one of the most popular German marches of all time! Transcribed here for Brass Quintet.

Sir Edward Elgar’s “Pomp and Circumstance”, arranged here for Brass Quintet, is arguably the most popular graduation ceremony processional of all time. This is an easy transcription (since you will likely be repeating it several times) and loyal to the original.

“Semper Fidelis” transcribed here for Brass Quintet, is another one of John Philip Sousa’s famous marches and The Official March of the United States Marine Corps. This transcription is of intermediate to advanced intermediate level difficulty.

“The Liberty Bell” transcribed here for Brass Quintet, is another one of John Philip Sousa’s famous marches and the theme to the Monty Python TV series. This transcription is of intermediate to advanced intermediate level difficulty.

“The Stars and Stripes Forever” is arguably John Philip Sousa’s most famous march and the Official March of the USA, transcribed here for Brass Quintet. This transcription is advanced level in difficulty.

“The Thunderer” transcribed here for Brass Quintet, is another one of John Philip Sousa’s famous marches. This transcription is of intermediate level difficulty.

“Washington Post” is one of John Philip Sousa’s most famous marches transcribed here for Brass Quintet. This transcription is of intermediate level difficulty.

The German National Anthem based on a theme by Joseph Haydn for Brass Quintet.

This is a collection or medley of three of George M. Cohan’s favorite patriotic songs arranged for Brass Quintet. The songs include; 1. “Over There!”, 2. “Yankee Doodle Boy” (commonly referred to as “I’m A Yankee Doodle Dandy”) and 3. Grand Old Flag. This collection can be played as individual songs or as medley. It should be playable by a good middle school group but advanced and professional musicians will find use for this arrangement during patriotic holidays and certain ceremonies.

Mallorca - Barcarola Op. 202 by Isaac Albéniz arranged here for Clarinet Quartet. In this very beautiful piece, and in typical Spanish fashion, Albéniz makes use of relative and parallel minor and major keys to create his Mallorcan landscape.

Suite Española, Op. 47 - No. 3. Sevilla for Clarinet Quartet by Isaac Albéniz. This is an advanced transcription of a very popular Spanish classic.

Aria "sulla quarta corda" or “Air on the G -string" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Clarinet Quartet. This intermediate level transcription is suitable for a variety of occasions! Playing Time: 4:20 or 2:10 if bypassing the repeated sections

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Clarinet Quartet. This intermediate level transcription is suitable for a variety of occasions!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Clarinet Quartet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services as well.

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Clarinet Quartet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Clarinet Quartet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings. Offered here for the Clarinet Quartet.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for Clarinet Quartet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications including Weddings.

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribed here for Clarinet Quartet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings. Playing time: 4:10

“O Perfect Love” by Joseph Barnby arranged here for Clarinet Quartet by Kenneth Abeling. This is an easy arrangement of one the most popular Wedding Hymns of all time!

This is the Farandole from the Georges Bizet's famed L'Arlesienne Suite No. II transcribed here for Woodwind Quintet. It is an advanced intermediate to advanced transcription suitable for general performance as well as Christmas events and most audiences will readily recognize the two prominent themes from this movement.

Trumpet Voluntary By Jeremiah Clarke arranged here for Clarinet Quartet. Perhaps Jeremiah Clarke’s most popular compositions, this easily recognizable piece is suitable for a variety of performance applications.

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Clarinet Quartet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

Debussy's Quartet in G minor, movement 1 is beautifully written and would be an excellent addition to an experienced Clarinet Quartet library but it is a challenge from start to finish!

Claude Debussy’s Reverie transcribed here for Clarinet Quartet. This is an advanced intermediate transcription of a Debussy classic.

Pavane, Op. 50 by Gabriel Fauré for Clarinet Quartet. This beautiful work from the Impressionistic period ebbs and flows through a series of harmonic and melodic climaxes, conjuring a cool, somewhat haunting elegance. It is suitable for a variety of performance applications and is of Advanced Intermediate to Easy Advanced level difficulty.

Fugue #1 in G minor 1 of 6 Fugues by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #2 in G Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #3 in Bb Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #4 in A minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #5 in B minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #6 in C minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

This song, whose title translates as "In the Pleasant Grove, " is cast in an a minor-mode setting in a duple meter. The obbligato instrument contrasts with the voice throughout. This transcription is for Clarinet Quartet.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Clarinet Quartet. This is an advanced piece and a great deal of fun to play…

“And the Glory of the Lord Shall be Revealed” from George Fredrick Handel’s Messiah, transcribed here for Clarinet Quartet. This is an intermediate to advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

And With His Stripes We Are Healed from George Fredrick Handel’s Messiah, transcribed for Clarinet Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

Behold the Lamb of God from George Fredrick Handel’s Messiah, transcribed for Clarinet Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

The famous Hallelujah Chorus from G. F. Handel’s Messiah in a user friendly key with equal emphasis on the orchestral parts for Clarinet Quartet.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Clarinet Quartet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“Sinfonia” or “Sinfony” from George Fredrick Handel’s Messiah, transcribed here for Clarinet Quartet. This is an advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events

This is Pifa or Pastoral Symphony from G. F. Handel’s Messiah transcribed here for Clarinet Quartet.

This is “For Unto Us a Child is Born” from G. F. Handel’s Messiah transcribed here for Clarinet Quartet.

“The Easy Winners”, transcribed here for Clarinet Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Elite Syncopations”, transcribed here for Clarinet Quartet, is another one of Scott Joplin's most popular rags.

“Fig Leaf Rag” transcribed here for Clarinet Quartet, is another one of Scott Joplin's most popular rags.

“Maple Leaf Rag”, transcribed here for Clarinet Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Paragon Rag” transcribed here for Clarinet Quartet, is another one of Scott Joplin's most popular rags.

“Pineapple Rag”, transcribed here for Clarinet Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Solace” - A Mexican Serenade, transcribed here for Clarinet Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Something Doing” transcribed here for Clarinet Quartet, is another one of Scott Joplin's most popular rags.

“The Cascades” transcribed here for Clarinet Quartet, is another one of Scott Joplin's most popular rags.

“The Entertainer”, transcribed here for Clarinet Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Weeping Willow” transcribed here for Clarinet Quartet, is another one of Scott Joplin's most popular rags.

Inspired by Psalm 19 from the Book of Psalms this is Benedetto Marcello’s Psalm 19 - “The Heavens Declare the Glory of God” transcribed here for Clarinet Quartet. This selection is programmable for a variety of sacred and secular occasion and accessible to the intermediate to advanced intermediate level players.

Rondeau from “Sinfonie de Fanfares”, transcribed here for Clarinet Quartet, is one of Jean-Joseph Mouret’s most performed compositions. This Fanfare has numerous performance applications and this transcription is of an intermediate level of difficulty.

String Quartet KV 160, Movement I although not one of Mozart's better known, is a natural for the Clarinet Quartet and is suitable for a variety of playing levels.

Diferencias sobre 'Guárdame las vacas' by Luis de Narváez. Originally written for the vihuela, this theme and variations has been adapted here for Clarinet Quartet by Kenneth Abeling. This Spanish, Renaissance era selection is a more advanced piece and a little tricky, but fun to play and showcases the entire ensemble! Playing time: 3:30

One the most recognizable Classical pieces ever written, Canon in D Major by Johann Pachelbel is transcribed here for Clarinet Quartet. This selection is suitable for a wide variety of performance occasions.

Pavane pour une infante défunte, or Pavane For A Dead Infanta, or Pavane For A Dead Princess as it most often referred, written by Maurice Ravel and arranged here for Clarinet Quartet. This is an advanced intermediate transcription of Ravels timeless classic.

This is Rimsky-Korsakov’s Procession of Nobles or Mlada Suite – No. 5. Cortege, for Clarinet Quartet. This is and advanced transcription of Korsakov’s march and is practical for numerous performance applications.

“Gymnopédies 1-3” by Erik Satie arranged here for Clarinet Quartet by Kenneth Abeling. This is a loyal transcription to all three elegantly simple pieces considered to be some of the most relaxing and pensive pieces ever written! It is appropriate for general performance as well as Religious services and Weddings. The playing time of all three pieces is: 7:40

Ave Maria by Franz Schubert for Clarinet Quartet is an arrangement of arguably the most popular of all compositions sharing this title. This piece is appropriate for Christmas, Weddings, and many other religious or sacred events.

Radetzky March, Op. 228 transcribed here for Clarinet Quartet. This is an intermediate advanced to advanced level arrangement and very suitable for Oktoberfest performances.

This is “By The Blue Danube“, (direct German translation) or “The Blue Danube” as it is commonly referred by Johann Strauss II, transcribed here for Clarinet Quartet. This is an advanced intermediate to advanced transcription of Strauss’ most popular waltz and the second National Anthem of Austria. This suitable for many “Oktoberfest-ish” celebrations and year-round in Vienna. :-)

Perpetual Motion by Johann Strauss II, transcribed here for Clarinet Quartet. This is an easier advanced to advanced transcription of Strauss’ version of the title. This somewhat overlooked piece is “comedic” in nature, challenging but lays well, a lot of fun to play and makes a great encore selection.

“Tales From the Vienna Woods” by Johann Strauss II arranged here for Clarinet Quartet. This is an advanced intermediate transcription of one of the “Waltz King’s” most popular compositions. This is suitable for some Oktoberfest events.

This is the entire 1812 Overture or Festival Overture "The Year 1812" in E flat major, op. 49 for Clarinet Quartet by Pyotr Ilyich Tchaikovsky. It is often performed in the US alongside other patriotic music at Fourth of July celebrations. This is an advanced transcription and loyal to the composer’s original intent.

1. Ouverture miniature from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Clarinet Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

2. Marche from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Clarinet Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

5. Arab Dance from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Clarinet Quartet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

6. Chinese Dance from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Clarinet Quartet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered. t.

4. Russian Dance, Trépak from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Clarinet Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

7. Dance of the Reed Flutes from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Clarinet Quartet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

8. Waltz of the Flowers from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Clarinet Quartet. This is an advanced intermediate to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

3. Dance of the Sugar-Plum Fairy from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Clarinet Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

This is an excerpt from Giuseppe Verdi’s Triumphal March from Aida transcribed here for Clarinet Quartet. This transcription/arrangement is very suitable as a Processional or Recessional march and is advance intermediate in difficulty. Playing time: 1:40.

Antonio Vivaldi's Chamber Concerto in F Major (3) Movements for Clarinet Quartet is playable with or without organ. It features the 2nd voice throughout more than the 1st voice for a change!

This is 2. Largo (in Eb major) From Vivaldi’s The Four Seasons or Concerto No. 4 in F minor, Op. 8, RV 297, "Winter" (L'inverno). Transcribed here for Clarinet Quartet by Kenneth Abeling. This transcription is suitable for advanced Intermediate musicians and is suitable for numerous performance applications including Religious Services and Weddings!

“Entry of the Gladiators” or “Entrance of the Gladiators” Op. 68 by Julius Fucik, transcription for Clarinet Quartet by Kenneth Abeling and also known as “Thunder and Blazes”. Although its original intent was of a more serious nature, it has become perhaps the most recognizable “Circus March’ of all time. This is a more advanced march but can be played at normal march tempo as well as circus or “screamer” march.

Ruffles & Flourishes and the “The General’s & Flag Officer’s Marches”, transcribed here for Clarinet Quartet. Those in need of these pieces will know their purpose.

“Army of the Nile” by Kenneth Alford, transcription for Clarinet Quartet by Kenneth Abeling, is a British Style March. This is one of Alford’s most popular marches and is of an advanced intermediate to easier advanced level of difficulty.

“The Black Horse Troop”, here for Clarinet Quartet, is one of John Philip Sousa’s most popular marches. This arrangement is of intermediate level difficulty and audiences should readily recognize the melody.

“Bravura” is arguably C.E. Duble’s most popular and recognizable marches, transcribed here for Clarinet Quartet. This is an advanced intermediate to advanced transcription and playable at either march tempo, or circus march tempo. Playing time: 2:00

“El Capitan”, transcribed here for Clarinet Quartet, is another one of John Philip Sousa’s famous marches. This transcription is of intermediate level difficulty.

“Garry Owen” or “Garryowen” is a Traditional Irish Air and adopted as the official tune/march of the US 7th Cavalry Regiment arranged here for Clarinet Quartet. This is an advanced intermediate arrangement.

“Hands Across the Sea” transcribed here for Clarinet Quartet, is another one of John Philip Sousa’s famous marches.

Joyce’s 71st N.Y. Regiment March by Thornton Barnes Boyer and arranged here for Clarinet Quartet by Kenneth Abeling. This March honoring the 71st Regiment who participated in many of the major battles during the Civil War is still a part of the Marching Band and Concert Band literature performed by U.S. American Military Bands. Performance Time 2:30.

This is the “National Emblem” march by E. E. Bagely transcribed here for Clarinet Quartet. This is an advanced intermediate arrangement of the very well know march.

C. Teike's Alte Kamaraden or “Old Comrades” is one of the most popular German marches of all time and perfect for“ Oktoberfest-ish” gigs! Transcribed here for Clarinet Quartet.

Sir Edward Elgar’s “Pomp and Circumstance”, arranged here for Clarinet Quartet, is arguably the most popular graduation ceremony processional of all time. This is an easy transcription (since you will likely be repeating it several times) and loyal to the original.

“Semper Fidelis” transcribed here for Clarinet Quartet, is another one of John Philip Sousa’s famous marches and The Official March of the United States Marine Corps. This transcription is of intermediate to advanced intermediate level difficulty.

“The Liberty Bell” transcribed here for Clarinet Quartet, is another one of John Philip Sousa’s famous marches and the theme to the Monty Python TV series. This transcription is of intermediate to advanced intermediate level difficulty.

“The Stars and Stripes Forever” is arguably John Philip Sousa’s most famous march and the Official March of the USA, transcribed here for Clarinet Quartet. This transcription is advanced intermediate level in difficulty.

“The Thunderer” transcribed here for Clarinet Quartet, is another one of John Philip Sousa’s famous marches. This transcription is of intermediate level difficulty.

“Washington Post” is one of John Philip Sousa’s most famous marches transcribed here for Clarinet Quartet. This transcription is of intermediate level difficulty.

The German National Anthem based on a theme by Joseph Haydn for Clarinet Quartet.

This is a collection or medley of three of George M. Cohan’s favorite patriotic songs arranged for Clarinet Quartet. The songs include; 1. “Over There!”, 2. “Yankee Doodle Boy” (commonly referred to as “I’m A Yankee Doodle Dandy”) and 3. Grand Old Flag. This collection can be played as individual songs or as medley. It should be playable by a good middle school group but advanced and professional musicians will find use for this arrangement during patriotic holidays and certain ceremonies.

Mallorca - Barcarola Op. 202 by Isaac Albéniz arranged here for Saxophone Quartet. In this very beautiful piece, and in typical Spanish fashion, Albéniz makes use of relative and parallel minor and major keys to create his Mallorcan landscape.

Suite Española, Op. 47 - No. 3. Sevilla for Saxophone Quartet by Isaac Albéniz. This is an advanced transcription of a very popular Spanish classic.

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Saxophone Quartet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings as well.

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Saxophone Quartet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Saxophone Quartet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

Jesu, Joy of Man’s Desiring, transcribed here for Saxophone Quartet. This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for Saxophone Quartet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications including Weddings.

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribed here for Saxophone Quartet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings.

“O Perfect Love” by Joseph Barnby arranged here for Saxophone Quartet by Kenneth Abeling. This is an easy arrangement of one the most popular Wedding Hymns of all time!

This is the Farandole from the Georges Bizet's famed L'Arlesienne Suite No. II transcribed here for Saxophone Quartet. It is an advanced intermediate to advanced transcription suitable for general performance as well as Christmas events and most audiences will readily recognize the two prominent themes from this movement.

Trumpet Voluntary By Jeremiah Clarke arranged here for Saxophone Quartet. Perhaps Jeremiah Clarke’s most popular compositions, this easily recognizable piece is suitable for a variety of performance applications.

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Saxophone Quartet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

Debussy's Quartet in G minor, movement 1 is beautifully written and would be an excellent addition to an experienced Saxophone Quartet library but it is a challenge from start to finish!

Claude Debussy’s Reverie transcribed here for Saxophone Quartet. This is an advanced intermediate transcription of a Debussy classic.

No.9 - “Nimrod” from Edward Elgar’s Enigma Variations transcribed here for Saxophone Quartet. This is an easy to intermediate level arrangement of Elgar’s most popular variation from the Enigma variations.

Pavane, Op. 50 by Gabriel Fauré for Saxophone Quartet. This beautiful work from the Impressionistic period ebbs and flows through a series of harmonic and melodic climaxes, conjuring a cool, somewhat haunting elegance. It is suitable for a variety of performance applications and is of Advanced Intermediate to Easy Advanced level difficulty.

Fugue #1 in G minor 1 of 6 Fugues by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #2 in G Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #3 in Bb Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #4 in A minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #5 in B minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #6 in C minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

This song, whose title translates as "In the Pleasant Grove, " is cast in an a minor-mode setting in a duple meter. The obbligato instrument contrasts with the voice throughout. This transcription is for Saxophone Quartet.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Saxophone Quartet (SATB). This is an advanced piece and a great deal of fun to play…

“And the Glory of the Lord Shall be Revealed” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quartet. This is an intermediate to advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

And With His Stripes We Are Healed from George Fredrick Handel’s Messiah, transcribed for Saxophone Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

Behold the Lamb of God from George Fredrick Handel’s Messiah, transcribed for Saxophone Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

The famous Hallelujah Chorus from G. F. Handel’s Messiah in a user friendly key with equal emphasis on the orchestral parts for Saxophone Quartet.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quartet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“Sinfonia” or “Sinfony” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quartet. This is an advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events

Pastoral Symphony from G. F. Handel’s Messiah for Saxophone Quartet.

This is “For Unto Us a Child is Born” from G. F. Handel’s Messiah transcribed here for Saxophone Quartet.

“The Easy Winners”, transcribed here for Saxophone Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Elite Syncopations”, transcribed here for Saxophone Quartet, is another one of Scott Joplin's most popular rags.

“Fig Leaf Rag” transcribed here for Saxophone Quartet, is another one of Scott Joplin's most popular rags.

“Maple Leaf Rag”, transcribed here for Saxophone Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Paragon Rag” transcribed here for Saxophone Quartet, is another one of Scott Joplin's most popular rags.

“Pineapple Rag”, transcribed here for Saxophone Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Solace” - A Mexican Serenade, transcribed here for Saxophone Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Something Doing” transcribed here for Saxophone Quartet, is another one of Scott Joplin's most popular rags.

“The Cascades” transcribed here for Saxophone Quartet, is another one of Scott Joplin's most popular rags.

“The Entertainer”, transcribed here for Saxophone Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Weeping Willow” transcribed here for Saxophone Quartet, is another one of Scott Joplin's most popular rags.

Inspired by Psalm 19 from the Book of Psalms this is Benedetto Marcello’s Psalm 19 - “The Heavens Declare the Glory of God” transcribed here for Saxophone Quartet. This selection is programmable for a variety of sacred and secular occasion and accessible to the intermediate to advanced intermediate level players.

Rondeau from “Sinfonie de Fanfares”, transcribed here for Saxophone Quartet, is arguably one of Jean-Joseph Mouret’s most performed compositions. This Fanfare has numerous performance applications and this transcription is of an intermediate level of difficulty.

Mozart's universally known Serenade in G, K. 525 'Eine kleine Nachtmusik' or, a little night music for Saxophone Quartet by Kenneth Abeling. The movements are: I. Allegro, II. Romance: Andante, III. Minuet-Trio: Allegretto and IV. Rondo. This is an advanced level selection and appropriate for many performance applications either in its entirety or singular movements. Playing Time: 17:15 with repeats, 15:45 without.

String Quartet KV 156, Movement I although not one of Mozart's better known, is a natural for the Saxophone Quartet and is suitable for a variety of playing levels.

String Quartet KV 160, Movement I although not one of Mozart's better known, is a natural for the Saxophone Quartet and is suitable for a variety of playing levels.

Narvaez's "Cancion" is a somber piece originally written for the lute but works very well for the Saxophone Quartet.

Diferencias sobre 'Guárdame las vacas' by Luis de Narváez. Originally written for the vihuela, this theme and variations has been adapted here for Saxophone Quartet by Kenneth Abeling. This Spanish, Renaissance era selection is a more advanced piece and a little tricky, but fun to play and showcases the entire ensemble!

One the most recognizable Classical pieces ever written, Canon in D Major by Johann Pachelbel is transcribed here for Saxophone Quartet. This selection is suitable for a wide variety of performance occasions.

Pavane pour une infante défunte, or Pavane For A Dead Infanta, or Pavane For A Dead Princess as it most often referred, written by Maurice Ravel and arranged here for Saxophone Quartet. This is an advanced intermediate transcription of Ravels timeless classic. The provided MP3 of this arrangement was recorded by the Weesper Saxofoonkwartet. This is an excellent ensemble! Please visit there website at: https://sites.google.com/site/hetweespersaxofoonkwartet/home

Aside from the obvious challenges, Rimsky-Korsakoff's Flight of the Bumblebee for Saxophone Quartet requires of the soloist, the accompaniment parts are also demanding.

This is Rimsky-Korsakov’s Procession of Nobles or Mlada Suite – No. 5. Cortege, for Saxophone Quartet. This is and advanced transcription of Korsakov’s march and is practical for numerous performance applications.

“Gymnopédies 1-3” by Erik Satie arranged here for Saxophone Quartet by Kenneth Abeling. This is a loyal transcription to all three elegantly simple pieces considered to be some of the most relaxing and pensive pieces ever written! It is appropriate for general performance as well as Religious services and Weddings. The playing time of all three pieces is: 7:40

Scarlatti, Domenico - Sonata K.52 - Longo 267 for Saxophone Quartet.

Scarlatti, Domenico - Sonata K.84 - Longo 241 for Saxophone Quartet.

Ave Maria by Franz Schubert for Saxophone Quartet is an arrangement of arguably the most popular of all compositions sharing this title. This piece is appropriate for Christmas, Weddings, and many other religious or sacred events.

Radetzky March, Op. 228 transcribed here for Saxophone Quartet. This is an intermediate advanced to advanced level arrangement and very suitable for Oktoberfest performances.

This is “By The Blue Danube“, (direct German translation) or “The Blue Danube” as it is commonly referred by Johann Strauss II, transcribed here for Saxophone Quartet. This is an advanced intermediate to advanced transcription of Strauss’ most popular waltz and the second National Anthem of Austria. This suitable for many “Oktoberfest-ish” celebrations and year-round in Vienna. :-)

Perpetual Motion by Johann Strauss II, transcribed here for Saxophone Quartet. This is an easier advanced to advanced transcription of Strauss’ version of the title. This somewhat overlooked piece is “comedic” in nature, challenging but lays well, a lot of fun to play and makes a great encore selection.

“Tales From the Vienna Woods” by Johann Strauss II arranged here for Saxophone Quartet. This is an advanced intermediate transcription of one of the “Waltz King’s” most popular compositions. This is suitable for some Oktoberfest events.

This is the entire 1812 Overture or Festival Overture "The Year 1812" in E flat major, op. 49 for Saxophone Quartet by Pyotr Ilyich Tchaikovsky. It is often performed in the US alongside other patriotic music at Fourth of July celebrations. This is an advanced transcription and loyal to the composer’s original intent.

1. Ouverture miniature from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Saxophone Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered

2. Marche from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Saxophone Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

5. Arab Dance from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Saxophone Quartet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

6. Chinese Dance from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Saxophone Quartet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

4. Russian Dance, Trépak from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Saxophone Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

7. Dance of the Reed Flutes from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Saxophone Quartet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

8. Waltz of the Flowers from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Saxophone Quartet. This is an advanced intermediate to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

3. Dance of the Sugar-Plum Fairy from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Saxophone Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

Overture from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Sarabande from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Bouree from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Loure from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Gavotte from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Harliquinade from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Eolo from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Menuet from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Gigue from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Canarie from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

This is an excerpt from Giuseppe Verdi’s Triumphal March from Aida transcribed here for Saxophone Quartet. This transcription/arrangement is very suitable as a Processional or Recessional march and is advance intermediate in difficulty. Playing time: 1:40.

Antonio Vivaldi’s Chamber Concerto in D Major RV 99. Originally written for Recorder, Violin, Oboe, Bassoon and Harpsichord, this arrangement is for Saxophone Quartet with an optional Organ part by Kenneth Abeling. The movements are: I. Allegro - II. Largo - III. Allegro. This is an advanced piece and suitable for both general performance. in its entirety or in parts, and for secular as well as sacred settings. Playing Time approximately 9:50.

La Primavera, transcribed here for Saxophone Quartet, is one of Antonio Vivaldi's best-known composite works from The Four Seasons and is amongst the most popular pieces of the Baroque period. This transcription includes all three movements: 1. Allegro, 2. Largo e pianissimo sempre and 3. Allegro 'Danza pastorale'.

This is 2. Largo (in Eb major) From Vivaldi’s The Four Seasons or Concerto No. 4 in F minor, Op. 8, RV 297, "Winter" (L'inverno). Transcribed here for Saxophone Quartet by Kenneth Abeling. This transcription is suitable for advanced Intermediate musicians and is suitable for numerous performance applications including Religious Services and Weddings!

“Entry of the Gladiators” or “Entrance of the Gladiators” Op. 68 by Julius Fucik, transcription for Saxophone Quartet by Kenneth Abeling and also known as “Thunder and Blazes”. Although its original intent was of a more serious nature, it has become perhaps the most recognizable “Circus March’ of all time. This is a more advanced march but can be played at normal march tempo as well as circus or “screamer” march.

Ruffles & Flourishes with the Generals March, & The Flag Officers March. Perfect for use when there are "Stars" at the ceremony but only a Saxophone Quartet to render honors. Both Soprano and Alto Sax for Soprano Sax parts are provided for this arrangement!

“Army of the Nile” by Kenneth Alford, transcription for Saxophone Quartet by Kenneth Abeling, is a British Style March. This is one of Alford’s most popular marches and is of an advanced intermediate to easier advanced level of difficulty.

“The Black Horse Troop”, here for Saxophone Quartet, is one of John Philip Sousa’s most popular marches. This arrangement is of intermediate level difficulty and audiences should readily recognize the melody.

“Bravura” is arguably C.E. Duble’s most popular and recognizable marches, transcribed here for Saxophone Quartet. This is an advanced intermediate to advanced transcription and playable at either march tempo, or circus march tempo. Playing time: 2:00

“El Capitan”, transcribed here for Saxophone Quartet, is another one of John Philip Sousa’s famous marches. This transcription is of intermediate level difficulty.

“Garry Owen” or “Garryowen” is a Traditional Irish Air and adopted as the official tune/march of the US 7th Cavalry Regiment arranged here for Saxophone Quartet. This is an advanced intermediate arrangement.

“Hands Across the Sea” transcribed here for Saxophone Quartet, is another one of John Philip Sousa’s famous marches.

Joyce’s 71st N.Y. Regiment March by Thornton Barnes Boyer and arranged here for Saxophone Quartet by Kenneth Abeling. This March honoring the 71st Regiment who participated in many of the major battles during the Civil War is still a part of the Marching Band and Concert Band literature performed by U.S. American Military Bands. Performance Time 2:30.

This is the “National Emblem” march by E. E. Bagely transcribed here for Saxophone Quartet. This is an advanced intermediate arrangement of the very well know march.

C. Teike's Old Comrades (Alte Kamaraden) is one of the most popular German marches of all time! Transcribed here for Saxophone Quartet. Both Soprano and Alto Sax for Soprano Sax parts are provided for this arrangement!

Sir Edward Elgar’s “Pomp and Circumstance”, arranged here for Saxophone Quartet, is arguably the most popular graduation ceremony processional of all time. This is an easy transcription (since you will likely be repeating it several times) and loyal to the original.

“Semper Fidelis” transcribed here for Saxophone Quartet, is another one of John Philip Sousa’s famous marches and The Official March of the United States Marine Corps. This transcription is of intermediate to advanced intermediate level difficulty.

“The Liberty Bell” transcribed here for Saxophone Quartet, is another one of John Philip Sousa’s famous marches and the theme to the Monty Python TV series. This transcription is of intermediate to advanced intermediate level difficulty.

“The Stars and Stripes Forever” is arguably John Philip Sousa’s most famous march and the Official March of the USA, transcribed here for Saxophone Quartet. This transcription is advanced intermediate level in difficulty.

“The Thunderer” transcribed here for Saxophone Quartet, is another one of John Philip Sousa’s famous marches. This transcription is of intermediate level difficulty.

“Washington Post” is one of John Philip Sousa’s most famous marches transcribed here for Saxophone Quartet. This transcription is of intermediate level difficulty.

The German National Anthem based on a theme by Joseph Haydn for Saxophone Quartet. Both Soprano and Alto Sax for Soprano Sax parts are provided for this arrangement!

This is a collection or medley of three of George M. Cohan’s favorite patriotic songs arranged for Saxophone Quartet. The songs include; 1. “Over There!”, 2. “Yankee Doodle Boy” (commonly referred to as “I’m A Yankee Doodle Dandy”) and 3. Grand Old Flag. This collection can be played as individual songs or as medley. It should be playable by a good middle school group but advanced and professional musicians will find use for this arrangement during patriotic holidays and certain ceremonies.

Mallorca - Barcarola Op. 202 by Isaac Albéniz arranged here for String Quartet. In this very beautiful piece, and in typical Spanish fashion, Albéniz makes use of relative and parallel minor and major keys to create his Mallorcan landscape.

Suite Española, Op. 47 - No. 3. Sevilla for String Quartet by Isaac Albéniz. This is an advanced transcription of a very popular Spanish classic.

Aria "sulla quarta corda" or “Air on the G -string" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for String Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections.

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for String Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for String Quartet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings!

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for String Quartet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for String Quartet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

Jesu, Joy of Man’s Desiring, transcribed here for String Quartet. This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings.

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribes here for String Quartet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings!

“O Perfect Love” by Joseph Barnby arranged here for String Quartet by Kenneth Abeling. This is an easy arrangement of one the most popular Wedding Hymns of all time!

This is the Farandole from the Georges Bizet's famed L'Arlesienne Suite No. II transcribed here for String Quartet. It is an advanced intermediate to advanced transcription suitable for general performance as well as Christmas events and most audiences will readily recognize the two prominent themes from this movement.

Trumpet Voluntary By Jeremiah Clarke arranged here for String Quartet. Perhaps Jeremiah Clarke’s most popular compositions, this easily recognizable piece is suitable for a variety of performance applications.

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for String Quartet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

Claude Debussy’s Reverie transcribed here for String Quartet. This is an advanced intermediate transcription of a Debussy classic.

No.9 - “Nimrod” from Edward Elgar’s Enigma Variations transcribed here for String Quartet. This is an easy to intermediate level arrangement of Elgar’s most popular variation from the Enigma variations.

Pavane, Op. 50 by Gabriel Fauré for String Quartet. This beautiful work from the Impressionistic period ebbs and flows through a series of harmonic and melodic climaxes, conjuring a cool, somewhat haunting elegance. It is suitable for a variety of performance applications and is of Advanced Intermediate to Easy Advanced level difficulty.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for String Quartet. This is an advanced piece and a great deal of fun to play…

“And the Glory of the Lord Shall be Revealed” from George Fredrick Handel’s Messiah, transcribed here for String Quartet. This is an intermediate to advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

And With His Stripes We Are Healed from George Fredrick Handel’s Messiah, transcribed for String Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

Behold the Lamb of God from George Fredrick Handel’s Messiah, transcribed for String Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

This is the “Hallelujah Chorus” from G. F. Handel’s Messiah transcribed here for String Quartet.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for String Quartet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“Sinfonia” or “Sinfony” from George Fredrick Handel’s Messiah, transcribed here for Clarinet Quartet. This is an advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is Pifa or Pastoral Symphony from G. F. Handel’s Messiah transcribed here for String Quartet.

This is “For Unto Us a Child is Born” from G. F. Handel’s Messiah transcribed here for String Quartet.

This is the entire First Suite for Military Band in Eb, Op. 28/a by Gustav Holst transcribed here for String Quartet. The three movements are: I. Chaconne - II. Intermezzo - III. March. This is an early advanced to advanced performance level transcription.

This is the entire Second Suite for Military Band in F, Op. 28/b by Gustav Holst transcribed here for String Quartet. The four movements of the suite are: 1.March: Morris Dance, Swansea Town, Claudy Banks- II. Song Without Words - III. Song of the Blacksmith - IV. Fantasia on the "Dargason". This is an early advanced to advanced performance level transcription.

“The Easy Winners”, transcribed here for String Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Elite Syncopations”, transcribed here for String Quartet, is another one of Scott Joplin's most popular rags.

“Fig Leaf Rag” transcribed here for String Quartet, is another one of Scott Joplin's most popular rags.

“Maple Leaf Rag”, transcribed here for String Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Paragon Rag” transcribed here for String Quartet, is another one of Scott Joplin's most popular rags.

“Pineapple Rag”, transcribed here for String Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Solace” - A Mexican Serenade, transcribed here for String Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Something Doing” transcribed here for String Quartet, is another one of Scott Joplin's most popular rags.

“The Cascades” transcribed here for String Quartet, is another one of Scott Joplin's most popular rags.

“The Entertainer”, transcribed here for String Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Weeping Willow” transcribed here for String Quartet, is another one of Scott Joplin's most popular rags.

Inspired by Psalm 19 from the Book of Psalms this is Benedetto Marcello’s Psalm 19 - “The Heavens Declare the Glory of God” transcribed here for String Quartet. This selection is programmable for a variety of sacred and secular occasion and accessible to the intermediate to advanced intermediate level players.

Rondeau from “Sinfonie de Fanfares”, transcribed here for String Quartet, is arguably one of Jean-Joseph Mouret’s most performed compositions. This Fanfare has numerous performance applications and this transcription is of an intermediate level of difficulty.

Diferencias sobre 'Guárdame las vacas' by Luis de Narváez. Originally written for the vihuela, this theme and variations has been adapted here for String Quartet by Kenneth Abeling. This Spanish, Renaissance era selection is a more advanced piece and a little tricky, but fun to play and showcases the entire ensemble!

One the most recognizable Classical pieces ever written, Canon in D Major by Johann Pachelbel is transcribed here for String Quartet. This selection is suitable for a wide variety of performance occasions.

Pavane pour une infante défunte, or Pavane For A Dead Infanta, or Pavane For A Dead Princess as it most often referred, written by Maurice Ravel and arranged here for String Quartet. This is an advanced intermediate transcription of Ravels timeless classic.

This is Rimsky-Korsakov’s Procession of Nobles or Mlada Suite – No. 5. Cortege, for String Quartet This is and advanced transcription of Korsakov’s march and is practical for numerous performance applications.

“Gymnopédies 1-3” by Erik Satie arranged here for String Quartet by Kenneth Abeling. This is a loyal transcription to all three elegantly simple pieces considered to be some of the most relaxing and pensive pieces ever written! It is appropriate for general performance as well as Religious services and Weddings. The playing time of all three pieces is: 7:40

Ave Maria by Franz Schubert for String Quartet is an arrangement of arguably the most popular of all compositions sharing this title. This piece is appropriate for Christmas, Weddings, and many other religious or sacred events.

Radetzky March, Op. 228 transcribed here for String Quartet. This is an intermediate advanced to advanced level arrangement and very suitable for Oktoberfest performances.

Perpetual Motion by Johann Strauss II, transcribed here for String Quartet. This is an easier advanced to advanced transcription of Strauss’ version of the title. This somewhat overlooked piece is “comedic” in nature, challenging but lays well, a lot of fun to play and makes a great encore selection.

“Tales From the Vienna Woods” by Johann Strauss II arranged here for String Quartet. This is an advanced intermediate transcription of one of the “Waltz King’s” most popular compositions. This is suitable for some Oktoberfest events.

This is the entire 1812 Overture or Festival Overture "The Year 1812" in E flat major, op. 49 for String Quartet by Pyotr Ilyich Tchaikovsky. It is often performed in the US alongside other patriotic music at Fourth of July celebrations. This is an advanced transcription and loyal to the composer’s original intent.

1. Ouverture miniature from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for String Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

2. Marche from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for String Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

5. Arab Dance from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for String Quartet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

6. Chinese Dance from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for String Quartet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

4. Russian Dance, Trépak from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for String Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

7. Dance of the Reed Flutes from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for String Quartet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

8. Waltz of the Flowers from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for String Quartet. This is an advanced intermediate to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

3. Dance of the Sugar-Plum Fairy from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for String Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

This is an excerpt from Giuseppe Verdi’s Triumphal March from Aida transcribed here for String Quartet. This transcription/arrangement is very suitable as a Processional or Recessional march and is advance intermediate in difficulty. Playing time: 1:40

“Entry of the Gladiators” or “Entrance of the Gladiators” Op. 68 by Julius Fucik, transcription for String Quartet by Kenneth Abeling and also known as “Thunder and Blazes”. Although its original intent was of a more serious nature, it has become perhaps the most recognizable “Circus March’ of all time. This is a more advanced march but can be played at normal march tempo as well as circus or “screamer” march.

Ruffles & Flourishes and the “The General’s & Flag Officer’s Marches”, transcribed here for String Quartet. Those in need of these pieces will know their purpose.

“Army of the Nile” by Kenneth Alford, transcription for String Quartet by Kenneth Abeling, is a British Style March. This is one of Alford’s most popular marches and is of an advanced intermediate to easier advanced level of difficulty.

“The Black Horse Troop”, here for String Quartet, is one of John Philip Sousa’s most popular marches. This arrangement is of intermediate level difficulty and audiences should readily recognize the melody.

“Bravura” is arguably C.E. Duble’s most popular and recognizable marches, transcribed here for String Quartet. This is an advanced intermediate to advanced transcription and playable at either march tempo, or circus march tempo. Playing time: 2:00

“El Capitan”, transcribed here for String Quartet, is another one of John Philip Sousa’s famous marches. This transcription is of intermediate level difficulty.

“Garry Owen” or “Garryowen” is a Traditional Irish Air and adopted as the official tune/march of the US 7th Cavalry Regiment arranged here for String Quartet. This is an advanced intermediate arrangement.

“Hands Across the Sea” transcribed here for String Quartet, is another one of John Philip Sousa’s famous marches.

Joyce’s 71st N.Y. Regiment March by Thornton Barnes Boyer and arranged here for String Quartet by Kenneth Abeling. This March honoring the 71st Regiment who participated in many of the major battles during the Civil War is still a part of the Marching Band and Concert Band literature performed by U.S. American Military Bands. Performance Time 2:30.

This is the “National Emblem” march by E. E. Bagely transcribed here for String Quartet. This is an advanced intermediate arrangement of the very well know march.

C. Teike's Alte Kamaraden or “Old Comrades” is one of the most popular German marches of all time and perfect for“ Oktoberfest-ish” gigs! Transcribed here for String Quartet.

Sir Edward Elgar’s “Pomp and Circumstance”, arranged here for String Quartet, is arguably the most popular graduation ceremony processional of all time. This is an easy transcription (since you will likely be repeating it several times) and loyal to the original.

“Semper Fidelis” transcribed here for String Quartet, is another one of John Philip Sousa’s famous marches and The Official March of the United States Marine Corps. This transcription is of intermediate to advanced intermediate level difficulty.

“The Liberty Bell” transcribed here for String Quartet, is another one of John Philip Sousa’s famous marches and the theme to the Monty Python TV series. This transcription is of intermediate to advanced intermediate level difficulty.

“The Stars and Stripes Forever” is arguably John Philip Sousa’s most famous march and the Official March of the USA, transcribed here for String Quartet. This transcription is advanced intermediate level in difficulty.

“The Thunderer” transcribed here for String Quartet, is another one of John Philip Sousa’s famous marches. This transcription is of intermediate level difficulty.

“Washington Post” is one of John Philip Sousa’s most famous marches transcribed here for String Quartet. This transcription is of intermediate level difficulty.

The German National Anthem based on a theme by Joseph Haydn for String Quartet.

This is a collection or medley of three of George M. Cohan’s favorite patriotic songs arranged for String Quartet. The songs include; 1. “Over There!”, 2. “Yankee Doodle Boy” (commonly referred to as “I’m A Yankee Doodle Dandy”) and 3. Grand Old Flag. This collection can be played as individual songs or as medley. It should be playable by a good middle school group but advanced and professional musicians will find use for this arrangement during patriotic holidays and certain ceremonies.

Mallorca - Barcarola Op. 202 by Isaac Albéniz arranged here for Woodwind Quartet. In this very beautiful piece, and in typical Spanish fashion, Albéniz makes use of relative and parallel minor and major keys to create his Mallorcan landscape.

Suite Española, Op. 47 - No. 3. Sevilla for Woodwind Quartet by Isaac Albéniz. This is an advanced transcription of a very popular Spanish classic.

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Woodwind Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections.

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Woodwind Quartet. This easy to intermediate level transcription is suitable for a variety of occasions including Weddings!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Woodwind Quartet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings as well.

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Woodwind Quartet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Woodwind Quartet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

Jesu, Joy of Man’s Desiring, transcribed here for Woodwind Quartet. This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for Woodwind Quartet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications including Weddings!

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribed here for Woodwind Quartet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings!

“O Perfect Love” by Joseph Barnby arranged here for Woodwind Quartet by Kenneth Abeling. This is an easy arrangement of one the most popular Wedding Hymns of all time!

This is the Farandole from the Georges Bizet's famed L'Arlesienne Suite No. II transcribed here for Woodwind Quartet. It is an advanced intermediate to advanced transcription suitable for general performance as well as Christmas events and most audiences will readily recognize the two prominent themes from this movement.

Trumpet Voluntary By Jeremiah Clarke arranged here for Woodwind Quartet. Perhaps Jeremiah Clarke’s most popular compositions, this easily recognizable piece is suitable for a variety of performance applications.

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Woodwind Quartet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

Claude Debussy’s Reverie transcribed here for Woodwind Quartet. This is an advanced intermediate transcription of a Debussy classic.

No.9 - “Nimrod” from Edward Elgar’s Enigma Variations transcribed here for Woodwind Quartet. This is an easy to intermediate level arrangement of Elgar’s most popular variation from the Enigma variations.

Pavane, Op. 50 by Gabriel Fauré for Woodwind Quartet. This beautiful work from the Impressionistic period ebbs and flows through a series of harmonic and melodic climaxes, conjuring a cool, somewhat haunting elegance. It is suitable for a variety of performance applications and is of Advanced Intermediate to Easy Advanced level difficulty.

Fugue #1 in G minor 1 of 6 Fugues by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #2 in G Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #3 in Bb Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #4 in A minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #5 in B minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #6 in C minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Woodwind Quartet. This is an advanced piece and a great deal of fun to play…

“And the Glory of the Lord Shall be Revealed” from George Fredrick Handel’s Messiah, transcribed here for Woodwind Quartet. This is an intermediate to advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

And With His Stripes We Are Healed from George Fredrick Handel’s Messiah, transcribed for Woodwind Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

Behold the Lamb of God from George Fredrick Handel’s Messiah, transcribed for Woodwind Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

The famous Hallelujah Chorus from G. F. Handel’s Messiah in a user friendly key with equal emphasis on the orchestral parts for Woodwind Quartet.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Woodwind Quartet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“Sinfonia” or “Sinfony” from George Fredrick Handel’s Messiah, transcribed here for Woodwind Quartet. This is an advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is Pifa or Pastoral Symphony from G. F. Handel’s Messiah transcribed here for Woodwind Quartet.

This is “For Unto Us a Child is Born” from G. F. Handel’s Messiah transcribed here for Woodwind Quartet.

This is the entire First Suite for Military Band in Eb, Op. 28/a by Gustav Holst transcribed here for Woodwind Quartet. The three movements are: I. Chaconne - II. Intermezzo - III. March. This is an early advanced to advanced performance level transcription.

This is the entire Second Suite for Military Band in F, Op. 28/b by Gustav Holst transcribed here for Woodwind Quartet. The four movements of the suite are: 1.March: Morris Dance, Swansea Town, Claudy Banks- II. Song Without Words - III. Song of the Blacksmith - IV. Fantasia on the "Dargason". This is an early advanced to advanced performance level transcription.

“The Easy Winners”, transcribed here for Woodwind Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Elite Syncopations”, transcribed here for Woodwind Quartet, is another one of Scott Joplin's most popular rags.

“Fig Leaf Rag” transcribed here for Woodwind Quartet, is another one of Scott Joplin's most popular rags.

“Maple Leaf Rag”, transcribed here for Woodwind Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Paragon Rag” transcribed here for Woodwind Quartet, is another one of Scott Joplin's most popular rags.

“Pineapple Rag”, transcribed here for Woodwind Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Solace” - A Mexican Serenade, transcribed here for Woodwind Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Something Doing” transcribed here for Woodwind Quartet, is another one of Scott Joplin's most popular rags.

“The Cascades” transcribed here for Woodwind Quartet, is another one of Scott Joplin's most popular rags.

“The Entertainer”, transcribed here for Woodwind Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Weeping Willow” transcribed here for Woodwind Quartet, is another one of Scott Joplin's most popular rags.

Inspired by Psalm 19 from the Book of Psalms this is Benedetto Marcello’s Psalm 19 - “The Heavens Declare the Glory of God” transcribed here for Woodwind Quartet. This selection is programmable for a variety of sacred and secular occasion and accessible to the intermediate to advanced intermediate level players.

Rondeau from “Sinfonie de Fanfares”, transcribed here for Woodwind Quartet, is arguably one of Jean-Joseph Mouret’s most performed compositions. This Fanfare has numerous performance applications and this transcription is of an intermediate level of difficulty.

String quintet KV 160, Movement I although not one of Mozart's better known, is a natural for the Woodwind Quartet and is suitable for a variety of playing levels.

Diferencias sobre 'Guárdame las vacas' by Luis de Narváez. Originally written for the vihuela, this theme and variations has been adapted here for Woodwind Quartet by Kenneth Abeling. This Spanish, Renaissance era selection is a more advanced piece and a little tricky, but fun to play and showcases the entire ensemble!

One the most recognizable Classical pieces ever written, Canon in D Major by Johann Pachelbel is transcribed here for Woodwind Quartet. This selection is suitable for a wide variety of performance occasions.

Pavane pour une infante défunte, or Pavane For A Dead Infanta, or Pavane For A Dead Princess as it most often referred, written by Maurice Ravel and arranged here for Woodwind Quartet. This is an advanced intermediate transcription of Ravels timeless classic.

This is Rimsky-Korsakov’s Procession of Nobles or Mlada Suite – No. 5. Cortege, for Woodwind Quartet This is and advanced transcription of Korsakov’s march and is practical for numerous performance applications.

“Gymnopédies 1-3” by Erik Satie arranged here for Woodwind Quartet by Kenneth Abeling. This is a loyal transcription to all three elegantly simple pieces considered to be some of the most relaxing and pensive pieces ever written! It is appropriate for general performance as well as Religious services and Weddings. The playing time of all three pieces is: 7:40

Ave Maria by Franz Schubert for Woodwind Quartet is an arrangement of arguably the most popular of all compositions sharing this title. This piece is appropriate for Christmas, Weddings, and many other religious or sacred events.

Radetzky March, Op. 228 transcribed here for Woodwind Quartet. This is an intermediate advanced to advanced level arrangement and very suitable for Oktoberfest performances.

This is “By The Blue Danube“, (direct German translation) or “The Blue Danube” as it is commonly referred by Johann Strauss II, transcribed here for Woodwind Quartet. This is an advanced intermediate to advanced transcription of Strauss’ most popular waltz and the second National Anthem of Austria. This suitable for many “Oktoberfest-ish” celebrations and year-round in Vienna. :-)

Perpetual Motion by Johann Strauss II, transcribed here for Woodwind Quartet. This is an easier advanced to advanced transcription of Strauss’ version of the title. This somewhat overlooked piece is “comedic” in nature, challenging but lays well, a lot of fun to play and makes a great encore selection.

“Tales From the Vienna Woods” by Johann Strauss II arranged here for Woodwind Quartet. This is an advanced intermediate transcription of one of the “Waltz King’s” most popular compositions. This is suitable for some Oktoberfest events.

This is the entire 1812 Overture or Festival Overture "The Year 1812" in E flat major, op. 49 for Woodwind Quartet by Pyotr Ilyich Tchaikovsky. It is often performed in the US alongside other patriotic music at Fourth of July celebrations. This is an advanced transcription and loyal to the composer’s original intent.

1. Ouverture miniature from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

2. Marche from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

5. Arab Dance from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quartet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

6. Chinese Dance from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quartet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

4. Russian Dance, Trépak from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

7. Dance of the Reed Flutes from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quartet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

8. Waltz of the Flowers from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quartet. This is an advanced intermediate to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

3. Dance of the Sugar-Plum Fairy from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quartet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

This is an excerpt from Giuseppe Verdi’s Triumphal March from Aida transcribed here for Woodwind Quartet. This transcription/arrangement is very suitable as a Processional or Recessional march and is advance intermediate in difficulty. Playing time: 1:40

Perhaps one of Antonio Vivaldi’s most popular works, this is La primavera from The Four Seasons transcribed here for Woodwind Quartet. The movements of Concerto No. 1 (originally in E Maj), Op. 8, RV 269, “Spring” are: I. Allegro, II. Largo e pianissimo sempre and III. Allegro 'Danza pastorale'. This Transcription is suitable for Advanced Intermediate musicians.

This is 2. Largo (in Eb major) From Vivaldi’s The Four Seasons or Concerto No. 4 in F minor, Op. 8, RV 297, "Winter" (L'inverno). Transcribed here for Woodwind Quartet by Kenneth Abeling. This transcription is suitable for advanced Intermediate musicians and is suitable for numerous performance applications including Religious Services and Weddings!

“Entry of the Gladiators” or “Entrance of the Gladiators” Op. 68 by Julius Fucik, transcription for Woodwind Quartet by Kenneth Abeling and also known as “Thunder and Blazes”. Although its original intent was of a more serious nature, it has become perhaps the most recognizable “Circus March’ of all time. This is a more advanced march but can be played at normal march tempo as well as circus or “screamer” march.

Ruffles & Flourishes and the “The General’s & Flag Officer’s Marches”, transcribed here for Woodwind Quartet.

“Army of the Nile” by Kenneth Alford, transcription for Woodwind Quartet by Kenneth Abeling, is a British Style March. This is one of Alford’s most popular marches and is of an advanced intermediate to easier advanced level of difficulty.

“The Black Horse Troop”, here for Woodwind Quartet, is one of John Philip Sousa’s most popular marches. This arrangement is of intermediate level difficulty and audiences should readily recognize the melody.

“Bravura” is arguably C.E. Duble’s most popular and recognizable marches, transcribed here for Woodwind Quartet. This is an advanced intermediate to advanced transcription and playable at either march tempo, or circus march tempo. Playing time: 2:00

“El Capitan”, transcribed here for Woodwind Quartet, is another one of John Philip Sousa’s famous marches. This transcription is of intermediate level difficulty.

“Garry Owen” or “Garryowen” is a Traditional Irish Air and adopted as the official tune/march of the US 7th Cavalry Regiment arranged here for Woodwind Quartet. This is an advanced intermediate arrangement.

“Hands Across the Sea” transcribed here for Woodwind Quartet, is another one of John Philip Sousa’s famous marches.

Joyce’s 71st N.Y. Regiment March by Thornton Barnes Boyer and arranged here for Woodwind Quartet by Kenneth Abeling. This March honoring the 71st Regiment who participated in many of the major battles during the Civil War is still a part of the Marching Band and Concert Band literature performed by U.S. American Military Bands. Performance Time 2:30.

This is the “National Emblem” march by E. E. Bagely transcribed here for Woodwind Quartet. This is an advanced intermediate arrangement of the very well know march.

C. Teike's Alte Kamaraden or “Old Comrades” is one of the most popular German marches of all time and perfect for“ Oktoberfest-ish” gigs! Transcribed here for Woodwind Quartet.

Sir Edward Elgar’s “Pomp and Circumstance”, arranged here for Woodwind Quartet, is arguably the most popular graduation ceremony processional of all time. This is an easy transcription (since you will likely be repeating it several times) and loyal to the original.

“Semper Fidelis” transcribed here for Woodwind Quartet, is another one of John Philip Sousa’s famous marches and The Official March of the United States Marine Corps. This transcription is of intermediate to advanced intermediate level difficulty.

“The Liberty Bell” transcribed here for Woodwind Quartet, is another one of John Philip Sousa’s famous marches and the theme to the Monty Python TV series. This transcription is of intermediate to advanced intermediate level difficulty.

“The Stars and Stripes Forever” is arguably John Philip Sousa’s most famous march and the Official March of the USA, transcribed here for Woodwind Quartet. This transcription is advanced intermediate level in difficulty.

“The Thunderer” transcribed here for Woodwind Quartet, is another one of John Philip Sousa’s famous marches. This transcription is of intermediate level difficulty.

“Washington Post” is one of John Philip Sousa’s most famous marches transcribed here for Woodwind Quartet. This transcription is of intermediate level difficulty.

The German National Anthem based on a theme by Joseph Haydn for Woodwind Quartet.

This is a collection or medley of three of George M. Cohan’s favorite patriotic songs arranged for Woodwind Quartet. The songs include; 1. “Over There!”, 2. “Yankee Doodle Boy” (commonly referred to as “I’m A Yankee Doodle Dandy”) and 3. Grand Old Flag. This collection can be played as individual songs or as medley. It should be playable by a good middle school group but advanced and professional musicians will find use for this arrangement during patriotic holidays and certain ceremonies.

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Woodwind Quintet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Woodwind Quintet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Woodwind Quintet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings as well.

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Woodwind Quintet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Woodwind Quintet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribed here for Woodwind Quintet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings. It is appropriate for advanced intermediate ensembles and beyond.

This is the Farandole from the Georges Bizet's famed L'Arlesienne Suite No. II transcribed here for Woodwind Quintet. It is an advanced intermediate to advanced transcription suitable for general performance as well as Christmas events and most audiences will readily recognize the two prominent themes from this movement.

Trumpet Voluntary by Jeremiah Clarke arranged here for Woodwind Quintet. Perhaps Jeremiah Clarke’s most popular compositions, this easily recognizable piece is suitable for a variety of performance applications.

Claude Debussy’s Reverie transcribed here for Woodwind Quintet. This is an advanced intermediate transcription of a Debussy classic.

No.9 - “Nimrod” from Edward Elgar’s Enigma Variations transcribed here for Woodwind Quintet. This is an easy to intermediate level arrangement of Elgar’s most popular variation from the Enigma variations.

Pavane, Op. 50 by Gabriel Fauré for Woodwind Quintet. This beautiful work from the Impressionistic period ebbs and flows through a series of harmonic and melodic climaxes, conjuring a cool, somewhat haunting elegance. It is suitable for a variety of performance applications and is of Advanced Intermediate to Easy Advanced level difficulty.

“The Easy Winners”, transcribed here for Woodwind Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Elite Syncopations”, transcribed here for Woodwind Quintet, is another one of Scott Joplin's most popular rags.

“Fig Leaf Rag” transcribed here for Woodwind Quintet, is another one of Scott Joplin's most popular rags.

“Maple Leaf Rag”, transcribed here for Woodwind Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Paragon Rag” transcribed here for Woodwind Quintet, is another one of Scott Joplin's most popular rags.

“Pineapple Rag”, transcribed here for Woodwind Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Solace” - A Mexican Serenade, transcribed here for Woodwind Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Something Doing” transcribed here for Woodwind Quintet, is another one of Scott Joplin's most popular rags.

“The Cascades” transcribed here for Woodwind Quintet, is another one of Scott Joplin's most popular rags.

“The Entertainer”, transcribed here for Woodwind Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Weeping Willow” transcribed here for Woodwind Quintet, is another one of Scott Joplin's most popular rags.

One the most recognizable Classical pieces ever written, Canon in D Major by Johann Pachelbel is transcribed here for Woodwind Quintet. This selection is suitable for a wide variety of performance occasions.

This is Rimsky-Korsakov’s Procession of Nobles or Mlada Suite – No. 5. Cortege, for Woodwind Quintet This is and advanced transcription of Korsakov’s march and is practical for numerous performance applications.

Radetzky March, Op. 228 transcribed here for Woodwind Quintet. This is an intermediate advanced to advanced level arrangement and very suitable for Oktoberfest performances.

This is the entire 1812 Overture or Festival Overture "The Year 1812" in E flat major, op. 49 for Woodwind Quintet by Pyotr Ilyich Tchaikovsky. It is often performed in the US alongside other patriotic music at Fourth of July celebrations. This is an advanced transcription and loyal to the composer’s original intent.

1. Ouverture miniature from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quintet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

2. Marche from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quintet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

5. Arab Dance from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quintet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

6. Chinese Dance from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quintet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

4. Russian Dance, Trépak from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quintet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

7. Dance of the Reed Flutes from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quintet. This is an intermediate advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

8. Waltz of the Flowers from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quintet. This is an advanced intermediate to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

3. Dance of the Sugar-Plum Fairy from P.I. Tchaikovsky’s fantasy ballet “The Nutcracker” transcribed here for Woodwind Quintet. This an intermediate advanced to advanced arrangement and faithful to the composer’s original score as are all of the other movements offered.

This is an excerpt from Giuseppe Verdi’s Triumphal March from Aida transcribed here for Woodwind Quintet. This transcription/arrangement is very suitable as a Processional or Recessional march and is advance intermediate in difficulty. Playing time: 1:40

“Entry of the Gladiators” or “Entrance of the Gladiators” Op. 68 by Julius Fucik, transcription for Woodwind Quintet by Kenneth Abeling and also known as “Thunder and Blazes”. Although its original intent was of a more serious nature, it has become perhaps the most recognizable “Circus March’ of all time. This is a more advanced march but can be played at normal march tempo as well as circus or “screamer” march.

Ruffles & Flourishes and the “The General’s & Flag Officer’s Marches”, transcribed here for Woodwind Quintet. Those in need of these pieces will know their purpose.

“Army of the Nile” by Kenneth Alford, transcription for Woodwind Quintet by Kenneth Abeling, is a British Style March. This is one of Alford’s most popular marches and is of an advanced intermediate to easier advanced level of difficulty.

“The Black Horse Troop”, here for Woodwind Quintet, is one of John Philip Sousa’s most popular marches. This arrangement is of intermediate level difficulty and audiences should readily recognize the melody.

“Bravura” is arguably C.E. Duble’s most popular and recognizable marches, transcribed here for Woodwind Quintet. This is an advanced intermediate to advanced transcription and playable at either march tempo, or circus march tempo. Playing time: 2:00

“El Capitan”, transcribed here for Woodwind Quintet, is another one of John Philip Sousa’s famous marches. This transcription is of intermediate level difficulty.

“Garry Owen” or “Garryowen” is a Traditional Irish Air and adopted as the official tune/march of the US 7th Cavalry Regiment arranged here for Woodwind Quintet.

“Hands Across the Sea” transcribed here for Woodwind Quintet, is another one of John Philip Sousa’s famous marches.

Joyce’s 71st N.Y. Regiment March by Thornton Barnes Boyer and arranged here for Woodwind Quintet by Kenneth Abeling. This March honoring the 71st Regiment who participated in many of the major battles during the Civil War is still a part of the Marching Band and Concert Band literature performed by U.S. American Military Bands. Performance Time 2:30.

This is the “National Emblem” march by E. E. Bagely transcribed here for Woodwind Quintet. This is an advanced intermediate arrangement of the very well know march.

C. Teike's Alte Kamaraden or “Old Comrades” is one of the most popular German marches of all time and perfect for“ Oktoberfest-ish” gigs! Transcribed here for Woodwind Quintet.

Sir Edward Elgar’s “Pomp and Circumstance”, arranged here for Woodwind Quintet, is arguably the most popular graduation ceremony processional of all time. This is an easy transcription (since you will likely be repeating it several times) and loyal to the original.

“Semper Fidelis” transcribed here for Woodwind Quintet, is another one of John Philip Sousa’s famous marches and The Official March of the United States Marine Corps. This transcription is of intermediate to advanced intermediate level difficulty.

“The Liberty Bell” transcribed here for Woodwind Quintet, is another one of John Philip Sousa’s famous marches and the theme to the Monty Python TV series.

“The Stars and Stripes Forever” is arguably John Philip Sousa’s most famous march and the Official March of the USA, transcribed here for Woodwind Quintet. This transcription is advanced intermediate level in difficulty.

“The Thunderer” transcribed here for Woodwind Quintet, is another one of John Philip Sousa’s famous marches. This transcription is of intermediate level difficulty.

“Washington Post” is one of John Philip Sousa’s most famous marches transcribed here for Woodwind Quintet. This transcription is of intermediate level difficulty.

The German National Anthem based on a theme by Joseph Haydn for Woodwind Quintet.

This is a collection or medley of three of George M. Cohan’s favorite patriotic songs arranged for Woodwind Quintet. The songs include; 1. “Over There!”, 2. “Yankee Doodle Boy” (commonly referred to as “I’m A Yankee Doodle Dandy”) and 3. Grand Old Flag. This collection can be played as individual songs or as medley. It should be playable by a good middle school group but advanced and professional musicians will find use for this arrangement during patriotic holidays and certain ceremonies.

40 Beloved Christian Hymns Volume I for Brass Quintet is the first collection of traditionally scored, and frequently used hymns in many Christian worship services. This collection has been completely revised and now includes an optional Organ/Piano/Harpsichord part. The Titles include: A Mighty Fortress is Our God - Abide With Me - All Creatures of Our God and King - All Hail the Power of Jesus' Name! - Amazing Grace - At the Cross Mine Eyes Have seen the Glory (Battle Hymn of the Republic) - Be Thou My Vision Blessed Assurance Breathe on Me, Breath of God - Crown Him With Many Crowns - Eternal Father, Strong to Save - Fairest Lord Jesus - Faith of Our Fathers - For the Beauty of the Earth - God of Our Fathers - Holy, Holy, Holy - I Love to Tell the story - In the Garden - It is Well With My Soul (When Peace Like a River) - Jesus Christ is Risen Today - Jesus Loves Me - Jesus Paid It All - Jesus Shall Reign - Jesus, Lover of My Soul - Joyful, Joyful, We Adore Thee - Just a Closer Walk With Thee - Nearer My God to Thee - Onward Christian Soldiers - Praise the Lord! - O Heavens, Adore Him - Rock of Ages - Shall We Gather at the River - Take My Life and Let it Be - The Lords is My Shepard, I'll Not Want - The Old Rugged Cross - To God be the Glory - We Gather Together - Were You There - What a Friend We Have in Jesus - Wonderful Words of Life.

Traditional Christmas Carols for Brass Quintet Volume I contains 20 popular Christmas Carols from around the world, simply scored. Table of Contents: Angels We have Heard on High, Away in the manger, Bring a Torch, Jeanette Isabella, Coventry Carol, Deck the Halls, Once in Royal David's City, God Rest Ye Merry Gentleman, Hark the Herald Angels Sing, I Heard The Bells on Christmas Day, It Came upon a Midnight Clear, Joy to the World, Oh Christmas Tree, Oh Come All Ye Faithful, Oh Come, Oh Come Emmanuel, Oh Holy Night, Little Town of Bethlehem, Silent Night, First Noel, We Three Kings, What Child is This?

This is the entire First Suite for Military Band in Eb, Op. 28/a by Gustav Holst transcribed here for Saxophone Quartet. The three movements are: I. Chaconne - II. Intermezzo - III. March. This is an early advanced to advanced performance level transcription.

This is the entire Second Suite for Military Band in F, Op. 28/b by Gustav Holst transcribed here for Clarinet Quartet. The four movements of the suite are: 1.March: Morris Dance, Swansea Town, Claudy Banks- II. Song Without Words - III. Song of the Blacksmith - IV. Fantasia on the "Dargason". This is an early advanced to advanced performance level transcription.

This is the entire First Suite for Military Band in Eb, Op. 28/a by Gustav Holst transcribed here for Brass Quintet. The three movements are: I. Chaconne - II. Intermezzo - III. March. This is an early advanced to advanced performance level transcription.

This is the entire Second Suite for Military Band in F, Op. 28/b by Gustav Holst transcribed here for Brass Quintet. The four movements of the suite are: 1.March: Morris Dance, Swansea Town, Claudy Banks- II. Song Without Words - III. Song of the Blacksmith - IV. Fantasia on the "Dargason". This is an early advanced to advanced performance level transcription.

“Dixieland Medley” for Brass Quintet is a collection of five “Dixieland-ish” favorites to include: “That’s a Plenty”, “After You've Gone”, “Alexander's Ragtime Band”, “Margie” and “At the Jazz Band Ball”. This is an Advanced Intermediate to Advanced arrangement.

Mozart's universally known Serenade in G, K. 525 'Eine kleine Nachtmusik' or, a little night music for Clarinet Quartet by Kenneth Abeling. The movements are: I. Allegro, II. Romance: Andante, III. Minuet-Trio: Allegretto and IV. Rondo. This is an advanced level selection and appropriate for many performance applications either in its entirety or singular movements. Playing Time: 17:15 with repeats, 15:45 without.

Fiddle Tunes, Square Dance, Hoedown Medley or whatever you care to call it, here for Clarinet Quartet, is a medley of three Bluegrass standards. Included are “Liberty”, “Arkansas Traveler” and “Turkey in the Straw”. This arrangement makes a great novelty or encore piece in some situations. It passes the original melodies and variations equally amongst all members of the Quintet and while being challenging, is equally as fun to play!

40 Beloved Christian Hymns Volume I for Clarinet Quartet is the first collection of traditionally scored, and frequently used hymns in many Christian worship services. This collection has been completely revised and now includes an optional Organ/Piano/Harpsichord part. The Titles include: A Mighty Fortress is Our God - Abide With Me - All Creatures of Our God and King - All Hail the Power of Jesus' Name! - Amazing Grace - At the Cross Mine Eyes Have seen the Glory (Battle Hymn of the Republic) - Be Thou My Vision Blessed Assurance Breathe on Me, Breath of God - Crown Him With Many Crowns - Eternal Father, Strong to Save - Fairest Lord Jesus - Faith of Our Fathers - For the Beauty of the Earth - God of Our Fathers - Holy, Holy, Holy - I Love to Tell the story - In the Garden - It is Well With My Soul (When Peace Like a River) - Jesus Christ is Risen Today - Jesus Loves Me - Jesus Paid It All - Jesus Shall Reign - Jesus, Lover of My Soul - Joyful, Joyful, We Adore Thee - Just a Closer Walk With Thee - Nearer My God to Thee - Onward Christian Soldiers - Praise the Lord! - O Heavens, Adore Him - Rock of Ages - Shall We Gather at the River - Take My Life and Let it Be - The Lords is My Shepard, I'll Not Want - The Old Rugged Cross - To God be the Glory - We Gather Together - Were You There - What a Friend We Have in Jesus - Wonderful Words of Life.

Traditional Christmas Carols for Clarinet Quartet Volume I contains 20 popular Christmas Carols from around the world, simply scored. Table of Contents: Angels We have Heard on High, Away in the manger, Bring a Torch, Jeanette Isabella, Coventry Carol, Deck the Halls, Once in Royal David's City, God Rest Ye Merry Gentleman, Hark the Herald Angels Sing, I Heard The Bells on Christmas Day, It Came upon a Midnight Clear, Joy to the World, Oh Christmas Tree, Oh Come All Ye Faithful, Oh Come, Oh Come Emmanuel, Oh Holy Night, Little Town of Bethlehem, Silent Night, First Noel, We Three Kings, What Child is This?

“Wedding Processional & Recessional” is the traditional and popular grouping of the “Bridal Chorus” from Richard Wagner’s “Lohengrin” as the Processional and the “Wedding March” from Felix Mendolssohn’s “Midsummers Night's Dream” as the Recessional.

This is swing arrangement of the traditional Christmas Carol “God Rest Ye Merry Gentlemen” for Clarinet Quartet. It is suitable for professional musicians and more experienced ensembles.

Hark! The Herald Angels Sing for Clarinet Quartet is essentially a very entertaining Theme and Variations in a Latin style on a Christmas time favorite!

German Waltz (Oktoberfest) favorites arranged here for Clarinet Quartet by Kenneth Abeling. This is a collection traditional German waltzes and highly appropriate for Ocktoberfest-sh, or any other beer drinking occasions! The popular titles include: Im Munchen Steht Ein Hofbrauhaus, Schneewalzer, Du, Du, liegst mir am Herzen and Oh du lieber Augustin. This is an advanced intermediate arrangement but suitable for professional musicians as well!! Playing Time 3:20.

St. Louis Blues written by W. C. Handy, offered here for Clarinet Quartet, is an essential chart in any Dixieland library. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

The ever recognizable and ever popular “Clarinet Polka” arranged for Clarinet Quartet. This arrangement is for more advanced ensembles but a good workout for intermediate to lesser-advanced ensembles as well.

This crowd-pleasing arrangement of Jingle Bells for Clarinet Quartet alternates between swing and Latin on the verses and choruses respectively. The Soli and Tutti sections will show off the precision of your ensemble.

This Jazzy arrangement of We Wish You a Merry Christmas for Clarinet Quartet is will make a nice closing selection for caroling or concert.

Bring a Torch Jeanette, Isabella for Clarinet Quartet is a traditional carol arranged as a jazz waltz. This arrangement is suitable for professional musicians and more experienced ensembles.

Fiddle Tunes, Square Dance, Hoedown Medley or whatever you care to call it, here for Saxophone Quartet, is a medley of three Bluegrass standards. Included are “Liberty”, “Arkansas Traveler” and “Turkey in the Straw”. This arrangement makes a great novelty or encore piece in some situations. It passes the original melodies and variations equally amongst all members of the Quintet and while being challenging, is equally as fun to play!

Fiddle Tunes, Square Dance, Hoedown Medley or whatever you care to call it, here for Woodwind Quintet, is a medley of three Bluegrass standards. Included are “Liberty”, “Arkansas Traveler” and “Turkey in the Straw”. This arrangement makes a great novelty or encore piece in some situations. It passes the original melodies and variations equally amongst all members of the Quintet and while being challenging, is equally as fun to play!

40 Beloved Christian Hymns Volume I for Woodwind Quintet is the first collection of traditionally scored, and frequently used hymns in many Christian worship services. This collection has been completely revised and now includes an optional Organ/Piano/Harpsichord part. The Titles include: A Mighty Fortress is Our God - Abide With Me - All Creatures of Our God and King - All Hail the Power of Jesus' Name! - Amazing Grace - At the Cross Mine Eyes Have seen the Glory (Battle Hymn of the Republic) - Be Thou My Vision Blessed Assurance Breathe on Me, Breath of God - Crown Him With Many Crowns - Eternal Father, Strong to Save - Fairest Lord Jesus - Faith of Our Fathers - For the Beauty of the Earth - God of Our Fathers - Holy, Holy, Holy - I Love to Tell the story - In the Garden - It is Well With My Soul (When Peace Like a River) - Jesus Christ is Risen Today - Jesus Loves Me - Jesus Paid It All - Jesus Shall Reign - Jesus, Lover of My Soul - Joyful, Joyful, We Adore Thee - Just a Closer Walk With Thee - Nearer My God to Thee - Onward Christian Soldiers - Praise the Lord! - O Heavens, Adore Him - Rock of Ages - Shall We Gather at the River - Take My Life and Let it Be - The Lords is My Shepard, I'll Not Want - The Old Rugged Cross - To God be the Glory - We Gather Together - Were You There - What a Friend We Have in Jesus - Wonderful Words of Life.

Traditional Christmas Carols for Woodwind Quintet Volume I contains 20 popular Christmas Carols from around the world, simply scored. Table of Contents: Angels We have Heard on High, Away in the manger, Bring a Torch, Jeanette Isabella, Coventry Carol, Deck the Halls, Once in Royal David's City, God Rest Ye Merry Gentleman, Hark the Herald Angels Sing, I Heard The Bells on Christmas Day, It Came upon a Midnight Clear, Joy to the World, Oh Christmas Tree, Oh Come All Ye Faithful, Oh Come, Oh Come Emmanuel, Oh Holy Night, Little Town of Bethlehem, Silent Night, First Noel, We Three Kings, What Child is This? A Bass Clarinet part is provided for this arrangement as a substitute for the Bassoon part.

“Wedding Processional & Recessional” is the traditional and popular grouping of the “Bridal Chorus” from Richard Wagner’s “Lohengrin” as the Processional and the “Wedding March” from Felix Mendolssohn’s “Midsummers Night's Dream” as the Recessional.

This is the entire First Suite for Military Band in Eb, Op. 28/a by Gustav Holst transcribed here for Clarinet Quartet. The three movements are: I. Chaconne - II. Intermezzo - III. March. This is an early advanced to advanced performance level transcription.

This is the entire Second Suite for Military Band in F, Op. 28/b by Gustav Holst transcribed here for Saxophone Quartet. The four movements of the suite are: 1.March: Morris Dance, Swansea Town, Claudy Banks- II. Song Without Words - III. Song of the Blacksmith - IV. Fantasia on the "Dargason". This is an early advanced to advanced performance level transcription.

German Waltz (Oktoberfest) favorites arranged here for Saxophone Quartet by Kenneth Abeling. This is a collection traditional German waltzes and highly appropriate for Ocktoberfest-sh, or any other beer drinking occasions! The popular titles include: Im Munchen Steht Ein Hofbrauhaus, Schneewalzer, Du, Du, liegst mir am Herzen and Oh du lieber Augustin. This is an advanced intermediate arrangement but suitable for professional musicians as well!! Playing Time 3:20.

The ever recognizable and ever popular “Clarinet Polka” arranged for Saxophone Quartet. This arrangement is for more advanced ensembles but a good workout for intermediate to lesser-advanced ensembles as well. It is a must have for Oktoberfest and similar performance situations!

40 Beloved Christian Hymns Volume I for Saxophone Quartet is the first collection of traditionally scored, and frequently used hymns in many Christian worship services. This collection has been completely revised and now includes an optional Organ/Piano/Harpsichord part. The Titles include: A Mighty Fortress is Our God - Abide With Me - All Creatures of Our God and King - All Hail the Power of Jesus' Name! - Amazing Grace - At the Cross Mine Eyes Have seen the Glory (Battle Hymn of the Republic) - Be Thou My Vision Blessed Assurance Breathe on Me, Breath of God - Crown Him With Many Crowns - Eternal Father, Strong to Save - Fairest Lord Jesus - Faith of Our Fathers - For the Beauty of the Earth - God of Our Fathers - Holy, Holy, Holy - I Love to Tell the story - In the Garden - It is Well With My Soul (When Peace Like a River) - Jesus Christ is Risen Today - Jesus Loves Me - Jesus Paid It All - Jesus Shall Reign - Jesus, Lover of My Soul - Joyful, Joyful, We Adore Thee - Just a Closer Walk With Thee - Nearer My God to Thee - Onward Christian Soldiers - Praise the Lord! - O Heavens, Adore Him - Rock of Ages - Shall We Gather at the River - Take My Life and Let it Be - The Lords is My Shepard, I'll Not Want - The Old Rugged Cross - To God be the Glory - We Gather Together - Were You There - What a Friend We Have in Jesus - Wonderful Words of Life.

St. Louis Blues written by W. C. Handy, offered here for Saxophone Quartet, is an essential chart in any Dixieland library. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

A Closer Walk With Thee for Saxophone Quartet is a quintessential New Orleans funeral dirge that has numerous playing applications and an all time Dixieland favorite. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

This crowd-pleasing arrangement of Jingle Bells alternates between swing and Latin on the verses and choruses respectively. This arrangement is for Saxophone Quartet. Both Soprano and Alto Sax for Soprano parts are provided for this arrangement.

Traditional Christmas Carols for Saxophone Quartet Volume I contains 20 popular Christmas Carols from around the world, simply scored. Table of Contents: Angels We have Heard on High, Away in the manger, Bring a Torch, Jeanette Isabella, Coventry Carol, Deck the Halls, Once in Royal David's City, God Rest Ye Merry Gentleman, Hark the Herald Angels Sing, I Heard The Bells on Christmas Day, It Came upon a Midnight Clear, Joy to the World, Oh Christmas Tree, Oh Come All Ye Faithful, Oh Come, Oh Come Emmanuel, Oh Holy Night, Little Town of Bethlehem, Silent Night, First Noel, We Three Kings, What Child is This? Both Soprano and Alto Sax for Soprano parts are included for this arrangement.

This is a short little jazzy version of We Wish You a Merry Christmas that will make a great closer to your Christmas program. This arrangement is for Saxophone Quartet! Both Soprano and Alto 1 for Soprano parts are provided.

Jazz Christmas Carol - Bring a Torch, Jeanette, Isabella for Saxophone Quartet. Alto 1 for Soprano Part included.

This is swing arrangement of the traditional Christmas Carol “God Rest Ye Merry Gentlemen” for Saxophone Quartet. It is suitable for professional musicians and more experienced ensembles.

Jazz Christmas Carol - Hark! The Herald Angels Sing for Saxophone Quartet.Alto 1 for Soprano Part included.

This is the entire First Suite for Military Band in Eb, Op. 28/a by Gustav Holst transcribed here for Woodwind Quintet. The three movements are: I. Chaconne - II. Intermezzo - III. March. This is an early advanced to advanced performance level transcription.

This is the entire Second Suite for Military Band in F, Op. 28/b by Gustav Holst transcribed here for Woodwind Quintet. The four movements of the suite are: 1.March: Morris Dance, Swansea Town, Claudy Banks- II. Song Without Words - III. Song of the Blacksmith - IV. Fantasia on the "Dargason". This is an early advanced to advanced performance level transcription.

A Closer Walk With Thee for Clarinet Quartet is a quintessential New Orleans funeral dirge that has numerous playing applications and an all time Dixieland favorite. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

Morning Star Polka arranged for Saxophone Quartet. This is an intermediate, to intermediate advanced level Polka because of a few tricky parts and is Oktoberfest appropriate.

Morning Star Polka arranged for Clarinet Quartet. This is an intermediate, to intermediate advanced level Polka because of a few tricky parts and is Oktoberfest appropriate.

Morning Star Polka arranged for String Quartet. This is an intermediate, to intermediate advanced level Polka because of a few tricky parts and is Oktoberfest appropriate.

The ever recognizable and ever popular “Clarinet Polka” arranged for String Quartet. This arrangement is for more advanced ensembles but a good workout for intermediate to lesser-advanced ensembles as well.

German Waltz (Oktoberfest) favorites arranged here for String Quartet by Kenneth Abeling. This is a collection traditional German waltzes and highly appropriate for Ocktoberfest-sh, or any other beer drinking occasions! The popular titles include: Im Munchen Steht Ein Hofbrauhaus, Schneewalzer, Du, Du, liegst mir am Herzen and Oh du lieber Augustin. This is an advanced intermediate arrangement but suitable for professional musicians as well!! Playing Time 3:20.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for String Quartet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications.

40 Beloved Christian Hymns Volume I for String Quartet is the first collection of traditionally scored, and frequently used hymns in many Christian worship services. This collection has been completely revised and now includes an optional Organ/Piano/Harpsichord part. The Titles include: A Mighty Fortress is Our God - Abide With Me - All Creatures of Our God and King - All Hail the Power of Jesus' Name! - Amazing Grace - At the Cross Mine Eyes Have seen the Glory (Battle Hymn of the Republic) - Be Thou My Vision Blessed Assurance Breathe on Me, Breath of God - Crown Him With Many Crowns - Eternal Father, Strong to Save - Fairest Lord Jesus - Faith of Our Fathers - For the Beauty of the Earth - God of Our Fathers - Holy, Holy, Holy - I Love to Tell the story - In the Garden - It is Well With My Soul (When Peace Like a River) - Jesus Christ is Risen Today - Jesus Loves Me - Jesus Paid It All - Jesus Shall Reign - Jesus, Lover of My Soul - Joyful, Joyful, We Adore Thee - Just a Closer Walk With Thee - Nearer My God to Thee - Onward Christian Soldiers - Praise the Lord! - O Heavens, Adore Him - Rock of Ages - Shall We Gather at the River - Take My Life and Let it Be - The Lords is My Shepard, I'll Not Want - The Old Rugged Cross - To God be the Glory - We Gather Together - Were You There - What a Friend We Have in Jesus - Wonderful Words of Life.

20 Traditional Christmas Carols for String Quartet Volume I consists of 20 popular Christmas Carols from around the world, simply scored. Table of Contents: Angels We have Heard on High, Away in the manger, Bring a Torch, Jeanette Isabella, Coventry Carol, Deck the Halls, Once in Royal David's City, God Rest Ye Merry Gentleman, Hark the Herald Angels Sing, I Heard The Bells on Christmas Day, It Came upon a Midnight Clear, Joy to the World, Oh Christmas Tree, Oh Come All Ye Faithful, Oh Come, Oh Come Emmanuel, Oh Holy Night, Little Town of Bethlehem, Silent Night, First Noel, We Three Kings, What Child is This?

“Wedding Processional & Recessional” is the traditional and popular grouping of the “Bridal Chorus” from Richard Wagner’s “Lohengrin” as the Processional and the “Wedding March” from Felix Mendolssohn’s “Midsummers Night's Dream” as the Recessional.

Bring a Torch Jeanette, Isabella for String Quartet is a traditional carol arranged as a jazz waltz. This arrangement is suitable for professional musicians and more experienced ensembles.

This is swing arrangement of the traditional Christmas Carol “God Rest Ye Merry Gentlemen” for String Quartet. It is suitable for professional musicians and more experienced ensembles.

Hark! The Herald Angels Sing for String Quartet is essentially a very entertaining Theme and Variations in a Latin style on a Christmas time favorite!

St. Louis Blues written by W. C. Handy, offered here for String Quartet, is an essential chart in any Dixieland library. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

A Closer Walk With Thee for String Quartet is a quintessential New Orleans funeral dirge that has numerous playing applications and an all time Dixieland favorite. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

Mozart's universally known Serenade in G, K. 525 'Eine kleine Nachtmusik' or, a little night music for Woodwind Quartet by Kenneth Abeling. The movements are: I. Allegro, II. Romance: Andante, III. Minuet-Trio: Allegretto and IV. Rondo. This is an advanced level selection and appropriate for many performance applications either in its entirety or singular movements. Playing Time: 17:15 with repeats, 15:45 without.

St. Louis Blues written by W. C. Handy, offered here for Woodwind Quartet, is an essential chart in any Dixieland library. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

A Closer Walk With Thee for Woodwind Quartet is a quintessential New Orleans funeral dirge that has numerous playing applications and an all time Dixieland favorite. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

The ever recognizable and ever popular “Clarinet Polka” arranged for Woodwind Quartet. This arrangement is for more advanced ensembles but a good workout for intermediate to lesser-advanced ensembles as well.

Morning Star Polka arranged for Woodwind Quartet. This is an intermediate, to intermediate advanced level Polka because of a few tricky parts and is Oktoberfest appropriate.

40 Beloved Christian Hymns Volume I for Woodwind Quartet is the first collection of traditionally scored, and frequently used hymns in many Christian worship services. This collection has been completely revised and now includes an optional Organ/Piano/Harpsichord part. The Titles include: A Mighty Fortress is Our God - Abide With Me - All Creatures of Our God and King - All Hail the Power of Jesus' Name! - Amazing Grace - At the Cross Mine Eyes Have seen the Glory (Battle Hymn of the Republic) - Be Thou My Vision Blessed Assurance Breathe on Me, Breath of God - Crown Him With Many Crowns - Eternal Father, Strong to Save - Fairest Lord Jesus - Faith of Our Fathers - For the Beauty of the Earth - God of Our Fathers - Holy, Holy, Holy - I Love to Tell the story - In the Garden - It is Well With My Soul (When Peace Like a River) - Jesus Christ is Risen Today - Jesus Loves Me - Jesus Paid It All - Jesus Shall Reign - Jesus, Lover of My Soul - Joyful, Joyful, We Adore Thee - Just a Closer Walk With Thee - Nearer My God to Thee - Onward Christian Soldiers - Praise the Lord! - O Heavens, Adore Him - Rock of Ages - Shall We Gather at the River - Take My Life and Let it Be - The Lords is My Shepard, I'll Not Want - The Old Rugged Cross - To God be the Glory - We Gather Together - Were You There - What a Friend We Have in Jesus - Wonderful Words of Life.

“Wedding Processional & Recessional” is the traditional and popular grouping of the “Bridal Chorus” from Richard Wagner’s “Lohengrin” as the Processional and the “Wedding March” from Felix Mendolssohn’s “Midsummers Night's Dream” as the Recessional.

Fiddle Tunes, Square Dance, Hoedown Medley or whatever you care to call it, here for Woodwind Quartet, is a medley of three Bluegrass standards. Included are “Liberty”, “Arkansas Traveler” and “Turkey in the Straw”. This arrangement makes a great novelty or encore piece in some situations. It passes the original melodies and variations equally amongst all members of the Quintet and while being challenging, is equally as fun to play!

German Waltz (Oktoberfest) favorites arranged here for Woodwind Quartet by Kenneth Abeling. This is a collection traditional German waltzes and highly appropriate for Ocktoberfest-sh, or any other beer drinking occasions! The popular titles include: Im Munchen Steht Ein Hofbrauhaus, Schneewalzer, Du, Du, liegst mir am Herzen and Oh du lieber Augustin. This is an advanced intermediate arrangement but suitable for professional musicians as well!! Playing Time 3:20.

Bring a Torch Jeanette, Isabella for Woodwind Quartet is a traditional carol arranged as a jazz waltz. This arrangement is suitable for professional musicians and more experienced ensembles.

This is swing arrangement of the traditional Christmas Carol “God Rest Ye Merry Gentlemen” for Woodwind Quartet. It is suitable for professional musicians and more experienced ensembles.

Hark! The Herald Angels Sing for Woodwind Quartet is essentially a very entertaining Theme and Variations in a Latin style on a Christmas time favorite!

This Jazzy arrangement of We Wish You a Merry Christmas for Woodwind Quartet is will make a nice closing selection for caroling or concert.

This crowd-pleasing arrangement of Jingle Bells for Woodwind Quartet alternates between swing and Latin on the verses and choruses respectively. The Soli and Tutti sections will show off the precision of your ensemble.

Bridal Processional from Wagner's - Bridal Chorus (from Lohengrin) and Bridal Recessional from Mendelssohn's - Wedding March (from Midsummers Night's Dream). This Arrangement is for the SATB Saxophone Quartet.

This is Danza Espagñola - No.2 “Oriental” from 12 Danzas españolas by Enrique Granados transcribed here for Clarinet Quartet. This beautifully mournful piece is an advanced intermediate level transcription. Playing time: 4:20

This is Danza Espagñola - No.2 “Oriental” from 12 Danzas españolas by Enrique Granados transcribed here for Saxophone Quartet. This beautifully mournful piece is an advanced intermediate level transcription. Playing time: 4:20

Henry Mayer's Herzen Haben Keine Fenster from which “My Melody of Love” was derived arranged here for Clarinet Quartet. This is an easy to intermediate level arrangement and very suitable for Oktoberfest performances.

Henry Mayer's Herzen Haben Keine Fenster from which “My Melody of Love” was derived arranged here for Saxophone Quartet.

hôro No. 1 (Typico) By Heitor Villa-Lobos transcribed here Saxophone Quartet. Written originally for Classical Guitar this Tango-ish piece translates well to chamber groups!

Chôro No. 1 (Typico) By Heitor Villa-Lobos transcribed here for Clarinet Quartet. Written originally for Classical Guitar this Tango-ish piece translates well to chamber groups!

Royal Garden Blues for Saxophone Quartet is a well know and readily recognizable Dixieland classic. This arrangement is suitable for professional musicians and more experienced ensembles.

Royal Garden Blues for Clarinet Quartet is a well know and readily recognizable Dixieland classic. This arrangement is suitable for professional musicians and more experienced ensembles.

Royal Garden Blues for Woodwind Quartet is a well know and readily recognizable Dixieland classic. This arrangement is suitable for professional musicians and more experienced ensembles.

Royal Garden Blues for String Quartet is a well know and readily recognizable Dixieland classic. This arrangement is suitable for professional musicians and more experienced ensembles.

“Lift Every Voice and Sing”, by James & John Johnson and arranged here for Saxophone Quartet is a favorite spiritual! This is a relatively an easy to intermediate arrangement and is suitable for a variety of occasions.

“Lift Every Voice and Sing”, by James & John Johnson and arranged here for Clarinet Quartet is a favorite spiritual! This is a relatively an easy to intermediate arrangement and is suitable for a variety of occasions.

“Lift Every Voice and Sing”, by James & John Johnson and arranged here for String Quartet is a favorite spiritual! This is a relatively an easy to intermediate arrangement and is suitable for a variety of occasions.

“Lift Every Voice and Sing”, by James & John Johnson and arranged here for Woodwind Quartet is a favorite spiritual! This is a relatively an easy to intermediate arrangement and is suitable for a variety of occasions.

“Must Jesus Bear the Cross Alone?” by George Nelson Allen is the Hymn from which “Take My Hand Precious Lord” was derived. It is a favorite Spiritual, arranged here for Saxophone Quartet! This is a relatively easy arrangement and is suitable for a variety of occasions.

“Must Jesus Bear the Cross Alone?” by George Nelson Allen is the Hymn from which “Take My Hand Precious Lord” was derived. It is a favorite Spiritual, arranged here for Clarinet Quartet! This is a relatively easy arrangement and is suitable for a variety of occasions.

“Must Jesus Bear the Cross Alone?” by George Nelson Allen is the Hymn from which “Take My Hand Precious Lord” was derived. It is a favorite Spiritual, arranged here for String Quartet! This is a relatively easy arrangement and is suitable for a variety of occasions.

“Must Jesus Bear the Cross Alone?” by George Nelson Allen is the Hymn from which “Take My Hand Precious Lord” was derived. It is a favorite Spiritual, arranged here for Woodwind Quartet! This is a relatively easy arrangement and is suitable for a variety of occasions.

“We Shall Overcome”, by Charles Tindley is a favorite spiritual arranged here for Clarinet Quartet. This is a relatively easy arrangement and is suitable for a variety of occasions.

“We Shall Overcome”, by Charles Tindley is a favorite spiritual arranged here for Saxophone Quartet. This is a relatively easy arrangement and is suitable for a variety of occasions

“We Shall Overcome”, by Charles Tindley is a favorite spiritual arranged here for String Quartet. This is a relatively easy arrangement and is suitable for a variety of occasions.

“We Shall Overcome”, by Charles Tindley is a favorite spiritual arranged here for Woodwind Quartet. This is a relatively easy arrangement and is suitable for a variety of occasions.

This is Danza Espagñola - No.2 “Oriental” from 12 Danzas españolas by Enrique Granados transcribed here for String Quartet. This beautifully mournful piece is an advanced intermediate level transcription. Playing time: 4:20

This is Danza Espagñola - No.2 “Oriental” from 12 Danzas españolas by Enrique Granados transcribed here for Woodwind Quartet. This beautifully mournful piece is an advanced intermediate level transcription. Playing time: 4:20

Chôro No. 1 (Typico) By Heitor Villa-Lobos transcribed here String Quartet. Written originally for Classical Guitar this Tango-ish piece translates well to chamber groups!

Chôro No. 1 (Typico) By Heitor Villa-Lobos transcribed here Woodwind Quartet. Written originally for Classical Guitar this Tango-ish piece translates well to chamber groups!

Henry Mayer's Herzen Haben Keine Fenster from which “My Melody of Love” was derived arranged here for String Quartet. This is an easy to intermediate level arrangement and very suitable for Oktoberfest performances.

Henry Mayer's Herzen Haben Keine Fenster from which “My Melody of Love” was derived arranged here for Woodwind Quartet. This is an easy to intermediate level arrangement and very suitable for Oktoberfest performances.

Bring a Torch Jeanette, Isabella for Brass Quintet is a traditional carol arranged as a jazz waltz. This arrangement is suitable for professional musicians and more experienced ensembles.

Hark! The Herald Angels Sing for Brass Quintet is essentially a very entertaining Theme and Variations in a Latin style on a Christmas time favorite!

This is swing arrangement of the traditional Christmas Carol “God Rest Ye Merry Gentlemen” for Brass Quintet. It is suitable for professional musicians and more experienced ensembles.

“Must Jesus Bear the Cross Alone?” by George Nelson Allen is the Hymn from which “Take My Hand Precious Lord” was derived. It is a favorite Spiritual, arranged here for Brass Quintet! This is a relatively easy arrangement and is suitable for a variety of occasions.

“We Shall Overcome”, by Charles Tindley is a favorite spiritual arranged here for Brass Quintet. This is a relatively easy arrangement and is suitable for a variety of occasions.

“Lift Every Voice and Sing”, by James & John Johnson and arranged here for Brass Quintet is a favorite spiritual! This is a relatively an easy to intermediate arrangement and is suitable for a variety of occasions.

This is a short little jazzy version of We Wish You a Merry Christmas that will make a great closer to your Christmas program. This arrangement is for Brass Quintet!

This crowd-pleasing arrangement of Jingle Bells alternates between swing and Latin on the verses and choruses respectively. This arrangement is for String Quartet.

This Jazzy arrangement of We Wish You a Merry Christmas for String Quartet is will make a nice closing selection for caroling or concert.

“Wedding Processional & Recessional” is the traditional and popular grouping of the “Bridal Chorus” from Richard Wagner’s “Lohengrin” as the Processional and the “Wedding March” from Felix Mendolssohn’s “Midsummers Night's Dream” as the Recessional.

St. Louis Blues written by W. C. Handy, offered here for Brass Quintet, is an essential chart in any Dixieland library. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

A Closer Walk With Thee for Brass Quintet is a quintessential New Orleans funeral dirge that has numerous playing applications and an all time Dixieland favorite. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

Henry Mayer's Herzen Haben Keine Fenster from which “My Melody of Love” was derived arranged here for Brass Quintet. This is an easy to intermediate level arrangement and very suitable for Oktoberfest performances.

This crowd-pleasing arrangement of Jingle Bells for Brass Quintet alternates between swing and Latin on the verses and choruses respectively. The Soli and Tutti sections will show off the precision of your ensemble.

Morning Star Polka arranged for Brass Quintet. This is an intermediate, to intermediate advanced level Polka because of a few tricky parts and is Oktoberfest appropriate. Both Soprano and Alto Sax first voice parts are provided for this selection.

Royal Garden Blues for Brass Quintet is a well know and readily recognizable Dixieland classic. This arrangement is suitable for professional musicians and more experienced ensembles.

Just A Closer Walk With Thee for Woodwind Quintet is a quintessential New Orleans funeral dirge that has numerous playing applications and an all time Dixieland favorite. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

Royal Garden Blues for Woodwind Quintet is a well know and readily recognizable Dixieland classic. This arrangement is suitable for professional musicians and more experienced ensembles.

St. Louis Blues written by W. C. Handy, offered here for Woodwind Quintet, is an essential chart in any Dixieland library. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

“Lift Every Voice and Sing”, by James & John Johnson and arranged here for Woodwind Quintet is a favorite spiritual! This is a relatively an easy to intermediate arrangement and is suitable for a variety of occasions.

“Must Jesus Bear the Cross Alone?” by George Nelson Allen is the Hymn from which “Take My Hand Precious Lord” was derived. It is a favorite Spiritual, arranged here for Woodwind Quintet! This is a relatively easy arrangement and is suitable for a variety of occasions.

“We Shall Overcome”, by Charles Tindley is a favorite spiritual arranged here for Woodwind Quintet. This is a relatively easy arrangement and is suitable for a variety of occasions.

Bring a Torch Jeanette, Isabella for Woodwind Quintet is a traditional carol arranged as a jazz waltz. This arrangement is suitable for professional musicians and more experienced ensembles.

Hark! The Herald Angels Sing for Woodwind Quintet is essentially a very entertaining Theme and Variations in a Latin style on a Christmas time favorite!

This Jazzy arrangement of We Wish You a Merry Christmas for Woodwind Quintet is will make a nice closing selection for caroling or concert.

This is swing arrangement of the traditional Christmas Carol “God Rest Ye Merry Gentlemen” for Woodwind Quintet. It is suitable for professional musicians and more experienced ensembles.

This crowd-pleasing arrangement of Jingle Bells for Woodwind Quintet alternates between swing and Latin on the verses and choruses respectively. The Soli and Tutti sections will show off the precision of your ensemble.

Morning Star Polka arranged for Woodwind Quintet. This is an intermediate, to intermediate advanced level Polka because of a few tricky parts and is Oktoberfest appropriate.

Henry Mayer's Herzen Haben Keine Fenster from which “My Melody of Love” was derived arranged here for Woodwind Quintet. This is an easy to intermediate level arrangement and very suitable for Oktoberfest performances.

The ever recognizable and ever popular “Clarinet Polka” arranged for Woodwind Quintet. This arrangement is for more advanced ensembles but a good workout for intermediate to lesser-advanced ensembles as well.

German Waltz (Oktoberfest) favorites arranged here for Woodwind Quintet by Kenneth Abeling. This is a collection traditional German waltzes and highly appropriate for Ocktoberfest-sh, or any other beer drinking occasions! The popular titles include: Im Munchen Steht Ein Hofbrauhaus, Schneewalzer, Du, Du, liegst mir am Herzen and Oh du lieber Augustin. This is an advanced intermediate arrangement but suitable for professional musicians as well!! Playing Time 3:20.

Inspired by Psalm 19 from the Book of Psalms this is Benedetto Marcello’s Psalm 19 - “The Heavens Declare the Glory of God” transcribed here for Woodwind Quintet. This selection is programmable for a variety of sacred and secular occasion and accessible to the intermediate to advanced intermediate level players.

Perpetual Motion by Johann Strauss II, transcribed here for Woodwind Quintet. This is an easier advanced to advanced transcription of Strauss’ version of the title. This somewhat overlooked piece is “comedic” in nature, challenging but lays well, a lot of fun to play and makes a great encore selection.