Lincoln Music Publications

This Tango by Isaac Albéniz is the second in the suite of six pieces originally written for piano entitled España Op. 165 transcribed here for Brass Quintet by Kenneth Abeling. It is a charming little piece of intermediate level difficulty but programmable for advanced ensembles as well. Playing time 2:00

This Tango by Isaac Albéniz is the second in the suite of six pieces originally written for piano entitled España Op. 165 transcribed here for Saxophone Quartet by Kenneth Abeling. It is a charming little piece of intermediate level difficulty but programmable for advanced ensembles as well. Playing time 2:00

This Tango by Isaac Albéniz is the second in the suite of six pieces originally written for piano entitled España Op. 165 transcribed here for String Quartet by Kenneth Abeling. It is a charming little piece of intermediate level difficulty but programmable for advanced ensembles as well. Playing time 2:00

This Tango by Isaac Albéniz is the second in the suite of six pieces originally written for piano entitled España Op. 165 transcribed here for Woodwind Quintet by Kenneth Abeling. It is a charming little piece of intermediate level difficulty but programmable for advanced ensembles as well. Playing time 2:00

Mallorca - Barcarola Op. 202 by Isaac Albéniz arranged here for Saxophone Quartet. In this very beautiful piece, and in typical Spanish fashion, Albéniz makes use of relative and parallel minor and major keys to create his Mallorcan landscape.

Mallorca - Barcarola Op. 202 by Isaac Albéniz arranged here for String Quartet. In this very beautiful piece, and in typical Spanish fashion, Albéniz makes use of relative and parallel minor and major keys to create his Mallorcan landscape.

Mallorca - Barcarola Op. 202 by Isaac Albéniz arranged here for Woodwind Quintet. In this very beautiful piece, and in typical Spanish fashion, Albéniz makes use of relative and parallel minor and major keys to create his Mallorcan landscape.

Suite Española, Op. 47 - No. 3. Sevilla for Saxophone Quartet by Isaac Albéniz. This is an advanced transcription of a very popular Spanish classic.

Suite Española, Op. 47 - No. 3. Sevilla for String Quartet by Isaac Albéniz. This is an advanced transcription of a very popular Spanish classic.

Suite Española, Op. 47 - No. 3. Sevilla for Woodwind Quintet by Isaac Albéniz. This is an advanced transcription of a very popular Spanish classic.

Aria "sulla quarta corda" or “Air on the G -string" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for String Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections.

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quintet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Woodwind Quintet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quartet. This early intermediate level AATB transcription (a SATB version is available as well) is suitable for a variety of occasions including Weddings!

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quintet. This early intermediate level AATTB transcription (a SATTB version is available as well) is suitable for a variety of occasions including Weddings!

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for String Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Woodwind Quintet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Saxophone Quartet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings as well.

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for String Quartet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Woodwind Quintet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings as well.

This is the complete Brandenburg Concerto No. 3 Johann Sebastian Bach transcribed for Saxophone Quartet by Kenneth Abeling. It has an optional organ part if so desired, but will work perfectly well without. Originally written for three violins three violas, three celli, double bass and continuo, this transcription despite its difficulty may actually be accessible to more advanced non-professional quartets. It for the most part lays well on all of the instrument and once continuous lines have been dispersed to allow for some breaks. A lead part solo has been created over the second movement Phrygian cadence that would have been originally improvised by the harpsichordist. Either the organist or another Instrument could improvise their own solo here if desired. Playing Time 13:00.

This is the complete Brandenburg Concerto No. 6 Johann Sebastian Bach transcribed for Saxophone Quartet by Kenneth Abeling. It has an optional organ part if so desired, but will work perfectly well without. Originally written for two viola da braccio, two viola da gamba, cello, bass violin and continuo, this transcription despite its difficulty may actually be accessible to more advanced non-professional quartets. It for the most part lays well on all of the instrument and once continuous lines have been dispersed to allow for some breaks. Playing Time 16:00.

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Clarinet Quartet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Saxophone Quintet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.