Lincoln Music Publications

Inspired by Psalm 19 from the Book of Psalms this is Benedetto Marcello’s Psalm 19 - “The Heavens Declare the Glory of God” transcribed here for Brass Quintet. This selection is programmable for a variety of sacred and secular occasion and accessible to the intermediate to advanced intermediate level players.

Pavane pour une infante défunte, or Pavane For A Dead Infanta, or Pavane For A Dead Princess as it most often referred, written by Maurice Ravel and arranged here for Brass Quintet. This is an advanced intermediate transcription of Ravels timeless classic.

This is “By The Blue Danube“, (direct German translation) or “The Blue Danube” as it is commonly referred by Johann Strauss II, transcribed here for Brass Quintet. This is an advanced intermediate to advanced transcription of Strauss’ most popular waltz and the second National Anthem of Austria. This suitable for many “Oktoberfest-ish” celebrations and year-round in Vienna. :-)

“Tales From the Vienna Woods” by Johann Strauss II arranged here for Brass Quintet. This is an advanced intermediate transcription of one of the “Waltz King’s” most popular compositions. This is suitable for some Oktoberfest events.

Mallorca - Barcarola Op. 202 by Isaac Albéniz arranged here for Clarinet Quartet. In this very beautiful piece, and in typical Spanish fashion, Albéniz makes use of relative and parallel minor and major keys to create his Mallorcan landscape.

Suite Española, Op. 47 - No. 3. Sevilla for Clarinet Quartet by Isaac Albéniz. This is an advanced transcription of a very popular Spanish classic.

Aria "sulla quarta corda" or “Air on the G -string" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Clarinet Quartet. This intermediate level transcription is suitable for a variety of occasions! Playing Time: 4:20 or 2:10 if bypassing the repeated sections

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Clarinet Quartet. This intermediate level transcription is suitable for a variety of occasions!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Clarinet Quartet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services as well.

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Clarinet Quartet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Clarinet Quartet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings. Offered here for the Clarinet Quartet.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for Clarinet Quartet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications including Weddings.

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribed here for Clarinet Quartet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings. Playing time: 4:10

“O Perfect Love” by Joseph Barnby arranged here for Clarinet Quartet by Kenneth Abeling. This is an easy arrangement of one the most popular Wedding Hymns of all time!

Trumpet Voluntary By Jeremiah Clarke arranged here for Clarinet Quartet. Perhaps Jeremiah Clarke’s most popular compositions, this easily recognizable piece is suitable for a variety of performance applications.

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Clarinet Quartet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

Debussy's Quartet in G minor, movement 1 is beautifully written and would be an excellent addition to an experienced Clarinet Quartet library but it is a challenge from start to finish!

Claude Debussy’s Reverie transcribed here for Clarinet Quartet. This is an advanced intermediate transcription of a Debussy classic.

Pavane, Op. 50 by Gabriel Fauré for Clarinet Quartet. This beautiful work from the Impressionistic period ebbs and flows through a series of harmonic and melodic climaxes, conjuring a cool, somewhat haunting elegance. It is suitable for a variety of performance applications and is of Advanced Intermediate to Easy Advanced level difficulty.

Fugue #1 in G minor 1 of 6 Fugues by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #2 in G Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #3 in Bb Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #4 in A minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #5 in B minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #6 in C minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

This song, whose title translates as "In the Pleasant Grove, " is cast in an a minor-mode setting in a duple meter. The obbligato instrument contrasts with the voice throughout. This transcription is for Clarinet Quartet.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Clarinet Quartet. This is an advanced piece and a great deal of fun to play…

“The Easy Winners”, transcribed here for Clarinet Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Elite Syncopations”, transcribed here for Clarinet Quartet, is another one of Scott Joplin's most popular rags.

“Fig Leaf Rag” transcribed here for Clarinet Quartet, is another one of Scott Joplin's most popular rags.

“Maple Leaf Rag”, transcribed here for Clarinet Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Paragon Rag” transcribed here for Clarinet Quartet, is another one of Scott Joplin's most popular rags.

“Pineapple Rag”, transcribed here for Clarinet Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Solace” - A Mexican Serenade, transcribed here for Clarinet Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Something Doing” transcribed here for Clarinet Quartet, is another one of Scott Joplin's most popular rags.

“The Cascades” transcribed here for Clarinet Quartet, is another one of Scott Joplin's most popular rags.

“The Entertainer”, transcribed here for Clarinet Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Weeping Willow” transcribed here for Clarinet Quartet, is another one of Scott Joplin's most popular rags.

Inspired by Psalm 19 from the Book of Psalms this is Benedetto Marcello’s Psalm 19 - “The Heavens Declare the Glory of God” transcribed here for Clarinet Quartet. This selection is programmable for a variety of sacred and secular occasion and accessible to the intermediate to advanced intermediate level players.

Rondeau from “Sinfonie de Fanfares”, transcribed here for Clarinet Quartet, is one of Jean-Joseph Mouret’s most performed compositions. This Fanfare has numerous performance applications and this transcription is of an intermediate level of difficulty.

String Quartet KV 160, Movement I although not one of Mozart's better known, is a natural for the Clarinet Quartet and is suitable for a variety of playing levels.

Diferencias sobre 'Guárdame las vacas' by Luis de Narváez. Originally written for the vihuela, this theme and variations has been adapted here for Clarinet Quartet by Kenneth Abeling. This Spanish, Renaissance era selection is a more advanced piece and a little tricky, but fun to play and showcases the entire ensemble! Playing time: 3:30

One the most recognizable Classical pieces ever written, Canon in D Major by Johann Pachelbel is transcribed here for Clarinet Quartet. This selection is suitable for a wide variety of performance occasions.

Pavane pour une infante défunte, or Pavane For A Dead Infanta, or Pavane For A Dead Princess as it most often referred, written by Maurice Ravel and arranged here for Clarinet Quartet. This is an advanced intermediate transcription of Ravels timeless classic.

This is Rimsky-Korsakov’s Procession of the Nobles or Mlada Suite – No. 5. Cortege, for Clarinet Quartet. This is and advanced transcription of Korsakov’s march and is practical for numerous performance applications.

“Gymnopédies 1-3” by Erik Satie arranged here for Clarinet Quartet by Kenneth Abeling. This is a loyal transcription to all three elegantly simple pieces considered to be some of the most relaxing and pensive pieces ever written! It is appropriate for general performance as well as Religious services and Weddings. The playing time of all three pieces is: 7:40

This is “By The Blue Danube“, (direct German translation) or “The Blue Danube” as it is commonly referred by Johann Strauss II, transcribed here for Clarinet Quartet. This is an advanced intermediate to advanced transcription of Strauss’ most popular waltz and the second National Anthem of Austria. This suitable for many “Oktoberfest-ish” celebrations and year-round in Vienna. :-)

Perpetual Motion by Johann Strauss II, transcribed here for Clarinet Quartet. This is an easier advanced to advanced transcription of Strauss’ version of the title. This somewhat overlooked piece is “comedic” in nature, challenging but lays well, a lot of fun to play and makes a great encore selection.

“Tales From the Vienna Woods” by Johann Strauss II arranged here for Clarinet Quartet. This is an advanced intermediate transcription of one of the “Waltz King’s” most popular compositions. This is suitable for some Oktoberfest events.

This is the entire 1812 Overture or Festival Overture "The Year 1812" in E flat major, op. 49 for Clarinet Quartet by Pyotr Ilyich Tchaikovsky. It is often performed in the US alongside other patriotic music at Fourth of July celebrations. This is an advanced transcription and loyal to the composer’s original intent.

Antonio Vivaldi's Chamber Concerto in F Major (3) Movements for Clarinet Quartet is playable with or without organ. It features the 2nd voice throughout more than the 1st voice for a change!

This is 2. Largo (in Eb major) From Vivaldi’s The Four Seasons or Concerto No. 4 in F minor, Op. 8, RV 297, "Winter" (L'inverno). Transcribed here for Clarinet Quartet by Kenneth Abeling. This transcription is suitable for advanced Intermediate musicians and is suitable for numerous performance applications including Religious Services and Weddings!

Mallorca - Barcarola Op. 202 by Isaac Albéniz arranged here for Saxophone Quartet. In this very beautiful piece, and in typical Spanish fashion, Albéniz makes use of relative and parallel minor and major keys to create his Mallorcan landscape.

Suite Española, Op. 47 - No. 3. Sevilla for Saxophone Quartet by Isaac Albéniz. This is an advanced transcription of a very popular Spanish classic.

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Saxophone Quartet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings as well.

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Saxophone Quartet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Saxophone Quartet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

Jesu, Joy of Man’s Desiring, transcribed here for Saxophone Quartet. This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for Saxophone Quartet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications including Weddings.

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribed here for Saxophone Quartet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings.

“O Perfect Love” by Joseph Barnby arranged here for Saxophone Quartet by Kenneth Abeling. This is an easy arrangement of one the most popular Wedding Hymns of all time!

Trumpet Voluntary By Jeremiah Clarke arranged here for Saxophone Quartet. Perhaps Jeremiah Clarke’s most popular compositions, this easily recognizable piece is suitable for a variety of performance applications.

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Saxophone Quartet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

Debussy's Quartet in G minor, movement 1 is beautifully written and would be an excellent addition to an experienced Saxophone Quartet library but it is a challenge from start to finish!

Claude Debussy’s Reverie transcribed here for Saxophone Quartet. This is an advanced intermediate transcription of a Debussy classic.

No.9 - “Nimrod” from Edward Elgar’s Enigma Variations transcribed here for Saxophone Quartet. This is an easy to intermediate level arrangement of Elgar’s most popular variation from the Enigma variations.

Pavane, Op. 50 by Gabriel Fauré for Saxophone Quartet. This beautiful work from the Impressionistic period ebbs and flows through a series of harmonic and melodic climaxes, conjuring a cool, somewhat haunting elegance. It is suitable for a variety of performance applications and is of Advanced Intermediate to Easy Advanced level difficulty.

Fugue #1 in G minor 1 of 6 Fugues by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #2 in G Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #3 in Bb Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #4 in A minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #5 in B minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #6 in C minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

This song, whose title translates as "In the Pleasant Grove, " is cast in an a minor-mode setting in a duple meter. The obbligato instrument contrasts with the voice throughout. This transcription is for Saxophone Quartet.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Saxophone Quartet (SATB). This is an advanced piece and a great deal of fun to play…

“The Easy Winners”, transcribed here for Saxophone Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Elite Syncopations”, transcribed here for Saxophone Quartet, is another one of Scott Joplin's most popular rags.

“Fig Leaf Rag” transcribed here for Saxophone Quartet, is another one of Scott Joplin's most popular rags.

“Maple Leaf Rag”, transcribed here for Saxophone Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Paragon Rag” transcribed here for Saxophone Quartet, is another one of Scott Joplin's most popular rags.

“Pineapple Rag”, transcribed here for Saxophone Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Solace” - A Mexican Serenade, transcribed here for Saxophone Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Something Doing” transcribed here for Saxophone Quartet, is another one of Scott Joplin's most popular rags.

“The Cascades” transcribed here for Saxophone Quartet, is another one of Scott Joplin's most popular rags.

“The Entertainer”, transcribed here for Saxophone Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Weeping Willow” transcribed here for Saxophone Quartet, is another one of Scott Joplin's most popular rags.

Inspired by Psalm 19 from the Book of Psalms this is Benedetto Marcello’s Psalm 19 - “The Heavens Declare the Glory of God” transcribed here for Saxophone Quartet. This selection is programmable for a variety of sacred and secular occasion and accessible to the intermediate to advanced intermediate level players.

Rondeau from “Sinfonie de Fanfares”, transcribed here for Saxophone Quartet, is arguably one of Jean-Joseph Mouret’s most performed compositions. This Fanfare has numerous performance applications and this transcription is of an intermediate level of difficulty.

Mozart's universally known Serenade in G, K. 525 'Eine kleine Nachtmusik' or, a little night music for Saxophone Quartet by Kenneth Abeling. The movements are: I. Allegro, II. Romance: Andante, III. Minuet-Trio: Allegretto and IV. Rondo. This is an advanced level selection and appropriate for many performance applications either in its entirety or singular movements. Playing Time: 17:15 with repeats, 15:45 without.

String Quartet KV 156, Movement I although not one of Mozart's better known, is a natural for the Saxophone Quartet and is suitable for a variety of playing levels.

String Quartet KV 160, Movement I although not one of Mozart's better known, is a natural for the Saxophone Quartet and is suitable for a variety of playing levels.

Narvaez's "Cancion" is a somber piece originally written for the lute but works very well for the Saxophone Quartet.

Diferencias sobre 'Guárdame las vacas' by Luis de Narváez. Originally written for the vihuela, this theme and variations has been adapted here for Saxophone Quartet by Kenneth Abeling. This Spanish, Renaissance era selection is a more advanced piece and a little tricky, but fun to play and showcases the entire ensemble!

One the most recognizable Classical pieces ever written, Canon in D Major by Johann Pachelbel is transcribed here for Saxophone Quartet. This selection is suitable for a wide variety of performance occasions.

Pavane pour une infante défunte, or Pavane For A Dead Infanta, or Pavane For A Dead Princess as it most often referred, written by Maurice Ravel and arranged here for Saxophone Quartet. This is an advanced intermediate transcription of Ravels timeless classic. The provided MP3 of this arrangement was recorded by the Weesper Saxofoonkwartet. This is an excellent ensemble! Please visit there website at: https://sites.google.com/site/hetweespersaxofoonkwartet/home

Aside from the obvious challenges, Rimsky-Korsakoff's Flight of the Bumblebee for Saxophone Quartet requires of the soloist, the accompaniment parts are also demanding.

This is Rimsky-Korsakov’s Procession of the Nobles or Mlada Suite – No. 5. Cortege, for Saxophone Quartet. This is and advanced transcription of Korsakov’s march and is practical for numerous performance applications.

“Gymnopédies 1-3” by Erik Satie arranged here for Saxophone Quartet by Kenneth Abeling. This is a loyal transcription to all three elegantly simple pieces considered to be some of the most relaxing and pensive pieces ever written! It is appropriate for general performance as well as Religious services and Weddings. The playing time of all three pieces is: 7:40

Scarlatti, Domenico - Sonata K.52 - Longo 267 for Saxophone Quartet.

Scarlatti, Domenico - Sonata K.84 - Longo 241 for Saxophone Quartet.

This is “By The Blue Danube“, (direct German translation) or “The Blue Danube” as it is commonly referred by Johann Strauss II, transcribed here for Saxophone Quartet. This is an advanced intermediate to advanced transcription of Strauss’ most popular waltz and the second National Anthem of Austria. This suitable for many “Oktoberfest-ish” celebrations and year-round in Vienna. :-)

Perpetual Motion by Johann Strauss II, transcribed here for Saxophone Quartet. This is an easier advanced to advanced transcription of Strauss’ version of the title. This somewhat overlooked piece is “comedic” in nature, challenging but lays well, a lot of fun to play and makes a great encore selection.

“Tales From the Vienna Woods” by Johann Strauss II arranged here for Saxophone Quartet. This is an advanced intermediate transcription of one of the “Waltz King’s” most popular compositions. This is suitable for some Oktoberfest events.

This is the entire 1812 Overture or Festival Overture "The Year 1812" in E flat major, op. 49 for Saxophone Quartet by Pyotr Ilyich Tchaikovsky. It is often performed in the US alongside other patriotic music at Fourth of July celebrations. This is an advanced transcription and loyal to the composer’s original intent.

Overture from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Sarabande from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Bouree from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Loure from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Gavotte from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Harliquinade from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Eolo from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Menuet from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Gigue from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Canarie from G.F Telemann's "Wassermusik Suite" for Saxophone Quartet.

Antonio Vivaldi’s Chamber Concerto in D Major RV 99. Originally written for Recorder, Violin, Oboe, Bassoon and Harpsichord, this arrangement is for Saxophone Quartet with an optional Organ part by Kenneth Abeling. The movements are: I. Allegro - II. Largo - III. Allegro. This is an advanced piece and suitable for both general performance. in its entirety or in parts, and for secular as well as sacred settings. Playing Time approximately 9:50.

La Primavera, transcribed here for Saxophone Quartet, is one of Antonio Vivaldi's best-known composite works from The Four Seasons and is amongst the most popular pieces of the Baroque period. This transcription includes all three movements: 1. Allegro, 2. Largo e pianissimo sempre and 3. Allegro 'Danza pastorale'.

This is 2. Largo (in Eb major) From Vivaldi’s The Four Seasons or Concerto No. 4 in F minor, Op. 8, RV 297, "Winter" (L'inverno). Transcribed here for Saxophone Quartet by Kenneth Abeling. This transcription is suitable for advanced Intermediate musicians and is suitable for numerous performance applications including Religious Services and Weddings!

Mallorca - Barcarola Op. 202 by Isaac Albéniz arranged here for String Quartet. In this very beautiful piece, and in typical Spanish fashion, Albéniz makes use of relative and parallel minor and major keys to create his Mallorcan landscape.

Suite Española, Op. 47 - No. 3. Sevilla for String Quartet by Isaac Albéniz. This is an advanced transcription of a very popular Spanish classic.

Aria "sulla quarta corda" or “Air on the G -string" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for String Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections.

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for String Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for String Quartet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings!

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for String Quartet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for String Quartet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

Jesu, Joy of Man’s Desiring, transcribed here for String Quartet. This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings.

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribes here for String Quartet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings!

“O Perfect Love” by Joseph Barnby arranged here for String Quartet by Kenneth Abeling. This is an easy arrangement of one the most popular Wedding Hymns of all time!

Trumpet Voluntary By Jeremiah Clarke arranged here for String Quartet. Perhaps Jeremiah Clarke’s most popular compositions, this easily recognizable piece is suitable for a variety of performance applications.

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for String Quartet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

Claude Debussy’s Reverie transcribed here for String Quartet. This is an advanced intermediate transcription of a Debussy classic.

No.9 - “Nimrod” from Edward Elgar’s Enigma Variations transcribed here for String Quartet. This is an easy to intermediate level arrangement of Elgar’s most popular variation from the Enigma variations.

Pavane, Op. 50 by Gabriel Fauré for String Quartet. This beautiful work from the Impressionistic period ebbs and flows through a series of harmonic and melodic climaxes, conjuring a cool, somewhat haunting elegance. It is suitable for a variety of performance applications and is of Advanced Intermediate to Easy Advanced level difficulty.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for String Quartet. This is an advanced piece and a great deal of fun to play…

This is the entire First Suite for Military Band in Eb, Op. 28/a by Gustav Holst transcribed here for String Quartet. The three movements are: I. Chaconne - II. Intermezzo - III. March. This is an early advanced to advanced performance level transcription.

This is the entire Second Suite for Military Band in F, Op. 28/b by Gustav Holst transcribed here for String Quartet. The four movements of the suite are: 1.March: Morris Dance, Swansea Town, Claudy Banks- II. Song Without Words - III. Song of the Blacksmith - IV. Fantasia on the "Dargason". This is an early advanced to advanced performance level transcription.

“The Easy Winners”, transcribed here for String Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Elite Syncopations”, transcribed here for String Quartet, is another one of Scott Joplin's most popular rags.

“Fig Leaf Rag” transcribed here for String Quartet, is another one of Scott Joplin's most popular rags.

“Maple Leaf Rag”, transcribed here for String Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Paragon Rag” transcribed here for String Quartet, is another one of Scott Joplin's most popular rags.

“Pineapple Rag”, transcribed here for String Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Solace” - A Mexican Serenade, transcribed here for String Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Something Doing” transcribed here for String Quartet, is another one of Scott Joplin's most popular rags.

“The Cascades” transcribed here for String Quartet, is another one of Scott Joplin's most popular rags.

“The Entertainer”, transcribed here for String Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Weeping Willow” transcribed here for String Quartet, is another one of Scott Joplin's most popular rags.

Inspired by Psalm 19 from the Book of Psalms this is Benedetto Marcello’s Psalm 19 - “The Heavens Declare the Glory of God” transcribed here for String Quartet. This selection is programmable for a variety of sacred and secular occasion and accessible to the intermediate to advanced intermediate level players.

Rondeau from “Sinfonie de Fanfares”, transcribed here for String Quartet, is arguably one of Jean-Joseph Mouret’s most performed compositions. This Fanfare has numerous performance applications and this transcription is of an intermediate level of difficulty.

Diferencias sobre 'Guárdame las vacas' by Luis de Narváez. Originally written for the vihuela, this theme and variations has been adapted here for String Quartet by Kenneth Abeling. This Spanish, Renaissance era selection is a more advanced piece and a little tricky, but fun to play and showcases the entire ensemble!

One the most recognizable Classical pieces ever written, Canon in D Major by Johann Pachelbel is transcribed here for String Quartet. This selection is suitable for a wide variety of performance occasions.

Pavane pour une infante défunte, or Pavane For A Dead Infanta, or Pavane For A Dead Princess as it most often referred, written by Maurice Ravel and arranged here for String Quartet. This is an advanced intermediate transcription of Ravels timeless classic.

This is Rimsky-Korsakov’s Procession of the Nobles or Mlada Suite – No. 5. Cortege, for String Quartet This is and advanced transcription of Korsakov’s march and is practical for numerous performance applications.

“Gymnopédies 1-3” by Erik Satie arranged here for String Quartet by Kenneth Abeling. This is a loyal transcription to all three elegantly simple pieces considered to be some of the most relaxing and pensive pieces ever written! It is appropriate for general performance as well as Religious services and Weddings. The playing time of all three pieces is: 7:40

Perpetual Motion by Johann Strauss II, transcribed here for String Quartet. This is an easier advanced to advanced transcription of Strauss’ version of the title. This somewhat overlooked piece is “comedic” in nature, challenging but lays well, a lot of fun to play and makes a great encore selection.

“Tales From the Vienna Woods” by Johann Strauss II arranged here for String Quartet. This is an advanced intermediate transcription of one of the “Waltz King’s” most popular compositions. This is suitable for some Oktoberfest events.

This is the entire 1812 Overture or Festival Overture "The Year 1812" in E flat major, op. 49 for String Quartet by Pyotr Ilyich Tchaikovsky. It is often performed in the US alongside other patriotic music at Fourth of July celebrations. This is an advanced transcription and loyal to the composer’s original intent.

Mallorca - Barcarola Op. 202 by Isaac Albéniz arranged here for Woodwind Quartet. In this very beautiful piece, and in typical Spanish fashion, Albéniz makes use of relative and parallel minor and major keys to create his Mallorcan landscape.

Suite Española, Op. 47 - No. 3. Sevilla for Woodwind Quartet by Isaac Albéniz. This is an advanced transcription of a very popular Spanish classic.

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Woodwind Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections.

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Woodwind Quartet. This easy to intermediate level transcription is suitable for a variety of occasions including Weddings!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Woodwind Quartet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings as well.

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Woodwind Quartet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Woodwind Quartet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

Jesu, Joy of Man’s Desiring, transcribed here for Woodwind Quartet. This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for Woodwind Quartet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications including Weddings!

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribed here for Woodwind Quartet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings!

“O Perfect Love” by Joseph Barnby arranged here for Woodwind Quartet by Kenneth Abeling. This is an easy arrangement of one the most popular Wedding Hymns of all time!

Trumpet Voluntary By Jeremiah Clarke arranged here for Woodwind Quartet. Perhaps Jeremiah Clarke’s most popular compositions, this easily recognizable piece is suitable for a variety of performance applications.

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Woodwind Quartet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

Claude Debussy’s Reverie transcribed here for Woodwind Quartet. This is an advanced intermediate transcription of a Debussy classic.

No.9 - “Nimrod” from Edward Elgar’s Enigma Variations transcribed here for Woodwind Quartet. This is an easy to intermediate level arrangement of Elgar’s most popular variation from the Enigma variations.

Pavane, Op. 50 by Gabriel Fauré for Woodwind Quartet. This beautiful work from the Impressionistic period ebbs and flows through a series of harmonic and melodic climaxes, conjuring a cool, somewhat haunting elegance. It is suitable for a variety of performance applications and is of Advanced Intermediate to Easy Advanced level difficulty.

Fugue #1 in G minor 1 of 6 Fugues by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #2 in G Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #3 in Bb Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #4 in A minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #5 in B minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #6 in C minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Woodwind Quartet. This is an advanced piece and a great deal of fun to play…

This is the entire First Suite for Military Band in Eb, Op. 28/a by Gustav Holst transcribed here for Woodwind Quartet. The three movements are: I. Chaconne - II. Intermezzo - III. March. This is an early advanced to advanced performance level transcription.

This is the entire Second Suite for Military Band in F, Op. 28/b by Gustav Holst transcribed here for Woodwind Quartet. The four movements of the suite are: 1.March: Morris Dance, Swansea Town, Claudy Banks- II. Song Without Words - III. Song of the Blacksmith - IV. Fantasia on the "Dargason". This is an early advanced to advanced performance level transcription.

“The Easy Winners”, transcribed here for Woodwind Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Elite Syncopations”, transcribed here for Woodwind Quartet, is another one of Scott Joplin's most popular rags.

“Fig Leaf Rag” transcribed here for Woodwind Quartet, is another one of Scott Joplin's most popular rags.

“Maple Leaf Rag”, transcribed here for Woodwind Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Paragon Rag” transcribed here for Woodwind Quartet, is another one of Scott Joplin's most popular rags.

“Pineapple Rag”, transcribed here for Woodwind Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Solace” - A Mexican Serenade, transcribed here for Woodwind Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Something Doing” transcribed here for Woodwind Quartet, is another one of Scott Joplin's most popular rags.

“The Cascades” transcribed here for Woodwind Quartet, is another one of Scott Joplin's most popular rags.

“The Entertainer”, transcribed here for Woodwind Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Weeping Willow” transcribed here for Woodwind Quartet, is another one of Scott Joplin's most popular rags.

Inspired by Psalm 19 from the Book of Psalms this is Benedetto Marcello’s Psalm 19 - “The Heavens Declare the Glory of God” transcribed here for Woodwind Quartet. This selection is programmable for a variety of sacred and secular occasion and accessible to the intermediate to advanced intermediate level players.

Rondeau from “Sinfonie de Fanfares”, transcribed here for Woodwind Quartet, is arguably one of Jean-Joseph Mouret’s most performed compositions. This Fanfare has numerous performance applications and this transcription is of an intermediate level of difficulty.

String quintet KV 160, Movement I although not one of Mozart's better known, is a natural for the Woodwind Quartet and is suitable for a variety of playing levels.

Diferencias sobre 'Guárdame las vacas' by Luis de Narváez. Originally written for the vihuela, this theme and variations has been adapted here for Woodwind Quartet by Kenneth Abeling. This Spanish, Renaissance era selection is a more advanced piece and a little tricky, but fun to play and showcases the entire ensemble!

One the most recognizable Classical pieces ever written, Canon in D Major by Johann Pachelbel is transcribed here for Woodwind Quartet. This selection is suitable for a wide variety of performance occasions.

Pavane pour une infante défunte, or Pavane For A Dead Infanta, or Pavane For A Dead Princess as it most often referred, written by Maurice Ravel and arranged here for Woodwind Quartet. This is an advanced intermediate transcription of Ravels timeless classic.

This is Rimsky-Korsakov’s Procession of the Nobles or Mlada Suite – No. 5. Cortege, for Woodwind Quartet This is and advanced transcription of Korsakov’s march and is practical for numerous performance applications.

“Gymnopédies 1-3” by Erik Satie arranged here for Woodwind Quartet by Kenneth Abeling. This is a loyal transcription to all three elegantly simple pieces considered to be some of the most relaxing and pensive pieces ever written! It is appropriate for general performance as well as Religious services and Weddings. The playing time of all three pieces is: 7:40

This is “By The Blue Danube“, (direct German translation) or “The Blue Danube” as it is commonly referred by Johann Strauss II, transcribed here for Woodwind Quartet. This is an advanced intermediate to advanced transcription of Strauss’ most popular waltz and the second National Anthem of Austria. This suitable for many “Oktoberfest-ish” celebrations and year-round in Vienna. :-)

Perpetual Motion by Johann Strauss II, transcribed here for Woodwind Quartet. This is an easier advanced to advanced transcription of Strauss’ version of the title. This somewhat overlooked piece is “comedic” in nature, challenging but lays well, a lot of fun to play and makes a great encore selection.

“Tales From the Vienna Woods” by Johann Strauss II arranged here for Woodwind Quartet. This is an advanced intermediate transcription of one of the “Waltz King’s” most popular compositions. This is suitable for some Oktoberfest events.

This is the entire 1812 Overture or Festival Overture "The Year 1812" in E flat major, op. 49 for Woodwind Quartet by Pyotr Ilyich Tchaikovsky. It is often performed in the US alongside other patriotic music at Fourth of July celebrations. This is an advanced transcription and loyal to the composer’s original intent.

Perhaps one of Antonio Vivaldi’s most popular works, this is La primavera from The Four Seasons transcribed here for Woodwind Quartet. The movements of Concerto No. 1 (originally in E Maj), Op. 8, RV 269, “Spring” are: I. Allegro, II. Largo e pianissimo sempre and III. Allegro 'Danza pastorale'. This Transcription is suitable for Advanced Intermediate musicians.

This is 2. Largo (in Eb major) From Vivaldi’s The Four Seasons or Concerto No. 4 in F minor, Op. 8, RV 297, "Winter" (L'inverno). Transcribed here for Woodwind Quartet by Kenneth Abeling. This transcription is suitable for advanced Intermediate musicians and is suitable for numerous performance applications including Religious Services and Weddings!

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Woodwind Quintet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Woodwind Quintet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Woodwind Quintet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings as well.

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Woodwind Quintet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Woodwind Quintet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribed here for Woodwind Quintet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings. It is appropriate for advanced intermediate ensembles and beyond.

Trumpet Voluntary by Jeremiah Clarke arranged here for Woodwind Quintet. Perhaps Jeremiah Clarke’s most popular compositions, this easily recognizable piece is suitable for a variety of performance applications.

Claude Debussy’s Reverie transcribed here for Woodwind Quintet. This is an advanced intermediate transcription of a Debussy classic.

No.9 - “Nimrod” from Edward Elgar’s Enigma Variations transcribed here for Woodwind Quintet. This is an easy to intermediate level arrangement of Elgar’s most popular variation from the Enigma variations.

Pavane, Op. 50 by Gabriel Fauré for Woodwind Quintet. This beautiful work from the Impressionistic period ebbs and flows through a series of harmonic and melodic climaxes, conjuring a cool, somewhat haunting elegance. It is suitable for a variety of performance applications and is of Advanced Intermediate to Easy Advanced level difficulty.

“The Easy Winners”, transcribed here for Woodwind Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Elite Syncopations”, transcribed here for Woodwind Quintet, is another one of Scott Joplin's most popular rags.

“Fig Leaf Rag” transcribed here for Woodwind Quintet, is another one of Scott Joplin's most popular rags.

“Maple Leaf Rag”, transcribed here for Woodwind Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Paragon Rag” transcribed here for Woodwind Quintet, is another one of Scott Joplin's most popular rags.

“Pineapple Rag”, transcribed here for Woodwind Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Solace” - A Mexican Serenade, transcribed here for Woodwind Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Something Doing” transcribed here for Woodwind Quintet, is another one of Scott Joplin's most popular rags.

“The Cascades” transcribed here for Woodwind Quintet, is another one of Scott Joplin's most popular rags.

“The Entertainer”, transcribed here for Woodwind Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Weeping Willow” transcribed here for Woodwind Quintet, is another one of Scott Joplin's most popular rags.

One the most recognizable Classical pieces ever written, Canon in D Major by Johann Pachelbel is transcribed here for Woodwind Quintet. This selection is suitable for a wide variety of performance occasions.

This is Rimsky-Korsakov’s Procession of the Nobles or Mlada Suite – No. 5. Cortege, for Woodwind Quintet This is and advanced transcription of Korsakov’s march and is practical for numerous performance applications.

This is the entire 1812 Overture or Festival Overture "The Year 1812" in E flat major, op. 49 for Woodwind Quintet by Pyotr Ilyich Tchaikovsky. It is often performed in the US alongside other patriotic music at Fourth of July celebrations. This is an advanced transcription and loyal to the composer’s original intent.

This is the entire First Suite for Military Band in Eb, Op. 28/a by Gustav Holst transcribed here for Saxophone Quartet. The three movements are: I. Chaconne - II. Intermezzo - III. March. This is an early advanced to advanced performance level transcription.

This is the entire Second Suite for Military Band in F, Op. 28/b by Gustav Holst transcribed here for Clarinet Quartet. The four movements of the suite are: 1.March: Morris Dance, Swansea Town, Claudy Banks- II. Song Without Words - III. Song of the Blacksmith - IV. Fantasia on the "Dargason". This is an early advanced to advanced performance level transcription.

This is the entire First Suite for Military Band in Eb, Op. 28/a by Gustav Holst transcribed here for Brass Quintet. The three movements are: I. Chaconne - II. Intermezzo - III. March. This is an early advanced to advanced performance level transcription.

This is the entire Second Suite for Military Band in F, Op. 28/b by Gustav Holst transcribed here for Brass Quintet. The four movements of the suite are: 1.March: Morris Dance, Swansea Town, Claudy Banks- II. Song Without Words - III. Song of the Blacksmith - IV. Fantasia on the "Dargason". This is an early advanced to advanced performance level transcription.

Mozart's universally known Serenade in G, K. 525 'Eine kleine Nachtmusik' or, a little night music for Clarinet Quartet by Kenneth Abeling. The movements are: I. Allegro, II. Romance: Andante, III. Minuet-Trio: Allegretto and IV. Rondo. This is an advanced level selection and appropriate for many performance applications either in its entirety or singular movements. Playing Time: 17:15 with repeats, 15:45 without.

This is the entire First Suite for Military Band in Eb, Op. 28/a by Gustav Holst transcribed here for Clarinet Quartet. The three movements are: I. Chaconne - II. Intermezzo - III. March. This is an early advanced to advanced performance level transcription.

This is the entire Second Suite for Military Band in F, Op. 28/b by Gustav Holst transcribed here for Saxophone Quartet. The four movements of the suite are: 1.March: Morris Dance, Swansea Town, Claudy Banks- II. Song Without Words - III. Song of the Blacksmith - IV. Fantasia on the "Dargason". This is an early advanced to advanced performance level transcription.

This is the entire First Suite for Military Band in Eb, Op. 28/a by Gustav Holst transcribed here for Woodwind Quintet. The three movements are: I. Chaconne - II. Intermezzo - III. March. This is an early advanced to advanced performance level transcription.

This is the entire Second Suite for Military Band in F, Op. 28/b by Gustav Holst transcribed here for Woodwind Quintet. The four movements of the suite are: 1.March: Morris Dance, Swansea Town, Claudy Banks- II. Song Without Words - III. Song of the Blacksmith - IV. Fantasia on the "Dargason". This is an early advanced to advanced performance level transcription.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for String Quartet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications.

Mozart's universally known Serenade in G, K. 525 'Eine kleine Nachtmusik' or, a little night music for Woodwind Quartet by Kenneth Abeling. The movements are: I. Allegro, II. Romance: Andante, III. Minuet-Trio: Allegretto and IV. Rondo. This is an advanced level selection and appropriate for many performance applications either in its entirety or singular movements. Playing Time: 17:15 with repeats, 15:45 without.

This is Danza Espagñola - No.2 “Oriental” from 12 Danzas españolas by Enrique Granados transcribed here for Clarinet Quartet. This beautifully mournful piece is an advanced intermediate level transcription. Playing time: 4:20

This is Danza Espagñola - No.2 “Oriental” from 12 Danzas españolas by Enrique Granados transcribed here for Saxophone Quartet. This beautifully mournful piece is an advanced intermediate level transcription. Playing time: 4:20

hôro No. 1 (Typico) By Heitor Villa-Lobos transcribed here Saxophone Quartet. Written originally for Classical Guitar this Tango-ish piece translates well to chamber groups!

Chôro No. 1 (Typico) By Heitor Villa-Lobos transcribed here for Clarinet Quartet. Written originally for Classical Guitar this Tango-ish piece translates well to chamber groups!

This is Danza Espagñola - No.2 “Oriental” from 12 Danzas españolas by Enrique Granados transcribed here for String Quartet. This beautifully mournful piece is an advanced intermediate level transcription. Playing time: 4:20

This is Danza Espagñola - No.2 “Oriental” from 12 Danzas españolas by Enrique Granados transcribed here for Woodwind Quartet. This beautifully mournful piece is an advanced intermediate level transcription. Playing time: 4:20

Chôro No. 1 (Typico) By Heitor Villa-Lobos transcribed here String Quartet. Written originally for Classical Guitar this Tango-ish piece translates well to chamber groups!

Chôro No. 1 (Typico) By Heitor Villa-Lobos transcribed here Woodwind Quartet. Written originally for Classical Guitar this Tango-ish piece translates well to chamber groups!

Inspired by Psalm 19 from the Book of Psalms this is Benedetto Marcello’s Psalm 19 - “The Heavens Declare the Glory of God” transcribed here for Woodwind Quintet. This selection is programmable for a variety of sacred and secular occasion and accessible to the intermediate to advanced intermediate level players.

Perpetual Motion by Johann Strauss II, transcribed here for Woodwind Quintet. This is an easier advanced to advanced transcription of Strauss’ version of the title. This somewhat overlooked piece is “comedic” in nature, challenging but lays well, a lot of fun to play and makes a great encore selection.

“Tales From the Vienna Woods” by Johann Strauss II arranged here for Woodwind Quintet. This is an advanced intermediate transcription of one of the “Waltz King’s” most popular compositions. This is suitable for some Oktoberfest events.

This is “By The Blue Danube“, (direct German translation) or “The Blue Danube” as it is commonly referred by Johann Strauss II, transcribed here for Woodwind Quintet. This is an advanced intermediate to advanced transcription of Strauss’ most popular waltz and the second National Anthem of Austria. This suitable for many “Oktoberfest-ish” celebrations and year-round in Vienna. :-)

Pavane pour une infante défunte, or Pavane For A Dead Infanta, or Pavane For A Dead Princess as it most often referred, written by Maurice Ravel and arranged here for Woodwind Quintet. This is an advanced intermediate transcription of Ravels timeless classic.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Woodwind Quintet. This is an advanced piece and a great deal of fun to play…

Suite Española, Op. 47 - No. 3. Sevilla for Woodwind Quintet by Isaac Albéniz. This is an advanced transcription of a very popular Spanish classic.

Jesu, Joy of Man’s Desiring, transcribed here for Woodwind Quintet. This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings.

35 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Brass Quintet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications.

Trumpet Voluntary By Jeremiah Clarke arranged here for Brass Quintet. Perhaps Jeremiah Clarke’s most popular compositions, this easily recognizable piece is suitable for a variety of performance applications.

Rondeau from “Sinfonie de Fanfares”, transcribed here for Brass Quintet, is arguably one of Jean-Joseph Mouret’s most performed compositions. This Fanfare has numerous performance applications and this transcription is of an intermediate level of difficulty.

Antonio Vivaldi’s very popular Concerto in D Major RV 93. Originally written for Lute, Violin, Cello and Harpsichord, this selection takes on an entirely new life in this arrangement for Saxophone Quartet and Organ by Kenneth Abeling. The movements are: I. Allegro - II. Largo - III. Allegro. This is an easier advanced piece and suitable for both general performance. in its entirety or in parts, and for secular as well as sacred settings. Playing Time approximately 10:15

Antonio Vivaldi’s very popular Concerto in D Major RV 93. Originally written for Lute, Violin, Cello and Harpsichord, this selection takes on an entirely new life in this arrangement for Clarinet Quartet and Organ by Kenneth Abeling. The movements are: I. Allegro - II. Largo - III. Allegro. This is an easier advanced piece and suitable for both general performance. in its entirety or in parts, and for secular as well as sacred settings. Playing Time approximately 10:15

Antonio Vivaldi’s very popular Concerto in D Major RV 93. Originally written for Lute, Violin, Cello and Harpsichord, this selection takes on an entirely new life in this arrangement for String Quartet and Organ by Kenneth Abeling. The movements are: I. Allegro - II. Largo - III. Allegro. This is an easier advanced piece and suitable for both general performance. in its entirety or in parts, and for secular as well as sacred settings. Playing Time approximately 10:15

Antonio Vivaldi’s Chamber Concerto in D Major RV 99. Originally written for Recorder, Violin, Oboe, Bassoon and Harpsichord, this arrangement is for Clarinet Quartet with an optional Organ part by Kenneth Abeling. The movements are: I. Allegro - II. Largo - III. Allegro. This is an advanced piece and suitable for both general performance. in its entirety or in parts, and for secular as well as sacred settings. Playing Time approximately 9:50.

Perhaps one of Antonio Vivaldi’s most popular works, this is La primavera from The Four Seasons transcribed here for Clarinet Quartet. The movements of Concerto No. 1 (originally in E Maj), Op. 8, RV 269, “Spring” are: I. Allegro, II. Largo e pianissimo sempre and III. Allegro 'Danza pastorale'. This Transcription is suitable for Advanced Intermediate musicians.

"Vocalise" by Sergei Rachmaninoff transcribed for Clarinet Quartet by Kenneth Abeling is the last of his 14 Romances in Opus 34. This is an Intermediate Level transcription and is suitable for many performance applications both secular and sacred.

"Vocalise" by Sergei Rachmaninoff transcribed for Saxophone Quartet by Kenneth Abeling is the last of his 14 Romances in Opus 34. This is an Intermediate Level transcription and is suitable for many performance applications both secular and sacred.

"Vocalise" by Sergei Rachmaninoff transcribed for String Quartet by Kenneth Abeling is the last of his 14 Romances in Opus 34. This is an Intermediate Level transcription and is suitable for many performance applications both secular and sacred.

"Vocalise" by Sergei Rachmaninoff transcribed for Woodwind Quartet by Kenneth Abeling is the last of his 14 Romances in Opus 34. This is an Intermediate Level transcription and is suitable for many performance applications both secular and sacred.

This is the complete Brandenburg Concerto No. 3 Johann Sebastian Bach transcribed for Saxophone Quartet by Kenneth Abeling. It has an optional organ part if so desired, but will work perfectly well without. Originally written for three violins three violas, three celli, double bass and continuo, this transcription despite its difficulty may actually be accessible to more advanced non-professional quartets. It for the most part lays well on all of the instrument and once continuous lines have been dispersed to allow for some breaks. A lead part solo has been created over the second movement Phrygian cadence that would have been originally improvised by the harpsichordist. Either the organist or another Instrument could improvise their own solo here if desired. Playing Time 13:00.

Jesu, Joy of Man’s Desiring, transcribed here for Saxophone Quintet. This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings.

This is the entire First Suite for Military Band in Eb, Op. 28/a by Gustav Holst transcribed here for Saxophone Quintet. The three movements are: I. Chaconne - II. Intermezzo - III. March. This is an early advanced to advanced performance level transcription.

This is the entire Second Suite for Military Band in F, Op. 28/b by Gustav Holst transcribed here for Saxophone Quintet. The four movements of the suite are: 1.March: Morris Dance, Swansea Town, Claudy Banks- II. Song Without Words - III. Song of the Blacksmith - IV. Fantasia on the "Dargason". This is an early advanced to advanced performance level transcription.

One the most recognizable Classical pieces ever written, Canon in D Major by Johann Pachelbel is transcribed here for Saxophone Quintet. This selection is suitable for a wide variety of performance occasions.

Perhaps one of Antonio Vivaldi’s most popular works, this is La primavera from The Four Seasons transcribed here for Saxophone Quintet. The movements of Concerto No. 1 (originally in E Maj), Op. 8, RV 269, “Spring” are: I. Allegro, II. Largo e pianissimo sempre and III. Allegro 'Danza pastorale'. This Transcription is suitable for Advanced Intermediate musicians.

Perhaps one of Antonio Vivaldi’s most popular works, this is La primavera from The Four Seasons transcribed here for Woodwind Quintet. The movements of Concerto No. 1 (originally in E Maj), Op. 8, RV 269, “Spring” are: I. Allegro, II. Largo e pianissimo sempre and III. Allegro 'Danza pastorale'. This Transcription is suitable for Advanced Intermediate musicians.

“The Cascades” transcribed here for Saxophone Quintet, is another one of Scott Joplin's most popular rags.

“The Easy Winners”, transcribed here for Saxophone Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Elite Syncopations”, transcribed here for Saxophone Quintet, is another one of Scott Joplin's most popular rags.

“The Entertainer”, transcribed here for Saxophone Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Fig Leaf Rag” transcribed here for Saxophone Quintet, is another one of Scott Joplin's most popular rags.

“Maple Leaf Rag”, transcribed here for Saxophone Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Paragon Rag” transcribed here for Saxophone Quintet, is another one of Scott Joplin's most popular rags.

“Pineapple Rag”, transcribed here for Saxophone Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

“Something Doing” transcribed here for Saxophone Quintet, is another one of Scott Joplin's most popular rags.

“Weeping Willow” transcribed here for Saxophone Quintet, is another one of Scott Joplin's most popular rags.

“Solace” - A Mexican Serenade, transcribed here for Saxophone Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting".

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for Woodwind Quintet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications including Weddings. It is appropriate for intermediate to advanced intermediate ensembles and beyond.

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quintet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quintet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Saxophone Quintet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Saxophone Quintet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings as well.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Saxophone Quintet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribed here for Saxophone Quintet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings. It is appropriate for advanced intermediate ensembles and beyond.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for Saxophone Quintet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications including Weddings.

Inspired by Psalm 19 from the Book of Psalms this is Benedetto Marcello’s Psalm 19 - “The Heavens Declare the Glory of God” transcribed here for Saxophone Quintet. This selection is programmable for a variety of sacred and secular occasion and accessible to the intermediate to advanced intermediate level players.

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quintet. This early intermediate level AATTB transcription (a SATTB version is available as well) is suitable for a variety of occasions including Weddings!

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quartet. This early intermediate level AATB transcription (a SATB version is available as well) is suitable for a variety of occasions including Weddings!

One the most recognizable Classical pieces ever written, Canon in D Major by Johann Pachelbel is transcribed here for Saxophone Quintet. This selection is the AATTB version (a SATTB version is available as well) suitable for a wide variety of performance occasions.

One the most recognizable Classical pieces ever written, Canon in D Major by Johann Pachelbel is transcribed here for Saxophone Quartet. This selection is the AATB version (a SATB version is available as well) suitable for a wide variety of performance occasions.

Rondeau from “Sinfonie de Fanfares”, transcribed here for Woodwind Quintet, is arguably one of Jean-Joseph Mouret’s most performed compositions. This Fanfare has numerous performance applications and this transcription is of an intermediate level of difficulty.

Rondeau from “Sinfonie de Fanfares”, transcribed here for Saxophone Quintet, is arguably one of Jean-Joseph Mouret’s most performed compositions. This Fanfare has numerous performance applications and this transcription is of an intermediate level of difficulty.

This is the entire 1812 Overture or Festival Overture "The Year 1812" in E flat major, op. 49 for Saxophone Quintet by Pyotr Ilyich Tchaikovsky. It is often performed in the US alongside other patriotic music at Fourth of July celebrations. This is an advanced transcription and loyal to the composer’s original intent.

“Maple Leaf Rag”, transcribed here for Saxophone Quartet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting". This is the AATB arrangement, a separate SATB arrangement is also available.

“Maple Leaf Rag”, transcribed here for Saxophone Quintet, is one of Scott Joplin's most popular rags. Audiences may recognize this melody from the Academy Award winning movie "The Sting". This is the AATTB arrangement, a separate SATTB arrangement is also available.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Saxophone Quartet (AATB). This is an advanced piece and a great deal of fun to play…

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Saxophone Quintet (SATTB). This is an advanced piece and a great deal of fun to play…

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Saxophone Quintet (AATTB). This is an advanced piece and a great deal of fun to play…

No.9 - “Nimrod” from Edward Elgar’s Enigma Variations transcribed here for Brass Quintet. This is an easy to intermediate level arrangement of Elgar’s most popular variation from the Enigma variations.

No.9 - “Nimrod” from Edward Elgar’s Enigma Variations transcribed here for Brass Quintet. This is an easy to intermediate level arrangement of Elgar’s most popular variation from the Enigma variations.

No.9 - “Nimrod” from Edward Elgar’s Enigma Variations transcribed here for Clarinet Quartet. This is an easy to intermediate level arrangement of Elgar’s most popular variation from the Enigma variations.

Pavane pour une infante défunte, or Pavane For A Dead Infanta, or Pavane For A Dead Princess as it most often referred, written by Maurice Ravel and arranged here for Saxophone Quintet. This is an advanced intermediate transcription of Ravels timeless classic.

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quintet (AATTB). This intermediate level transcription is suitable for a variety of occasions including Weddings!

“Tales From the Vienna Woods” by Johann Strauss II arranged here for Saxophone Quintet. This is an advanced intermediate transcription of one of the “Waltz King’s” most popular compositions. This is suitable for some Oktoberfest events.

Chôro No. 1 (Typico) By Heitor Villa-Lobos transcribed here Brass Quintet. Written originally for Classical Guitar this Tango-ish piece translates well to chamber groups!

Chôro No. 1 (Typico) By Heitor Villa-Lobos transcribed here Saxophone Quartet. Written originally for Classical Guitar this Tango-ish piece translates well to chamber groups!

Chôro No. 1 (Typico) By Heitor Villa-Lobos transcribed here Saxophone Quintet. Written originally for Classical Guitar this Tango-ish piece translates well to chamber groups!

Chôro No. 1 (Typico) By Heitor Villa-Lobos transcribed here Saxophone Quintet. Written originally for Classical Guitar this Tango-ish piece translates well to chamber groups!

Chôro No. 1 (Typico) By Heitor Villa-Lobos transcribed here Woodwind Quintet. Written originally for Classical Guitar this Tango-ish piece translates well to chamber groups!

Trumpet Voluntary By Jeremiah Clarke arranged here for Saxophone Quintet. Perhaps Jeremiah Clarke’s most popular compositions, this easily recognizable piece is suitable for a variety of performance applications.

Mallorca - Barcarola Op. 202 by Isaac Albéniz arranged here for Saxophone Quintet. In this very beautiful piece, and in typical Spanish fashion, Albéniz makes use of relative and parallel minor and major keys to create his Mallorcan landscape.

Mallorca - Barcarola Op. 202 by Isaac Albéniz arranged here for Woodwind Quintet. In this very beautiful piece, and in typical Spanish fashion, Albéniz makes use of relative and parallel minor and major keys to create his Mallorcan landscape.

This is “By The Blue Danube“, (direct German translation) or “The Blue Danube” as it is commonly referred by Johann Strauss II, transcribed here for Saxophone Quintet. This is an advanced intermediate to advanced transcription of Strauss’ most popular waltz and the second National Anthem of Austria. This suitable for many “Oktoberfest-ish” celebrations and year-round in Vienna. :-)

This is “By The Blue Danube“, (direct German translation) or “The Blue Danube” as it is commonly referred by Johann Strauss II, transcribed here for String Quartet. This is an advanced intermediate to advanced transcription of Strauss’ most popular waltz and the second National Anthem of Austria. This suitable for many “Oktoberfest-ish” celebrations and year-round in Vienna. :-)

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quartet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quintet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quintet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Brass Quintet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Woodwind Quintet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is an advanced transcription of Danse Espagnole or “Spanish Dance” from P.I. Tchaikovsky’s ballet Swan Lake for Clarinet Quartet. Playing time: 2:20

This is an advanced transcription of Danse Espagnole or “Spanish Dance” from P.I. Tchaikovsky’s ballet Swan Lake for String Quartet. Playing time: 2:20

This is an advanced transcription of Danse Espagnole or “Spanish Dance” from P.I. Tchaikovsky’s ballet Swan Lake for Woodwind Quartet. Playing time: 2:20

This is an advanced transcription of Danse Espagnole or “Spanish Dance” from P.I. Tchaikovsky’s ballet Swan Lake for Saxophone Quartet. Playing time: 2:20

This is an advanced transcription of Espagnole or “Spanish Dance” from P.I. Tchaikovsky’s ballet Swan Lake for Saxophone Quintet. Playing time: 2:20

This is an advanced transcription of Danse Espagnole or “Spanish Dance” from P.I. Tchaikovsky’s ballet Swan Lake for Woodwind Quintet. Playing time: 2:20

This is Rimsky-Korsakov’s Procession of the Nobles or Mlada Suite – No. 5. Cortege, for Saxophone Quintet. This is and advanced transcription of Korsakov’s march and is practical for numerous performance applications.

Suite Española, Op. 47 - No. 3. Sevilla for Saxophone Quintet by Isaac Albéniz. This is an advanced transcription of a very popular Spanish classic.

This is Rimsky-Korsakov’s Procession of the Nobles or Mlada Suite – No. 5. Cortege, for Brass Quintet This is and advanced transcription of Korsakov’s march and is practical for numerous performance applications.

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Saxophone Quartet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Saxophone Quintet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Saxophone Quintet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Woodwind Quintet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Brass Quintet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

This is Danza Espagñola - No.2 “Oriental” from 12 Danzas españolas by Enrique Granados transcribed here for Saxophone Quintet. This beautifully mournful piece is an advanced intermediate level transcription. Playing time: 4:20

This is Danza Espagñola - No.2 “Oriental” from 12 Danzas españolas by Enrique Granados transcribed here for Woodwind Quintet. This beautifully mournful piece is an advanced intermediate level transcription. Playing time: 4:20

Claude Debussy’s lovely La plus que lente for Clarinet Quartet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically.

Claude Debussy’s lovely La plus que lente for Saxophone Quartet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically.

Claude Debussy’s lovely La plus que lente for String Quartet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically.

Claude Debussy’s lovely La plus que lente for Woodwind Quartet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically.

Claude Debussy’s lovely La plus que lente for Woodwind Quintet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically.

Claude Debussy’s lovely La plus que lente for Saxophone Quintet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically.

This is “Music for the Royal Fireworks” or Royal Fireworks Music by George Frideric Handel transcribed here for Woodwind Quintet. This is an easier advanced transcription of one Handel’s most popular works and may be performed in its entirety or as separate movements. It is quite appropriate for use during segments of religious services. The five movements are: I. Ouverture: Adagio, Allegro, Lentement, Allegro - II. Bourrée – III. La Paix: Largo alla siciliana – IV. La Réjouissance: Allegro – V. Menuets I and II.

This is “Music for the Royal Fireworks” or Royal Fireworks Music by George Frideric Handel transcribed here for Saxophone Quintet. This is an easier advanced transcription of one Handel’s most popular works and may be performed in its entirety or as separate movements. It is quite appropriate for use during segments of religious services. The five movements are: I. Ouverture: Adagio, Allegro, Lentement, Allegro - II. Bourrée – III. La Paix: Largo alla siciliana – IV. La Réjouissance: Allegro – V. Menuets I and II.

This is “Music for the Royal Fireworks” or Royal Fireworks Music by George Frideric Handel transcribed here for Saxophone Quartet. This is an easier advanced transcription of one Handel’s most popular works and may be performed in its entirety or as separate movements. It is quite appropriate for use during segments of religious services. The five movements are: I. Ouverture: Adagio, Allegro, Lentement, Allegro - II. Bourrée – III. La Paix: Largo alla siciliana – IV. La Réjouissance: Allegro – V. Menuets I and II.

This is “Music for the Royal Fireworks” or Royal Fireworks Music by George Frideric Handel transcribed here for Woodwind Quartet. This is an easier advanced transcription of one Handel’s most popular works and may be performed in its entirety or as separate movements. It is quite appropriate for use during segments of religious services. The five movements are: I. Ouverture: Adagio, Allegro, Lentement, Allegro - II. Bourrée – III. La Paix: Largo alla siciliana – IV. La Réjouissance: Allegro – V. Menuets I and II.

This is “Music for the Royal Fireworks” or Royal Fireworks Music by George Frideric Handel transcribed here for String Quartet. This is an easier advanced transcription of one Handel’s most popular works and may be performed in its entirety or as separate movements. It is quite appropriate for use during segments of religious services. The five movements are: I. Ouverture: Adagio, Allegro, Lentement, Allegro - II. Bourrée – III. La Paix: Largo alla siciliana – IV. La Réjouissance: Allegro – V. Menuets I and II.

This is “Music for the Royal Fireworks” or Royal Fireworks Music by George Frideric Handel transcribed here for Clarinet Quartet. This is an easier advanced transcription of one Handel’s most popular works and may be performed in its entirety or as separate movements. It is quite appropriate for use during segments of religious services. The five movements are: I. Ouverture: Adagio, Allegro, Lentement, Allegro - II. Bourrée – III. La Paix: Largo alla siciliana – IV. La Réjouissance: Allegro – V. Menuets I and II.

Perpetual Motion by Johann Strauss II, transcribed here for Saxophone Quintet. This is an easier advanced to advanced transcription of Strauss’ version of the title. This somewhat overlooked piece is “comedic” in nature, challenging but lays well, a lot of fun to play and makes a great encore selection.

Movement II. Andante cantabile 'Serenade' from String Quartet in F, Op. 3 by Franz Joseph Haydn transcribed here for Clarinet Quartet. This is an intermediate to advanced intermediate level arrangement and your audiences will find this melody quite familiar.

Movement II. Andante cantabile 'Serenade' from String Quartet in F, Op. 3 by Franz Joseph Haydn transcribed here for Saxophone Quartet. This is an intermediate to advanced intermediate level arrangement and your audiences will find this melody quite familiar.

Movement II. Andante cantabile 'Serenade' from String Quartet in F, Op. 3 by Franz Joseph Haydn transcribed here for String Quartet. This is an intermediate to advanced intermediate level arrangement and your audiences will find this melody quite familiar.

Movement II. Andante cantabile 'Serenade' from String Quartet in F, Op. 3 by Franz Joseph Haydn transcribed here for Woodwind Quartet. This is an intermediate to advanced intermediate level arrangement and your audiences will find this melody quite familiar.

Movement II. Andante cantabile 'Serenade' from String Quartet in F, Op. 3 by Franz Joseph Haydn transcribed here for Woodwind Quintet. This is an intermediate to advanced intermediate level arrangement and your audiences will find this melody quite familiar.

Movement II. Andante cantabile 'Serenade' from String Quartet in F, Op. 3 by Franz Joseph Haydn transcribed here for Saxophone Quintet. This is an intermediate to advanced intermediate level arrangement and your audiences will find this melody quite familiar.

Movement III. Minuetto and Trio from String Quintet in E major, Op. 11, No. 5 by Luigi Boccherini for Clarinet Quartet. This is an intermediate to advanced intermediate level transcription of one of Boccherini’s most popular works

Movement III. Minuetto and Trio from String Quintet in E major, Op. 11, No. 5 by Luigi Boccherini for Saxophone Quartet. This is an intermediate to advanced intermediate level transcription of one of Boccherini’s most popular works

Movement III. Minuetto and Trio from String Quintet in E major, Op. 11, No. 5 by Luigi Boccherini for String Quartet. This is an intermediate to advanced intermediate level transcription of one of Boccherini’s most popular works

Movement III. Minuetto and Trio from String Quintet in E major, Op. 11, No. 5 by Luigi Boccherini for Woodwind Quartet. This is an intermediate to advanced intermediate level transcription of one of Boccherini’s most popular works

Movement III. Minuetto and Trio from String Quintet in E major, Op. 11, No. 5 by Luigi Boccherini for Woodwind Quintet. This is an intermediate to advanced intermediate level transcription of one of Boccherini’s most popular works

Movement III. Minuetto and Trio from String Quintet in E major, Op. 11, No. 5 by Luigi Boccherini for Saxophone Quintet. This is an intermediate to advanced intermediate level transcription of one of Boccherini’s most popular works

This is, II. Rhosymedre from “Three Preludes Founded on Hymn Tunes” by Ralph Vaughan Williams for Clarinet Quartet. “Rhosymedre” (Lovely), by Welsh Anglican priest John David Edwards, is a hymn tune named after the village of Rhosymedre in the County Borough of Wrexham, Wales. This is an intermediate level arrangement suitable for a variety of occasions to include; Weddings, Worship Services, Funerals and General Performance.

This is, II. Rhosymedre from “Three Preludes Founded on Hymn Tunes” by Ralph Vaughan Williams for Saxophone Quartet. “Rhosymedre” (Lovely), by Welsh Anglican priest John David Edwards, is a hymn tune named after the village of Rhosymedre in the County Borough of Wrexham, Wales. This is an intermediate level arrangement suitable for a variety of occasions to include; Weddings, Worship Services, Funerals and General Performance.

This is, II. Rhosymedre from “Three Preludes Founded on Hymn Tunes” by Ralph Vaughan Williams for String Quartet. “Rhosymedre” (Lovely), by Welsh Anglican priest John David Edwards, is a hymn tune named after the village of Rhosymedre in the County Borough of Wrexham, Wales. This is an intermediate level arrangement suitable for a variety of occasions to include; Weddings, Worship Services, Funerals and General Performance.

This is, II. Rhosymedre from “Three Preludes Founded on Hymn Tunes” by Ralph Vaughan Williams for Woodwind Quartet. “Rhosymedre” (Lovely), by Welsh Anglican priest John David Edwards, is a hymn tune named after the village of Rhosymedre in the County Borough of Wrexham, Wales. This is an intermediate level arrangement suitable for a variety of occasions to include; Weddings, Worship Services, Funerals and General Performance.

This is, II. Rhosymedre from “Three Preludes Founded on Hymn Tunes” by Ralph Vaughan Williams for Woodwind Quintet. “Rhosymedre” (Lovely), by Welsh Anglican priest John David Edwards, is a hymn tune named after the village of Rhosymedre in the County Borough of Wrexham, Wales. This is an intermediate level arrangement suitable for a variety of occasions to include; Weddings, Worship Services, Funerals and General Performance.

This is, II. Rhosymedre from “Three Preludes Founded on Hymn Tunes” by Ralph Vaughan Williams for Saxophone Quintet. “Rhosymedre” (Lovely), by Welsh Anglican priest John David Edwards, is a hymn tune named after the village of Rhosymedre in the County Borough of Wrexham, Wales. This is an intermediate level arrangement suitable for a variety of occasions to include; Weddings, Worship Services, Funerals and General Performance.

Pavane, Op. 50 by Gabriel Fauré for Saxophone Quintet. This beautiful work from the Impressionistic period ebbs and flows through a series of harmonic and melodic climaxes, conjuring a cool, somewhat haunting elegance. It is suitable for a variety of performance applications and is of Advanced Intermediate to Easy Advanced level difficulty.

Sabre Dance from the Ballet “Gayane” or “Gayanah” by Aram Khachaturian arranged here for Clarinet Quartet by Kenneth Abeling. This is an easier advanced arrangement of one Khachaturian’s most memorable and recognizable works.

Sabre Dance from the Ballet “Gayane” or “Gayanah” by Aram Khachaturian arranged here for Saxophone Quartet by Kenneth Abeling. This is an easier advanced arrangement of one Khachaturian’s most memorable and recognizable works.

Sabre Dance from the Ballet “Gayane” or “Gayanah” by Aram Khachaturian arranged here for Saxophone Quintet by Kenneth Abeling. This is an easier advanced arrangement of one Khachaturian’s most memorable and recognizable works.

Sabre Dance from the Ballet “Gayane” or “Gayanah” by Aram Khachaturian arranged here for String Quartet by Kenneth Abeling. This is an easier advanced arrangement of one Khachaturian’s most memorable and recognizable works.

Sabre Dance from the Ballet “Gayane” or “Gayanah” by Aram Khachaturian arranged here for Woodwind Quartet by Kenneth Abeling. This is an easier advanced arrangement of one Khachaturian’s most memorable and recognizable works.

Sabre Dance from the Ballet “Gayane” or “Gayanah” by Aram Khachaturian arranged here for Woodwind Quintet by Kenneth Abeling. This is an easier advanced arrangement of one Khachaturian’s most memorable and recognizable works.

Sabre Dance from the Ballet “Gayane” or “Gayanah” by Aram Khachaturian arranged here for Brass Quintet by Kenneth Abeling. This is an easier advanced arrangement of one Khachaturian’s most memorable and recognizable works.

Water Music Suite No. I in F Major (HWV 348) by George Friderick Handel transcribed for Clarinet Quartet by Kenneth Abeling. The Movements include: 1. Overture (Largo – Allegro), 2. Adagio e staccato, 3. Allegro – Andante – Allegro da capo Aria, 4. Minuet I, 5. Air, 6. Minuet II, 7. Bourrée, 8. Hornpipe, 9. Andante. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies.

Water Music Suite No. I in F Major (HWV 348) by George Friderick Handel transcribed for Saxophone Quartet by Kenneth Abeling. The Movements include: 1. Overture (Largo – Allegro), 2. Adagio e staccato, 3. Allegro – Andante – Allegro da capo Aria, 4. Minuet I, 5. Air, 6. Minuet II, 7. Bourrée, 8. Hornpipe, 9. Andante. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies.

Water Music Suite No. I in F Major (HWV 348) by George Friderick Handel transcribed for String Quartet by Kenneth Abeling. The Movements include: 1. Overture (Largo – Allegro), 2. Adagio e staccato, 3. Allegro – Andante – Allegro da capo Aria, 4. Minuet I, 5. Air, 6. Minuet II, 7. Bourrée, 8. Hornpipe, 9. Andante. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies.

Water Music Suite No. I in F Major (HWV 348) by George Friderick Handel transcribed for Woodwind Quartet by Kenneth Abeling. The Movements include: 1. Overture (Largo – Allegro), 2. Adagio e staccato, 3. Allegro – Andante – Allegro da capo Aria, 4. Minuet I, 5. Air, 6. Minuet II, 7. Bourrée, 8. Hornpipe, 9. Andante. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies.

Water Music Suite No. I in F Major (HWV 348) by George Friderick Handel transcribed for Woodwind Quintet by Kenneth Abeling. The Movements include: 1. Overture (Largo – Allegro), 2. Adagio e staccato, 3. Allegro – Andante – Allegro da capo Aria, 4. Minuet I, 5. Air, 6. Minuet II, 7. Bourrée, 8. Hornpipe, 9. Andante. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies.

Water Music Suite No. II in D Major (HWV 349) by George Friderick Handel transcribed for Clarinet Quartet by Kenneth Abeling. The Movements include: I. Overture (Allegro), II. Hornpipe, III. Minuet, IV. Lentement, V. Bourrée. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. The total playing time: 10:50.

Water Music Suite No. II in D Major (HWV 349) by George Friderick Handel transcribed for Saxophone Quartet by Kenneth Abeling. The Movements include: I. Overture (Allegro), II. Hornpipe, III. Minuet, IV. Lentement, V. Bourrée. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. The total playing time: 10:50.

Water Music Suite No. II in D Major (HWV 349) by George Friderick Handel transcribed for String Quartet by Kenneth Abeling. The Movements include: I. Overture (Allegro), II. Hornpipe, III. Minuet, IV. Lentement, V. Bourrée. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. The total playing time: 10:50.

Water Music Suite No. II in D Major (HWV 349) by George Friderick Handel transcribed for Woodwind Quartet by Kenneth Abeling. The Movements include: I. Overture (Allegro), II. Hornpipe, III. Minuet, IV. Lentement, V. Bourrée. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. The total playing time: 10:50.

Water Music Suite No. II in D Major (HWV 349) by George Friderick Handel transcribed for Woodwind Quintet by Kenneth Abeling. The Movements include: I. Overture (Allegro), II. Hornpipe, III. Minuet, IV. Lentement, V. Bourrée. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. The total playing time: 10:50.

Perhaps one of Antonio Vivaldi’s most popular works, this is La primavera from The Four Seasons transcribed here for String Quartet. The movements of Concerto No. 1 (originally in E Maj), Op. 8, RV 269, “Spring” are: I. Allegro, II. Largo e pianissimo sempre and III. Allegro 'Danza pastorale'. This transcription is suitable for Advanced Intermediate to Advanced musicians. It is suitable for numerous performance applications including Religious Services and Weddings!

This is 2. Largo (in Eb major) From Vivaldi’s The Four Seasons or Concerto No. 4 in F minor, Op. 8, RV 297, "Winter" (L'inverno). Transcribed here for String Quartet by Kenneth Abeling. This transcription is suitable for advanced Intermediate musicians and is suitable for numerous performance applications including Religious Services and Weddings!

This is 2. Largo (in Eb major) From Vivaldi’s The Four Seasons or Concerto No. 4 in F minor, Op. 8, RV 297, "Winter" (L'inverno). Transcribed here for Woodwind Quintet by Kenneth Abeling. This transcription is suitable for advanced Intermediate musicians and is suitable for numerous performance applications including Religious Services and Weddings!

This is 2. Largo (in Eb major) From Vivaldi’s The Four Seasons or Concerto No. 4 in F minor, Op. 8, RV 297, "Winter" (L'inverno). Transcribed here for Saxophone Quintet by Kenneth Abeling. This transcription is suitable for advanced Intermediate musicians and is suitable for numerous performance applications including Religious Services and Weddings!

Selections from Carmen, Music by Georges Bizet, Libretto by Henri Meilhac and Ludovic Halévy arranged for Clarinet Quartet by Kenneth Abeling. This collection of excerpts includes: 1. Entr'acte to Act 3, 2. Prelude to Act 1, 3. Habanera, 4. Les triangles des sistres tintaient, 5. Toreador Song, 6. Je Vais Danser votre honneur, 7. Entr'acte to Act 4 and 8. Prelude to Act 1 (Reprise). This is an advanced arrangement featuring some of the most memorable melodies from Bizet’s Operatic Masterpiece. Playing time approximately 7:30

Selections from Carmen, Music by Georges Bizet, Libretto by Henri Meilhac and Ludovic Halévy arranged for Saxophone Quartet by Kenneth Abeling. This collection of excerpts includes: 1. Entr'acte to Act 3, 2. Prelude to Act 1, 3. Habanera, 4. Les triangles des sistres tintaient, 5. Toreador Song, 6. Je Vais Danser votre honneur, 7. Entr'acte to Act 4 and 8. Prelude to Act 1 (Reprise). This is an advanced arrangement featuring some of the most memorable melodies from Bizet’s Operatic Masterpiece. Playing time approximately 7:30

Selections from Carmen, Music by Georges Bizet, Libretto by Henri Meilhac and Ludovic Halévy arranged for String Quartet by Kenneth Abeling. This collection of excerpts includes: 1. Entr'acte to Act 3, 2. Prelude to Act 1, 3. Habanera, 4. Les triangles des sistres tintaient, 5. Toreador Song, 6. Je Vais Danser votre honneur, 7. Entr'acte to Act 4 and 8. Prelude to Act 1 (Reprise). This is an advanced arrangement featuring some of the most memorable melodies from Bizet’s Operatic Masterpiece. Playing time approximately 7:30

Selections from Carmen, Music by Georges Bizet, Libretto by Henri Meilhac and Ludovic Halévy arranged for Woodwind Quartet by Kenneth Abeling. This collection of excerpts includes: 1. Entr'acte to Act 3, 2. Prelude to Act 1, 3. Habanera, 4. Les triangles des sistres tintaient, 5. Toreador Song, 6. Je Vais Danser votre honneur, 7. Entr'acte to Act 4 and 8. Prelude to Act 1 (Reprise). This is an advanced arrangement featuring some of the most memorable melodies from Bizet’s Operatic Masterpiece. Playing time approximately 7:30

Selections from Carmen, Music by Georges Bizet, Libretto by Henri Meilhac and Ludovic Halévy arranged for Woodwind Quintet by Kenneth Abeling. This collection of excerpts includes: 1. Entr'acte to Act 3, 2. Prelude to Act 1, 3. Habanera, 4. Les triangles des sistres tintaient, 5. Toreador Song, 6. Je Vais Danser votre honneur, 7. Entr'acte to Act 4 and 8. Prelude to Act 1 (Reprise). This is an advanced arrangement featuring some of the most memorable melodies from Bizet’s Operatic Masterpiece. Playing time approximately 7:30

Selections from Carmen, Music by Georges Bizet, Libretto by Henri Meilhac and Ludovic Halévy arranged for Saxophone Quintet by Kenneth Abeling. This collection of excerpts includes: 1. Entr'acte to Act 3, 2. Prelude to Act 1, 3. Habanera, 4. Les triangles des sistres tintaient, 5. Toreador Song, 6. Je Vais Danser votre honneur, 7. Entr'acte to Act 4 and 8. Prelude to Act 1 (Reprise). This is an advanced arrangement featuring some of the most memorable melodies from Bizet’s Operatic Masterpiece. Playing time approximately 7:30

"Vocalise" by Sergei Rachmaninoff transcribed for Woodwind Quintet by Kenneth Abeling is the last of his 14 Romances in Opus 34. This is an Advanced Intermediate Level transcription and is suitable for many performance applications both secular and sacred. Total playing time: 5:30.

Concerto à 4, TWV 43:G6 by Georg Philipp Telemann. Originally written for Recorder, Oboe, Violin and Continuo (Basso) and transcribed here for Clarinet Quartet (with optional Organ) by Kenneth Abeling. This is an easier advanced level composition and suitable for both secular and sacred performances. Please note that the Organ part is optional!

Concerto à 4, TWV 43:G6 by Georg Philipp Telemann. Originally written for Recorder, Oboe, Violin and Continuo (Basso) and transcribed here for Saxophone Quartet (with optional Organ) by Kenneth Abeling. This is an easier advanced level composition and suitable for both secular and sacred performances. Please note that the Organ part is optional!

Concerto à 4, TWV 43:G6 by Georg Philipp Telemann. Originally written for Recorder, Oboe, Violin and Continuo (Basso) and transcribed here for String Quartet (with optional Organ) by Kenneth Abeling. This is an easier advanced level composition and suitable for both secular and sacred performances. Please note that the Organ part is optional!

Concerto à 4, TWV 43:G6 by Georg Philipp Telemann. Originally written for Recorder, Oboe, Violin and Continuo (Basso) and transcribed here for Woodwind Quartet (with optional Organ) by Kenneth Abeling. This is an easier advanced level composition and suitable for both secular and sacred performances. Please note that the Organ part is optional!

This Tango by Isaac Albéniz is the second in the suite of six pieces originally written for piano entitled España Op. 165 transcribed here for Clarinet Quartet by Kenneth Abeling. It is a charming little piece of intermediate level difficulty but programmable for advanced ensembles as well. Playing time 2:00

This Tango by Isaac Albéniz is the second in the suite of six pieces originally written for piano entitled España Op. 165 transcribed here for Saxophone Quartet by Kenneth Abeling. It is a charming little piece of intermediate level difficulty but programmable for advanced ensembles as well. Playing time 2:00

This Tango by Isaac Albéniz is the second in the suite of six pieces originally written for piano entitled España Op. 165 transcribed here for String Quartet by Kenneth Abeling. It is a charming little piece of intermediate level difficulty but programmable for advanced ensembles as well. Playing time 2:00

This Tango by Isaac Albéniz is the second in the suite of six pieces originally written for piano entitled España Op. 165 transcribed here for Woodwind Quartet by Kenneth Abeling. It is a charming little piece of intermediate level difficulty but programmable for advanced ensembles as well. Playing time 2:00

This Tango by Isaac Albéniz is the second in the suite of six pieces originally written for piano entitled España Op. 165 transcribed here for Woodwind Quintet by Kenneth Abeling. It is a charming little piece of intermediate level difficulty but programmable for advanced ensembles as well. Playing time 2:00

This Tango by Isaac Albéniz is the second in the suite of six pieces originally written for piano entitled España Op. 165 transcribed here for Brass Quintet by Kenneth Abeling. It is a charming little piece of intermediate level difficulty but programmable for advanced ensembles as well. Playing time 2:00

This Tango by Isaac Albéniz is the second in the suite of six pieces originally written for piano entitled España Op. 165 transcribed here for Saxophone Quintet by Kenneth Abeling. It is a charming little piece of intermediate level difficulty but programmable for advanced ensembles as well. Playing time 2:00

Antonio Vivaldi’s very popular Concerto in D Major RV 93. Originally written for Lute, Violin, Cello and Harpsichord, this selection takes on an entirely new life in this arrangement for Woodwind Quartet and Organ by Kenneth Abeling. The movements are: I. Allegro - II. Largo - III. Allegro. This is an easier advanced piece and suitable for both general performance. in its entirety or in parts, and for secular as well as sacred settings. Playing Time approximately 10:15

Antonio Vivaldi’s Chamber Concerto in D Major RV 99. Originally written for Recorder, Violin, Oboe, Bassoon and Harpsichord, this arrangement is for String Quartet with an optional Organ part by Kenneth Abeling. The movements are: I. Allegro - II. Largo - III. Allegro. This is an advanced piece and suitable for both general performance. in its entirety or in parts, and for secular as well as sacred settings. Playing Time approximately 9:50.

Antonio Vivaldi’s Chamber Concerto in D Major RV 99. Originally written for Recorder, Violin, Oboe, Bassoon and Harpsichord, this arrangement is for Woodwind Quartet with an optional Organ part by Kenneth Abeling. The movements are: I. Allegro - II. Largo - III. Allegro. This is an advanced piece and suitable for both general performance. in its entirety or in parts, and for secular as well as sacred settings. Playing Time approximately 9:50.

Mozart's universally known Serenade in G, K. 525 'Eine kleine Nachtmusik' or, a little night music for String Quartet by Kenneth Abeling. The movements are: I. Allegro, II. Romance: Andante, III. Minuet-Trio: Allegretto and IV. Rondo. This is an advanced level selection and appropriate for many performance applications either in its entirety or singular movements. Playing Time: 17:15 with repeats, 15:45 without.

Pizzicato Polka by Johann Strauss II and Josef Strauss, transcribed here for Clarinet Quartet by Kenneth Abeling. This is an advanced intermediate transcription of the Strauss’ playful little polka. Although of the classical persuasion, it is both appropriate as a concert novelty piece and as an Oktoberfest selection! Playing time approximately: 3:00

Pizzicato Polka by Johann Strauss II and Josef Strauss, transcribed here for Saxophone Quartet by Kenneth Abeling. This is an advanced intermediate transcription of the Strauss’ playful little polka. Although of the classical persuasion, it is both appropriate as a concert novelty piece and as an Oktoberfest selection! Playing time approximately: 3:00

Pizzicato Polka by Johann Strauss II and Josef Strauss, transcribed here for String Quartet by Kenneth Abeling. This is an advanced intermediate transcription of the Strauss’ playful little polka. Although of the classical persuasion, it is both appropriate as a concert novelty piece and as an Oktoberfest selection! Playing time approximately: 3:00

Pizzicato Polka by Johann Strauss II and Josef Strauss, transcribed here for Woodwind Quartet by Kenneth Abeling. This is an advanced intermediate transcription of the Strauss’ playful little polka. Although of the classical persuasion, it is both appropriate as a concert novelty piece and as an Oktoberfest selection! Playing time approximately: 3:00

Pizzicato Polka by Johann Strauss II and Josef Strauss, transcribed here for Woodwind Quintet by Kenneth Abeling. This is an advanced intermediate transcription of the Strauss’ playful little polka. Although of the classical persuasion, it is both appropriate as a concert novelty piece and as an Oktoberfest selection! Playing time approximately: 3:00

Pizzicato Polka by Johann Strauss II and Josef Strauss, transcribed here for Brass Quintet by Kenneth Abeling. This is an advanced intermediate transcription of the Strauss’ playful little polka. Although of the classical persuasion, it is both appropriate as a concert novelty piece and as an Oktoberfest selection! Playing time approximately: 3:00

Pizzicato Polka by Johann Strauss II and Josef Strauss, transcribed here for Saxophone Quintet by Kenneth Abeling. This is an advanced intermediate transcription of the Strauss’ playful little polka. Although of the classical persuasion, it is both appropriate as a concert novelty piece and as an Oktoberfest selection! Playing time approximately: 3:00

This is the complete Brandenburg Concerto No. 3 Johann Sebastian Bach transcribed for Clarinet Quartet by Kenneth Abeling. It has an optional organ part if so desired, but will work perfectly well without. Originally written for three violins three violas, three celli, double bass and continuo, this transcription despite its difficulty may actually be accessible to more advanced non-professional quartets. It for the most part lays well on all of the instrument and once continuous lines have been dispersed to allow for some breaks. A lead part solo has been created over the second movement Phrygian cadence that would have been originally improvised by the harpsichordist. Either the organist or another Instrument could improvise their own solo here if desired. Playing Time 13:00.

This is the complete Brandenburg Concerto No. 6 Johann Sebastian Bach transcribed for Saxophone Quartet by Kenneth Abeling. It has an optional organ part if so desired, but will work perfectly well without. Originally written for two viola da braccio, two viola da gamba, cello, bass violin and continuo, this transcription despite its difficulty may actually be accessible to more advanced non-professional quartets. It for the most part lays well on all of the instrument and once continuous lines have been dispersed to allow for some breaks. Playing Time 16:00.

This is the complete Brandenburg Concerto No. 6 Johann Sebastian Bach transcribed for Clarinet Quartet by Kenneth Abeling. It has an optional organ part if so desired, but will work perfectly well without. Originally written for two viola da braccio, two viola da gamba, cello, bass violin and continuo, this transcription despite its difficulty may actually be accessible to more advanced non-professional quartets. It for the most part lays well on all of the instrument and once continuous lines have been dispersed to allow for some breaks. Playing Time 16:00.

Pictures at an Exhibition by Modest Petrovich Mussorgsky transcribed here for Clarinet Quartet by Kenneth Abeling. This is an advanced transcription of the Promenades and all 10 Movements of the suite which Include: No. 1 Promenade (1) & “The Gnome”, No. 2 Promenade (2) & “The Old Castle”. No. 3 Promenade (3) & “Tuileries (Children’s Quarrel after Games)”, No. 4. Bydlo “Cattle”, No. 5 Promenade (4) & “Ballet of Unhatched Chicks”, No. 6 “’Samuel’ Goldenberg and ‘Schmuÿle’”, No. 7 Promenade (5) & “Limoges. The Market (The Great News)”, No. 8 “Catacombs (Roman Tomb)”, No. 9 “The Hut on Hen’s Legs (Baba Yaga)”, No. 10 “The Bogatyr Gates (In the Capital in Kiev)”. Plating Time approximately 32:00.

Pictures at an Exhibition by Modest Petrovich Mussorgsky transcribed here for Saxophone Quartet by Kenneth Abeling. This is an advanced transcription of the Promenades and all 10 Movements of the suite which Include: No. 1 Promenade (1) & “The Gnome”, No. 2 Promenade (2) & “The Old Castle”. No. 3 Promenade (3) & “Tuileries (Children’s Quarrel after Games)”, No. 4. Bydlo “Cattle”, No. 5 Promenade (4) & “Ballet of Unhatched Chicks”, No. 6 “’Samuel’ Goldenberg and ‘Schmuÿle’”, No. 7 Promenade (5) & “Limoges. The Market (The Great News)”, No. 8 “Catacombs (Roman Tomb)”, No. 9 “The Hut on Hen’s Legs (Baba Yaga)”, No. 10 “The Bogatyr Gates (In the Capital in Kiev)”. Plating Time approximately 32:00.

“O Perfect Love” by Joseph Barnby arranged here for Woodwind Quintet by Kenneth Abeling. This is an easy arrangement of one the most popular Wedding Hymns of all time!

“O Perfect Love” by Joseph Barnby arranged here for Brass Quintet by Kenneth Abeling. This is an easy arrangement of one the most popular Wedding Hymns of all time!

“O Perfect Love” by Joseph Barnby arranged here for Saxophone Quintet by Kenneth Abeling. This is an easy arrangement of one the most popular Wedding Hymns of all time!

“Gymnopédies 1-3” by Erik Satie arranged here for Woodwind Quintet by Kenneth Abeling. This is a loyal transcription to all three elegantly simple pieces considered to be some of the most relaxing and pensive pieces ever written! It is appropriate for general performance as well as Religious services and Weddings. The playing time of all three pieces is: 7:40

“Gymnopédies 1-3” by Erik Satie arranged here for Saxophone Quintet by Kenneth Abeling. This is a loyal transcription to all three elegantly simple pieces considered to be some of the most relaxing and pensive pieces ever written! It is appropriate for general performance as well as Religious services and Weddings. The playing time of all three pieces is: 7:40

Four Canzoni by Giovanni Gabrieli (from a larger collection by multiple composers) transcribed here for Clarinet Quartet by Kenneth Abeling. The four Canzon are 1. prima, 2. seconda, 3. terza and 4. quarta. This is and advanced intermediate, to easy advanced level collection of four Renaissance pieces. They are appropriate for a variety performance applications including Religious services and Weddings. Playing time for all Cazoni 10:20.

Four Canzoni by Giovanni Gabrieli (from a larger collection by multiple composers) transcribed here for Saxophone Quartet by Kenneth Abeling. The four Canzon are 1. prima, 2. seconda, 3. terza and 4. quarta. This is and advanced intermediate, to easy advanced level collection of four Renaissance pieces. They are appropriate for a variety performance applications including Religious services and Weddings. Playing time for all Cazoni 10:20.

Four Canzoni by Giovanni Gabrieli (from a larger collection by multiple composers) transcribed here for String Quartet by Kenneth Abeling. The four Canzon are 1. prima, 2. seconda, 3. terza and 4. quarta. This is and advanced intermediate, to easy advanced level collection of four Renaissance pieces. They are appropriate for a variety performance applications including Religious services and Weddings. Playing time for all Cazoni 10:20.

Four Canzoni by Giovanni Gabrieli (from a larger collection by multiple composers) transcribed here for Woodwind Quartet by Kenneth Abeling. The four Canzon are 1. prima, 2. seconda, 3. terza and 4. quarta. This is and advanced intermediate, to easy advanced level collection of four Renaissance pieces. They are appropriate for a variety performance applications including Religious services and Weddings. Playing time for all Cazoni 10:20.

“Sonata in F Maj” by Benedetto Marcello transcribed here for Clarinet Quartet by Kenneth Abeling. This is a lovely Sonata and is programmable for a variety of sacred and secular occasions in movements or in its entirety including Weddings and is accessible to the advanced intermediate level players and above. Playing Time: 5:50 Without Repeats 8:20 With Repeats.

“Sonata in F Maj” by Benedetto Marcello transcribed here for Saxophone Quartet by Kenneth Abeling. This is a lovely Sonata and is programmable for a variety of sacred and secular occasions in movements or in its entirety including Weddings and is accessible to the advanced intermediate level players and above. Playing Time: 5:50 Without Repeats 8:20 With Repeats.

“Sonata in F Maj” by Benedetto Marcello transcribed here for String Quartet by Kenneth Abeling. This is a lovely Sonata and is programmable for a variety of sacred and secular occasions in movements or in its entirety including Weddings and is accessible to the advanced intermediate level players and above. Playing Time: 5:50 Without Repeats 8:20 With Repeats.

“Sonata in F Maj” by Benedetto Marcello transcribed here for Woodwind Quartet by Kenneth Abeling. This is a lovely Sonata and is programmable for a variety of sacred and secular occasions in movements or in its entirety including Weddings and is accessible to the advanced intermediate level players and above. Playing Time: 5:50 Without Repeats 8:20 With Repeats.

10 Lachrimae by John Dowland Transcribed for Brass Quintet by Kenneth Abeling. These beautiful melodies are suitable for general performance, worship services, Weddings, Funerals and as warmup exercises that actually have five independent voices. Both intermediate to professional level ensembles will find value in this collection.

10 Lachrimae by John Dowland Transcribed for Saxophone Quintet by Kenneth Abeling. These beautiful melodies are suitable for general performance, worship services, Weddings, Funerals and as warmup exercises that actually have five independent voices. Both intermediate to professional level ensembles will find value in this collection.

10 Lachrimae by John Dowland Transcribed for Woodwind Quintet by Kenneth Abeling. These beautiful melodies are suitable for general performance, worship services, Weddings, Funerals and as warmup exercises that actually have five independent voices. Both intermediate to professional level ensembles will find value in this collection.

Adagio for Strings by Samuel Barber from String Quartet, Op.11 transcribed here for Clarinet Quartet by Kenneth Abeling. Arguably one of Samuel Barber’s best-known works, this piece has been used in several Movies and TV Shows, perhaps most notably the 1986 Academy Award Winning movie “Platoon”. This beautiful but mournful piece is suitable for general performance, Worship Services, Funerals or other sad and reflective events. While not technically difficult, it is emotionally exhaustive to play. Playing Time 6:10.

Adagio for Strings by Samuel Barber from String Quartet, Op.11 transcribed here for Saxophone Quartet by Kenneth Abeling. Arguably one of Samuel Barber’s best-known works, this piece has been used in several Movies and TV Shows, perhaps most notably the 1986 Academy Award Winning movie “Platoon”. This beautiful but mournful piece is suitable for general performance, Worship Services, Funerals or other sad and reflective events. While not technically difficult, it is emotionally exhaustive to play. Playing Time 6:10.

Adagio for Strings by Samuel Barber from String Quartet, Op.11 transcribed here for Woodwind Quartet by Kenneth Abeling. Arguably one of Samuel Barber’s best-known works, this piece has been used in several Movies and TV Shows, perhaps most notably the 1986 Academy Award Winning movie “Platoon”. This beautiful but mournful piece is suitable for general performance, Worship Services, Funerals or other sad and reflective events. While not technically difficult, it is emotionally exhaustive to play. Playing Time 6:10.

Adagio for Strings by Samuel Barber from String Quartet, Op.11 transcribed here for Woodwind Quintet by Kenneth Abeling. Arguably one of Samuel Barber’s best-known works, this piece has been used in several Movies and TV Shows, perhaps most notably the 1986 Academy Award Winning movie “Platoon”. This beautiful but mournful piece is suitable for general performance, Worship Services, Funerals or other sad and reflective events. While not technically difficult, it is emotionally exhaustive to play. Playing Time 6:10.

Adagio for Strings by Samuel Barber from String Quartet, Op.11 transcribed here for Brass Quintet by Kenneth Abeling. Arguably one of Samuel Barber’s best-known works, this piece has been used in several Movies and TV Shows, perhaps most notably the 1986 Academy Award Winning movie “Platoon”. This beautiful but mournful piece is suitable for general performance, Worship Services, Funerals or other sad and reflective events. While not technically difficult, it is emotionally exhaustive to play. Playing Time 6:10.

Adagio for Strings by Samuel Barber from String Quartet, Op.11 transcribed here for Saxophone Quintet by Kenneth Abeling. Arguably one of Samuel Barber’s best-known works, this piece has been used in several Movies and TV Shows, perhaps most notably the 1986 Academy Award Winning movie “Platoon”. This beautiful but mournful piece is suitable for general performance, Worship Services, Funerals or other sad and reflective events. While not technically difficult, it is emotionally exhaustive to play. Playing Time 6:10.

Sonata in G minor by Benedetto Marcello transcribed here for Clarinet Quartet by Kenneth Abeling. This is another beautiful Sonata by Marcello and is likewise programmable for a variety of sacred and secular occasions in movements, or in its entirety. It is accessible to moderately advanced level players and above. Playing Time: 6:25 without repeats and 8:35 with repeats.

Sonata in G minor by Benedetto Marcello transcribed here for Saxophone Quartet by Kenneth Abeling. This is another beautiful Sonata by Marcello and is likewise programmable for a variety of sacred and secular occasions in movements, or in its entirety. It is accessible to moderately advanced level players and above. Playing Time: 6:25 without repeats and 8:35 with repeats.

Sonata in G minor by Benedetto Marcello transcribed here for String Quartet by Kenneth Abeling. This is another beautiful Sonata by Marcello and is likewise programmable for a variety of sacred and secular occasions in movements, or in its entirety. It is accessible to moderately advanced level players and above. Playing Time: 6:25 without repeats and 8:35 with repeats.

Sonata in G minor by Benedetto Marcello transcribed here for Woodwind Quartet by Kenneth Abeling. This is another beautiful Sonata by Marcello and is likewise programmable for a variety of sacred and secular occasions in movements, or in its entirety. It is accessible to moderately advanced level players and above. Playing Time: 6:25 without repeats and 8:35 with repeats.

This is a collection of 10 Pavans and Galliards by Anthony [Antony] Holborne transcribed here for Brass Quintet by Kenneth Abeling. These songs from the Renaissance period are suitable for general performance, Religious Services, Funerals and as warmup exercises that actually have five independent voices. Both intermediate to professional level ensembles will find this collection valuable. The performance time for all is approximately 22:50 with repeats and 12:00 without.

This is a collection of 10 Pavans and Galliards by Anthony [Antony] Holborne transcribed here for Saxophone Quintet by Kenneth Abeling. These songs from the Renaissance period are suitable for general performance, Religious Services, Funerals and as warmup exercises that actually have five independent voices. Both intermediate to professional level ensembles will find this collection valuable. The performance time for all is approximately 22:50 with repeats and 12:00 without.

This is a collection of 10 Pavans and Galliards by Anthony [Antony] Holborne transcribed here for Woodwind Quintet by Kenneth Abeling. These songs from the Renaissance period are suitable for general performance, Religious Services, Funerals and as warmup exercises that actually have five independent voices. Both intermediate to professional level ensembles will find this collection valuable. The performance time for all is approximately 22:50 with repeats and 12:00 without.

This is a collection of Six Pavanes by Luis de Milán originally written for the vihuela and transcribed here for Clarinet Quartet by Kenneth Abeling. These pavanes from the Renaissance period are suitable for general performance, and sacred events. They are for the most part moderately easy with a few moderately difficult passages. Additionally, they make an excellent introduction to the Renaissance period in music and the use of different meters. The performance time is 7:30 for all pavanes.

This is a collection of Six Pavanes by Luis de Milán originally written for the vihuela and transcribed here for Saxophone Quartet by Kenneth Abeling. These pavanes from the Renaissance period are suitable for general performance, and sacred events. They are for the most part moderately easy with a few moderately difficult passages. Additionally, they make an excellent introduction to the Renaissance period in music and the use of different meters. The performance time is 7:30 for all pavanes.

This is a collection of Six Pavanes by Luis de Milán originally written for the vihuela and transcribed here for String Quartet by Kenneth Abeling. These pavanes from the Renaissance period are suitable for general performance, and sacred events. They are for the most part moderately easy with a few moderately difficult passages. Additionally, they make an excellent introduction to the Renaissance period in music and the use of different meters. The performance time is 7:30 for all pavanes.

This is a collection of Six Pavanes by Luis de Milán originally written for the vihuela and transcribed here for Woodwind Quartet by Kenneth Abeling. These pavanes from the Renaissance period are suitable for general performance, and sacred events. They are for the most part moderately easy with a few moderately difficult passages. Additionally, they make an excellent introduction to the Renaissance period in music and the use of different meters. The performance time is 7:30 for all pavanes.

Trio Sonata in C Major RV 82 by Antonio Vivaldi and arranged for Clarinet Quartet by Kenneth Abeling. This piece was originally written for Flute, Lute and continuo and later transcribed for Guitar and Chamber Orchestra and Harpsichord in A Major. This is a more advanced arrangement but not totally out of the musical reach of less experienced ensembles and may be performed without the Organ. Playing Time 9:25 with repeats and 6:25 without.

Trio Sonata in C Major RV 82 by Antonio Vivaldi and arranged for Saxophone Quartet by Kenneth Abeling. This piece was originally written for Flute, Lute and continuo and later transcribed for Guitar and Chamber Orchestra and Harpsichord in A Major. This is a more advanced arrangement but not totally out of the musical reach of less experienced ensembles and may be performed without the Organ. Playing Time 9:25 with repeats and 6:25 without.

Trio Sonata in C Major RV 82 by Antonio Vivaldi and arranged for String Quartet by Kenneth Abeling. This piece was originally written for Flute, Lute and continuo and later transcribed for Guitar and Chamber Orchestra and Harpsichord in A Major. This is a more advanced arrangement but not totally out of the musical reach of less experienced ensembles and may be performed without the Organ. Playing Time 9:25 with repeats and 6:25 without.

Trio Sonata in C Major RV 82 by Antonio Vivaldi and arranged for Woodwind Quartet by Kenneth Abeling. This piece was originally written for Flute, Lute and continuo and later transcribed for Guitar and Chamber Orchestra and Harpsichord in A Major. This is a more advanced arrangement but not totally out of the musical reach of less experienced ensembles and may be performed without the Organ. Playing Time 9:25 with repeats and 6:25 without.

Six Fugues by George Frideric Handel transcribed for Clarinet Quartet by Kenneth Abeling. These fugues are intermediate to advanced intermediate level in difficulty and are suitable for general performance as well as religious services. The total playing time for all six fugues is 20:30.

Six Fugues by George Frideric Handel transcribed for Saxophone Quartet by Kenneth Abeling. These fugues are intermediate to advanced intermediate level in difficulty and are suitable for general performance as well as religious services. The total playing time for all six fugues is 20:30.

Six Fugues by George Frideric Handel transcribed for String Quartet by Kenneth Abeling. These fugues are intermediate to advanced intermediate level in difficulty and are suitable for general performance as well as religious services. The total playing time for all six fugues is 20:30.

Six Fugues by George Frideric Handel transcribed for Woodwind Quartet by Kenneth Abeling. These fugues are intermediate to advanced intermediate level in difficulty and are suitable for general performance as well as religious services. The total playing time for all six fugues is 20:30.

Trio Sonata No.9 "The Golden Sonata", Z.810 (originally in F Major) by Henry Purcell and arranged for Clarinet Quartet by Kenneth Abeling. This Sonata was originally written for two violins, cello and continuo and all four original movements are included. This Baroque period composition is appropriate for secular and sacred performances and is an advanced intermediate to early advance arrangement. The performance time for the entire sonata is 7:40.

Trio Sonata No.9 "The Golden Sonata", Z.810 (originally in F Major) by Henry Purcell and arranged for Saxophone Quartet by Kenneth Abeling. This Sonata was originally written for two violins, cello and continuo and all four original movements are included. This Baroque period composition is appropriate for secular and sacred performances and is an advanced intermediate to early advance arrangement. The performance time for the entire sonata is 7:40.

Trio Sonata No.9 "The Golden Sonata", Z.810 (originally in F Major) by Henry Purcell and arranged for Woodwind Quartet by Kenneth Abeling. This Sonata was originally written for two violins, cello and continuo and all four original movements are included. This Baroque period composition is appropriate for secular and sacred performances and is an advanced intermediate to early advance arrangement. The performance time for the entire sonata is 7:40.

Trio Sonata No.9 "The Golden Sonata", Z.810 (originally in F Major) by Henry Purcell and arranged for Woodwind Quintet by Kenneth Abeling. This Sonata was originally written for two violins, cello and continuo and all four original movements are included. This Baroque period composition is appropriate for secular and sacred performances and is an advanced intermediate to early advance arrangement. The performance time for the entire sonata is 7:40.

Trio Sonata No.9 "The Golden Sonata", Z.810 (originally in F Major) by Henry Purcell and arranged for Brass Quintet by Kenneth Abeling. This Sonata was originally written for two violins, cello and continuo and all four original movements are included. This Baroque period composition is appropriate for secular and sacred performances and is an advanced intermediate to early advance arrangement. The performance time for the entire sonata is 7:40.

Trio Sonata No.9 "The Golden Sonata", Z.810 (originally in F Major) by Henry Purcell and arranged for Saxophone Quintet by Kenneth Abeling. This Sonata was originally written for two violins, cello and continuo and all four original movements are included. This Baroque period composition is appropriate for secular and sacred performances and is an advanced intermediate to early advance arrangement. The performance time for the entire sonata is 7:40.

Violin Concerto in G minor RV317 - II. Largo by Antonio Vivaldi transcribed for Clarinet Quartet by Kenneth Abeling. This is hauntingly beautiful piece, moderate in difficulty and suitable for secular and sacred performances. Playing time 3:20.

Violin Concerto in G minor RV317 - II. Largo by Antonio Vivaldi transcribed for Saxophone Quartet by Kenneth Abeling. This is hauntingly beautiful piece, moderate in difficulty and suitable for secular and sacred performances. Playing time 3:20.

Violin Concerto in G minor RV317 - II. Largo by Antonio Vivaldi transcribed for String Quartet by Kenneth Abeling. This is hauntingly beautiful piece, moderate in difficulty and suitable for secular and sacred performances. Playing time 3:20.

Violin Concerto in G minor RV317 - II. Largo by Antonio Vivaldi transcribed for Woodwind Quartet by Kenneth Abeling. This is hauntingly beautiful piece, moderate in difficulty and suitable for secular and sacred performances. Playing time 3:20.

Water Music Suite No. I in F Major - 5. Air (HWV 348) by George Friderick Handel transcribed for Clarinet Quartet. This is Movement 5. Air and is perfectly suited for general performance Religious services or Wedding Ceremonies. Playing time: 2:35.

Water Music Suite No. I in F Major - 5. Air (HWV 348) by George Friderick Handel transcribed for Saxophone Quartet. This is Movement 5. Air and is perfectly suited for general performance Religious services or Wedding Ceremonies. Playing time: 2:35.

Water Music Suite No. I in F Major - 5. Air (HWV 348) by George Friderick Handel transcribed for String Quartet. This is Movement 5. Air and is perfectly suited for general performance Religious services or Wedding Ceremonies. Playing time: 2:35.

Water Music Suite No. I in F Major - 5. Air (HWV 348) by George Friderick Handel transcribed for Woodwind Quartet. This is Movement 5. Air and is perfectly suited for general performance Religious services or Wedding Ceremonies. Playing time: 2:35.

Water Music Suite No. I in F Major - 5. Air (HWV 348) by George Friderick Handel transcribed for Woodwind Quintet. This is Movement 5. Air and is perfectly suited for general performance Religious services or Wedding Ceremonies. Playing time: 2:35.

Water Music Suite No. 2 in D Major – 2. Alla Hornpipe (HWV 349) by George Frideric Handel transcribed for Clarinet Quartet. This is Movement is perfectly suited for general performance religious services or Wedding Ceremonies. Playing time: 3:20.

Water Music Suite No. 2 in D Major – 2. Alla Hornpipe (HWV 349) by George Frideric Handel transcribed for Saxophone Quartet. This is Movement is perfectly suited for general performance religious services or Wedding Ceremonies. Playing time: 3:20.

Water Music Suite No. 2 in D Major – 2. Alla Hornpipe (HWV 349) by George Frideric Handel transcribed for String Quartet. This is Movement is perfectly suited for general performance religious services or Wedding Ceremonies. Playing time: 3:20.

Water Music Suite No. 2 in D Major – 2. Alla Hornpipe (HWV 349) by George Frideric Handel transcribed for Woodwind Quartet. This is Movement is perfectly suited for general performance religious services or Wedding Ceremonies. Playing time: 3:20.

Water Music Suite No. 2 in D Major – 2. Alla Hornpipe (HWV 349) by George Frideric Handel transcribed for Woodwind Quintet. This is Movement is perfectly suited for general performance religious services or Wedding Ceremonies. Playing time: 3:20.

Mozart's universally known Serenade in G – I. Allegro, K. 525 'Eine kleine Nachtmusik' or, a little night music for Clarinet Quartet by Kenneth Abeling. This is movement I. Allegro. It is an advanced level selection and appropriate for many performance applications. Playing Time: 5:20 with repeats, 3:54 without.

Mozart's universally known Serenade in G – I. Allegro, K. 525 'Eine kleine Nachtmusik' or, a little night music for Saxophone Quartet by Kenneth Abeling. This is movement I. Allegro. It is an advanced level selection and appropriate for many performance applications. Playing Time: 5:20 with repeats, 3:54 without.

Mozart's universally known Serenade in G – I. Allegro, K. 525 'Eine kleine Nachtmusik' or, a little night music for String Quartet by Kenneth Abeling. This is movement I. Allegro. It is an advanced level selection and appropriate for many performance applications. Playing Time: 5:20 with repeats, 3:54 without.

Mozart's universally known Serenade in G – I. Allegro, K. 525 'Eine kleine Nachtmusik' or, a little night music for Woodwind Quartet by Kenneth Abeling. This is movement I. Allegro. It is an advanced level selection and appropriate for many performance applications. Playing Time: 5:20 with repeats, 3:54 without.

La primavera - I. Allegro from The Four Seasons by Antonio Vivaldi transcribed here for Clarinet Quartet by Kenneth Abeling. This is movement I. Allegro and is suitable for Advanced Intermediate to Advanced musicians. It is appropriate for numerous general performance applications including Religious Services and Weddings! Playing Time 3:25

La primavera - I. Allegro from The Four Seasons by Antonio Vivaldi transcribed here for Saxophone Quartet by Kenneth Abeling. This is movement I. Allegro and is suitable for Advanced Intermediate to Advanced musicians. It is appropriate for numerous general performance applications including Religious Services and Weddings! Playing Time 3:25

La primavera - I. Allegro from The Four Seasons by Antonio Vivaldi transcribed here for String Quartet by Kenneth Abeling. This is movement I. Allegro and is suitable for Advanced Intermediate to Advanced musicians. It is appropriate for numerous general performance applications including Religious Services and Weddings! Playing Time 3:25

La primavera - I. Allegro from The Four Seasons by Antonio Vivaldi transcribed here for Woodwind Quartet by Kenneth Abeling. This is movement I. Allegro and is suitable for Advanced Intermediate to Advanced musicians. It is appropriate for numerous general performance applications including Religious Services and Weddings! Playing Time 3:25

La primavera - I. Allegro from The Four Seasons by Antonio Vivaldi transcribed here for Woodwind Quintet by Kenneth Abeling. This is movement I. Allegro and is suitable for Advanced Intermediate to Advanced musicians. It is appropriate for numerous general performance applications including Religious Services and Weddings! Playing Time 3:25

La primavera - I. Allegro from The Four Seasons by Antonio Vivaldi transcribed here for Saxophone Quintet by Kenneth Abeling. This is movement I. Allegro and is suitable for Advanced Intermediate to Advanced musicians. It is appropriate for numerous general performance applications including Religious Services and Weddings! Playing Time 3:25

Stabat Mater by Giovanni Pergolesi transcribed for Clarinet Quartet by Kenneth Abeling. This sad and mournful piece created shortly before the Composer’s death is suitable for sacred performances and funerals. Playing Time 3:20.

Stabat Mater by Giovanni Pergolesi transcribed for Saxophone Quartet by Kenneth Abeling. This sad and mournful piece created shortly before the Composer’s death is suitable for sacred performances and funerals. Playing Time 3:20.

Stabat Mater by Giovanni Pergolesi transcribed for String Quartet by Kenneth Abeling. This sad and mournful piece created shortly before the Composer’s death is suitable for sacred performances and funerals. Playing Time 3:20.

Stabat Mater by Giovanni Pergolesi transcribed for Woodwind Quartet by Kenneth Abeling. This sad and mournful piece created shortly before the Composer’s death is suitable for sacred performances and funerals. Playing Time 3:20.

String Quartet No.1 in F major, Op. 18 No.1, I Allegro con brio by Ludwig van Beethoven transcribed for Clarinet Quartet. This is an advanced level transcription of the first movement of Beethoven’s celebrated String Quartet No.1 and is suitable for general performance applications. Playing Time: 6:40 without the optional repeat.

String Quartet No.1 in F major, Op. 18 No.1, I Allegro con brio by Ludwig van Beethoven transcribed for Saxophone Quartet. This is an advanced level transcription of the first movement of Beethoven’s celebrated String Quartet No.1 and is suitable for general performance applications. Playing Time: 6:40 without the optional repeat.

String Quartet No.1 in F major, Op. 18 No.1, I Allegro con brio by Ludwig van Beethoven transcribed for Woodwind Quartet. This is an advanced level transcription of the first movement of Beethoven’s celebrated String Quartet No.1 and is suitable for general performance applications. Playing Time: 6:40 without the optional repeat.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Clarinet Quartet. It is perhaps the most performed movement of this suite, is of intermediate to early advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Saxophone Quartet. It is perhaps the most performed movement of this suite, is of intermediate to early advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Saxophone Quartet. It is perhaps the most performed movement of this suite, is of intermediate to early advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for String Quartet. It is perhaps the most performed movement of this suite, is of intermediate to early advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Woodwind Quartet. It is perhaps the most performed movement of this suite, is of intermediate to early advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Woodwind Quintet. It is perhaps the most performed movement of this suite, is of intermediate to early advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Brass Quintet. It is perhaps the most performed movement of this suite, is early to mid-advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Saxophone Quintet. It is perhaps the most performed movement of this suite, is early to mid-advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Saxophone Quintet. It is perhaps the most performed movement of this suite, is early to mid-advanced difficulty and suitable for a variety of performance applications.

Prelude to Act III of Richard Wagner’s highly acclaimed opera Lohengrin transcribed for Clarinet Quartet. This is an intermediate advance level piece, for the lower voices and advanced level (double/triple tonguing suggested) for the upper two voices. The transcription is true to the composer’s intent for this universally recognized work. Playing time approximately 3:20.

Prelude to Act III of Richard Wagner’s highly acclaimed opera Lohengrin transcribed for Saxophone Quartet. This is an intermediate advance level piece, for the lower voices and advanced level (double/triple tonguing suggested) for the upper two voices. The transcription is true to the composer’s intent for this universally recognized work. Playing time approximately 3:20.

Prelude to Act III of Richard Wagner’s highly acclaimed opera Lohengrin transcribed for String Quartet. This is an intermediate advance to easier advanced level piece. The transcription is true to the composer’s intent for this universally recognized work. Playing time approximately 3:20.

Prelude to Act III of Richard Wagner’s highly acclaimed opera Lohengrin transcribed for Woodwind Quartet. This is an intermediate advance level piece, for the lower voices and advanced level (double/triple tonguing suggested) for the upper two voices. The transcription is true to the composer’s intent for this universally recognized work. Playing time approximately 3:20.

Prelude to Act III of Richard Wagner’s highly acclaimed opera Lohengrin transcribed for Woodwind Quintet. This is an intermediate advance level piece, for the lower voices and advanced level (double/triple tonguing suggested) for the upper two voices. The transcription is true to the composer’s intent for this universally recognized work. Playing time approximately 3:20.

Prelude to Act III of Richard Wagner’s highly acclaimed opera Lohengrin transcribed for Brass Quintet. This is an intermediate advance level piece, for the lower voices and advanced level (double/triple tonguing suggested) for the upper two voices. The transcription is true to the composer’s intent for this universally recognized work. Playing time approximately 3:20.

Prelude to Act III of Richard Wagner’s highly acclaimed opera Lohengrin transcribed for Saxophone Quintet. This is an intermediate advance level piece, for the lower voices and advanced level (double/triple tonguing suggested) for the upper two voices. The transcription is true to the composer’s intent for this universally recognized work. Playing time approximately 3:20.

My Lord Willoughby is Welcome Home by John Dowland. Originally written for two lutes, this transcription for Clarinet Quartet by John Dowland will be a great addition to your renaissance library. To listen, view in its entirety and purchase please go to: https://lincolnmusicpublications.com/music/search.php?q=My+Lord+Willoughby

My Lord Willoughby is Welcome Home by John Dowland. Originally written for two lutes, this transcription for Saxophone Quartet by John Dowland will be a great addition to your renaissance library. To listen, view in its entirety and purchase please go to: https://lincolnmusicpublications.com/music/search.php?q=My+Lord+Willoughby

My Lord Willoughby is Welcome Home by John Dowland. Originally written for two lutes, this transcription for String Quartet by John Dowland will be a great addition to your renaissance library. To listen, view in its entirety and purchase please go to: https://lincolnmusicpublications.com/music/search.php?q=My+Lord+Willoughby

My Lord Willoughby is Welcome Home by John Dowland. Originally written for two lutes, this transcription for Woodwind Quartet by John Dowland will be a great addition to your renaissance library. To listen, view in its entirety and purchase please go to: https://lincolnmusicpublications.com/music/search.php?q=My+Lord+Willoughby

Elsa’s Procession to the Cathedral from Lohengrin by Richard Wagner transcribed for Clarinet Quartet. This is an intermediate level piece suitable for general performance and perhaps some religious services as well. An optional Organ part is included to enhance the ending if available. Playing time approximately 5:20.

Elsa’s Procession to the Cathedral from Lohengrin by Richard Wagner transcribed for Saxophone Quartet. This is an intermediate level piece suitable for general performance and perhaps some religious services as well. An optional Organ part is included to enhance the ending if available. Playing time approximately 5:20.

Elsa’s Procession to the Cathedral from Lohengrin by Richard Wagner transcribed for String Quartet. This is an intermediate level piece suitable for general performance and perhaps some religious services as well. An optional Organ part is included to enhance the ending if available. Playing time approximately 5:20.

Elsa’s Procession to the Cathedral from Lohengrin by Richard Wagner transcribed for Woodwind Quartet. This is an intermediate level piece suitable for general performance and perhaps some religious services as well. An optional Organ part is included to enhance the ending if available. Playing time approximately 5:20.

Elsa’s Procession to the Cathedral from Lohengrin by Richard Wagner transcribed for Woodwind Quintet. This is an intermediate level piece suitable for general performance and perhaps some religious services as well. An optional Organ part is included to enhance the ending if available. Playing time approximately 5:20.

Elsa’s Procession to the Cathedral from Lohengrin by Richard Wagner transcribed for Saxophone Quintet. This is an intermediate level piece suitable for general performance and perhaps some religious services as well. An optional Organ part is included to enhance the ending if available. Playing time approximately 5:20.

Pilgrim's Chorus, from the opera Tannhäuser by Richard Wagner arranged for Clarinet Quartet. This is moderately easy arrangement to easier advanced depending on the part. Playing time approximately 3:10.

Pilgrim's Chorus, from the opera Tannhäuser by Richard Wagner arranged for Saxophone Quartet. This is moderately easy arrangement to easier advanced depending on the part. Playing time approximately 3:10.

Pilgrim's Chorus, from the opera Tannhäuser by Richard Wagner arranged for String Quartet. This is moderately easy arrangement to easier advanced depending on the part. Playing time approximately 3:10.

Pilgrim's Chorus, from the opera Tannhäuser by Richard Wagner arranged for Woodwind Quartet. This is moderately easy arrangement to easier advanced depending on the part. Playing time approximately 3:10.

Pilgrim's Chorus, from the opera Tannhäuser by Richard Wagner arranged for Woodwind Quintet. This is moderately easy arrangement to easier advanced depending on the part. Playing time approximately 3:10.

Pilgrim's Chorus, from the opera Tannhäuser by Richard Wagner arranged for Brass Quintet. This is moderately easy arrangement to easier advanced depending on the part. Playing time approximately 3:10.

Pilgrim's Chorus, from the opera Tannhäuser by Richard Wagner arranged for Saxophone Quintet. This is moderately easy arrangement to easier advanced depending on the part. Playing time approximately 3:10.

Debussy's String Quartet in G minor, Movement No.1 transcribed for Clarinet Quartet. This is beautifully written piece and an excellent addition to any experienced quartet's repertoire. It is an advanced work and a challenge from start to finish!

Debussy's String Quartet in G minor, Movement No.1 transcribed for Saxophone Quartet. This is beautifully written piece and an excellent addition to any experienced quartet's repertoire. It is an advanced work and a challenge from start to finish!

Wassermusik Suite by German composer Georg Philipp Telemann transcribed for Clarinet Quartet. The movements include: 1. Overture, 2. Sarabande, 3. Bouree, 4. Loure, 5. Gavotte, 6. Harliquinade, 7. Eolo, 8. Menuet, 9. Gigue, 10. Canarie. The movements range in the difficulty is from intermediate to advanced. It may be performed as individual selections or as a complete suite and suitable for a number of performance applications! The approximate playing time with repeats is 26:45 and 17:15 without.

Wassermusik Suite by German composer Georg Philipp Telemann transcribed for Saxophone Quartet. The movements include: 1. Overture, 2. Sarabande, 3. Bouree, 4. Loure, 5. Gavotte, 6. Harliquinade, 7. Eolo, 8. Menuet, 9. Gigue, 10. Canarie. The movements range in the difficulty is from intermediate to advanced. It may be performed as individual selections or as a complete suite and suitable for a number of performance applications! The approximate playing time with repeats is 26:45 and 17:15 without.

Wassermusik Suite by German composer Georg Philipp Telemann transcribed for String Quartet. The movements include: 1. Overture, 2. Sarabande, 3. Bouree, 4. Loure, 5. Gavotte, 6. Harliquinade, 7. Eolo, 8. Menuet, 9. Gigue, 10. Canarie. The movements range in the difficulty is from intermediate to advanced. It may be performed as individual selections or as a complete suite and suitable for a number of performance applications! The approximate playing time with repeats is 26:45 and 17:15 without.

Wassermusik Suite by German composer Georg Philipp Telemann transcribed for Woodwind Quartet. The movements include: 1. Overture, 2. Sarabande, 3. Bouree, 4. Loure, 5. Gavotte, 6. Harliquinade, 7. Eolo, 8. Menuet, 9. Gigue, 10. Canarie. The movements range in the difficulty is from intermediate to advanced. It may be performed as individual selections or as a complete suite and suitable for a number of performance applications! The approximate playing time with repeats is 26:45 and 17:15 without.

Cavatina by Stanley Myers arranged for Clarinet Quartet. This is the pensive theme from the academy award winning movie, “The Deer Hunter” and is considered to be one of the most beautiful classical pieces of all time. This is an intermediate level arrangement. Playing time of approximately 3:15.

Cavatina by Stanley Myers arranged for Saxophone Quartet. This is the pensive theme from the academy award winning movie, “The Deer Hunter” and is considered to be one of the most beautiful classical pieces of all time. This is an intermediate level arrangement. Playing time of approximately 3:15.

Cavatina by Stanley Myers arranged for String Quartet. This is the pensive theme from the academy award winning movie, “The Deer Hunter” and is considered to be one of the most beautiful classical pieces of all time. This is an intermediate level arrangement. Playing time of approximately 3:15.

Cavatina by Stanley Myers arranged for Woodwind Quartet. This is the pensive theme from the academy award winning movie, “The Deer Hunter” and is considered to be one of the most beautiful classical pieces of all time. This is an intermediate level arrangement. Playing time of approximately 3:15.

Cavatina by Stanley Myers arranged for Woodwind Quintet. This is the pensive theme from the academy award winning movie, “The Deer Hunter” and is considered to be one of the most beautiful classical pieces of all time. This is an intermediate level arrangement. Playing time of approximately 3:15.

Cavatina by Stanley Myers arranged for Saxophone Quintet. This is the pensive theme from the academy award winning movie, “The Deer Hunter” and is considered to be one of the most beautiful classical pieces of all time. This is an intermediate level arrangement. Playing time of approximately 3:15.

The Girl with the Flaxen Hair or La fille aux cheveux de lin by Claude Debussy transcribed for Clarinet Quartet. This is number eight of twelve in Debussy’s first book of preludes and inspired by a poem by Leconte de Lisle of the same name. This is advanced intermediate arrangement and suitable for a variety of performance applications. The approximate playing time is 2:10.

The Girl with the Flaxen Hair or La fille aux cheveux de lin by Claude Debussy transcribed for Saxophone Quartet. This is number eight of twelve in Debussy’s first book of preludes and inspired by a poem by Leconte de Lisle of the same name. This is advanced intermediate arrangement and suitable for a variety of performance applications. The approximate playing time is 2:10.

The Girl with the Flaxen Hair or La fille aux cheveux de lin by Claude Debussy transcribed for String Quartet. This is number eight of twelve in Debussy’s first book of preludes and inspired by a poem by Leconte de Lisle of the same name. This is advanced intermediate arrangement and suitable for a variety of performance applications. The approximate playing time is 2:10.

The Girl with the Flaxen Hair or La fille aux cheveux de lin by Claude Debussy transcribed for Woodwind Quartet. This is number eight of twelve in Debussy’s first book of preludes and inspired by a poem by Leconte de Lisle of the same name. This is advanced intermediate arrangement and suitable for a variety of performance applications. The approximate playing time is 2:10.

The Girl with the Flaxen Hair or La fille aux cheveux de lin by Claude Debussy transcribed for Woodwind Quintet. This is number eight of twelve in Debussy’s first book of preludes and inspired by a poem by Leconte de Lisle of the same name. This is advanced intermediate arrangement and suitable for a variety of performance applications. The approximate playing time is 2:10.

The Girl with the Flaxen Hair or La fille aux cheveux de lin by Claude Debussy transcribed for Saxophone Quintet. This is number eight of twelve in Debussy’s first book of preludes and inspired by a poem by Leconte de Lisle of the same name. This is advanced intermediate arrangement and suitable for a variety of performance applications. The approximate playing time is 2:10.

Danse Macabre or “Death Dance” by Camille Saint-Saëns transcribed for Clarinet Quartet. This is an advanced transcription, true to the composer’s original intent and an audience favorite around Halloween! The playing time approximately 7:00 at brisk tempo.

Danse Macabre or “Death Dance” by Camille Saint-Saëns transcribed for Saxophone Quartet. This is an advanced transcription, true to the composer’s original intent and an audience favorite around Halloween! The playing time approximately 7:00 at brisk tempo.

Danse Macabre or “Death Dance” by Camille Saint-Saëns transcribed for String Quartet. This is an advanced transcription, true to the composer’s original intent and an audience favorite around Halloween! The playing time approximately 7:00 at brisk tempo.

Danse Macabre or “Death Dance” by Camille Saint-Saëns transcribed for Woodwind Quartet. This is an advanced transcription, true to the composer’s original intent and an audience favorite around Halloween! The playing time approximately 7:00 at brisk tempo.