Lincoln Music Publications

“Dixieland Medley” for Brass Quintet is a collection of five “Dixieland-ish” favorites to include: “That’s a Plenty”, “After You've Gone”, “Alexander's Ragtime Band”, “Margie” and “At the Jazz Band Ball”. This is an Advanced Intermediate to Advanced arrangement.

St. Louis Blues written by W. C. Handy, offered here for Clarinet Quartet, is an essential chart in any Dixieland library. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

St. Louis Blues written by W. C. Handy, offered here for Saxophone Quartet, is an essential chart in any Dixieland library. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

A Closer Walk With Thee for Saxophone Quartet is a quintessential New Orleans funeral dirge that has numerous playing applications and an all time Dixieland favorite. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

A Closer Walk With Thee for Clarinet Quartet is a quintessential New Orleans funeral dirge that has numerous playing applications and an all time Dixieland favorite. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

St. Louis Blues written by W. C. Handy, offered here for String Quartet, is an essential chart in any Dixieland library. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

A Closer Walk With Thee for String Quartet is a quintessential New Orleans funeral dirge that has numerous playing applications and an all time Dixieland favorite. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

St. Louis Blues written by W. C. Handy, offered here for Woodwind Quartet, is an essential chart in any Dixieland library. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

A Closer Walk With Thee for Woodwind Quartet is a quintessential New Orleans funeral dirge that has numerous playing applications and an all time Dixieland favorite. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

Royal Garden Blues for Saxophone Quartet is a well know and readily recognizable Dixieland classic. This arrangement is suitable for professional musicians and more experienced ensembles.

Royal Garden Blues for Clarinet Quartet is a well know and readily recognizable Dixieland classic. This arrangement is suitable for professional musicians and more experienced ensembles.

Royal Garden Blues for Woodwind Quartet is a well know and readily recognizable Dixieland classic. This arrangement is suitable for professional musicians and more experienced ensembles.

Royal Garden Blues for String Quartet is a well know and readily recognizable Dixieland classic. This arrangement is suitable for professional musicians and more experienced ensembles.

St. Louis Blues written by W. C. Handy, offered here for Brass Quintet, is an essential chart in any Dixieland library. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

A Closer Walk With Thee for Brass Quintet is a quintessential New Orleans funeral dirge that has numerous playing applications and an all time Dixieland favorite. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

Royal Garden Blues for Brass Quintet is a well know and readily recognizable Dixieland classic. This arrangement is suitable for professional musicians and more experienced ensembles.

Just A Closer Walk With Thee for Woodwind Quintet is a quintessential New Orleans funeral dirge that has numerous playing applications and an all time Dixieland favorite. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

Royal Garden Blues for Woodwind Quintet is a well know and readily recognizable Dixieland classic. This arrangement is suitable for professional musicians and more experienced ensembles.

St. Louis Blues written by W. C. Handy, offered here for Woodwind Quintet, is an essential chart in any Dixieland library. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

Irving Berlin’s lovely “A Pretty Girl is like a Melody” arranged here for Saxophone Quartet will please your audiences and your ensemble will enjoy playing it as well.

Irving Berlin’s lovely “A Pretty Girl is like a Melody” arranged here for Clarinet Quartet will please your audiences and your ensemble will enjoy playing it as well.

Irving Berlin’s lovely “A Pretty Girl is like a Melody” arranged here for String Quartet will please your audiences and your ensemble will enjoy playing it as well.

“Dixieland Medley” for Saxophone Quartet is a collection of five “Dixieland-ish” favorites to include: “That’s a Plenty”, “After You've Gone”, “Alexander's Ragtime Band”, “Margie” and “At the Jazz Band Ball”. This is an Advanced Intermediate arrangement.

“Dixieland Medley” for Clarinet Quartet is a collection of five “Dixieland-ish” favorites to include: “That’s a Plenty”, “After You've Gone”, “Alexander's Ragtime Band”, “Margie” and “At the Jazz Band Ball”. This is an Advanced Intermediate arrangement.

“Dixieland Medley” for String Quartet is a collection of five “Dixieland-ish” favorites to include: “That’s a Plenty”, “After You've Gone”, “Alexander's Ragtime Band”, “Margie” and “At the Jazz Band Ball”. This is an Advanced Intermediate arrangement.

This somewhat challenging arrangement of Henry Mancini’s “The Days of Wine and Roses” for Saxophone Quartet is suitable for both concert performance or background music. The melody is shared amongst all members of the quartet and the piece features tutti and soli sections that will showcase the precision of your quartet! Both Soprano and Alto for Soprano parts are included.

Mac & Johnson’s “Charleston” or “The Charleston” as it is most frequently referred for Saxophone Quartet is a bit of a workout. The chart is in typical Dixieland fashion with both written solos and chord changes for improvised solos provided throughout. The rarely used introduction begins the piece as it works it’s way into a Dixieland frenzy at the end! Suitable for numerous performance occasions your audiences will love this staple of the American Jazz/Dixieland library… Both Soprano and Alto for Soprano parts are included.

This somewhat challenging arrangement of Henry Mancini’s “The Days of Wine and Roses” for Clarinet Quartet is suitable for both concert performance or background music. The melody is shared amongst all members of the quartet and the piece features tutti and soli sections that will showcase the precision of your quartet!

Mac & Johnson’s “Charleston” or “The Charleston” as it is most frequently referred for Clarinet Quartet is a bit of a workout. The chart is in typical Dixieland fashion with both written solos and chord changes for improvised solos provided throughout. The rarely used introduction begins the piece as it works it’s way into a Dixieland frenzy at the end! Suitable for numerous performance occasions your audiences will love this staple of the American Jazz/Dixieland library…

This somewhat challenging arrangement of Henry Mancini’s “The Days of Wine and Roses” for String Quartet is suitable for both concert performance or background music. The melody is shared amongst all members of the quartet and the piece features tutti and soli sections that will showcase the precision of your quartet!

Mac & Johnson’s “Charleston” or “The Charleston” as it is most frequently referred for String Quartet is a bit of a workout. The chart is in typical Dixieland fashion with both written solos and chord changes for improvised solos provided throughout. The rarely used introduction begins the piece as it works it’s way into a Dixieland frenzy at the end! Suitable for numerous performance occasions your audiences will love this staple of the American Jazz/Dixieland library…

This somewhat challenging arrangement of Henry Mancini’s “The Days of Wine and Roses” for Woodwind Quartet is suitable for both concert performance or background music. The melody is shared amongst all members of the quartet and the piece features tutti and soli sections that will showcase the precision of your quartet!

Mac & Johnson’s “Charleston” or “The Charleston” as it is most frequently referred for Woodwind Quartet is a bit of a workout. The chart is in typical Dixieland fashion with both written solos and chord changes for improvised solos provided throughout. The rarely used introduction begins the piece as it works it’s way into a Dixieland frenzy at the end! Suitable for numerous performance occasions your audiences will love this staple of the American Jazz/Dixieland library…

Irving Berlin’s lovely “A Pretty Girl is like a Melody” arranged here for Woodwind Quartet will please your audiences and your ensemble will enjoy playing it as well.

Irving Berlin’s lovely “A Pretty Girl is like a Melody” arranged here for Woodwind Quintet will please your audiences and your ensemble will enjoy playing it as well.

St. Louis Blues written by W. C. Handy, offered here for Saxophone Quintet, is an essential chart in any Dixieland library. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

A Closer Walk With Thee for Saxophone Quintet is a quintessential New Orleans funeral dirge that has numerous playing applications and an all time Dixieland favorite. This arrangement is suitable for professional musicians and reachable by less experienced ensembles.

Royal Garden Blues for Saxophone Quintet is a well know and readily recognizable Dixieland classic. This arrangement is suitable for professional musicians and more experienced ensembles.

“Dixieland Medley” for Woodwind Quartet is a collection of five “Dixieland-ish” favorites to include: “That’s a Plenty”, “After You've Gone”, “Alexander's Ragtime Band”, “Margie” and “At the Jazz Band Ball”. This is an Advanced Intermediate arrangement.

“Dixieland Medley” for Woodwind Quintet is a collection of five “Dixieland-ish” favorites to include: “That’s a Plenty”, “After You've Gone”, “Alexander's Ragtime Band”, “Margie” and “At the Jazz Band Ball”. This is an Advanced Intermediate arrangement.

"Basin Street Blues" written by Spencer Williams, first published in 1926 and made famous by a Louis Armstrong recording in 1928 is a Dixieland favorite.  This arrangement for Clarinet Quartet features solo sections by all in the ensemble and a fun read for the professional Quartet while still being accessible to younger or less experienced musicians.

“Edelweiss” arranged here for Clarinet Quartet. This is an intermediate level arrangement of Richard Rodgers and Oscar Hammerstein lovely melody from “The Sound of Music”. This song and arrangement are very suitable to Oktoberfest and similar performances.

This is an advanced arrangement for Clarinet Quartet of George Shearing's "Lullaby of Birdland".  The arrangement features individual solos as well as numerous soli and tutti sections and while a little challenging, it is a lot of fun to play.  

"The Girl From Ipanema" by Antonio Carlos Jobim, arranged here for Clarinet Quartet, is a staple in any professional quartets Jazz repertoire. However, this arrangement is still accessible to younger or less experienced Quartets.

"When Sunny Gets Blue", music by Marvin Fisher and arranged here for Clarinet Quartet, is a timeless classic and a "must have" in any professional quartets Jazz library. This arrangement is also playable by younger or less experienced Quartets.

"Basin Street Blues" written by Spencer Williams, first published in 1926 and made famous by a Louis Armstrong recording in 1928 is a Dixieland favorite.  This arrangement for Saxophone Quartet features solo sections by all in the ensemble and a fun read for the professional Quartet while still being accessible to younger or less experienced musicians.

This is an advanced arrangement for Saxophone Quartet of George Shearing's "Lullaby of Birdland".  The arrangement features individual solos as well as numerous soli and tutti sections and while a little challenging, it is a lot of fun to play.  

"The Girl From Ipanema" by Antonio Carlos Jobim, arranged here for Saxophone Quartet, is a staple in any professional quartets Jazz repertoire. However, this arrangement is still accessible to younger or less experienced Quartets.

"When Sunny Gets Blue", music by Marvin Fisher and arranged here for Saxophone Quartet, is a timeless classic and a "must have" in any professional quartets Jazz library. This arrangement is also playable by younger or less experienced Quartets.

“Edelweiss” arranged here for Saxophone Quartet. This is an intermediate level arrangement of Richard Rodgers and Oscar Hammerstein lovely melody from “The Sound of Music”. This song and arrangement are very suitable to Oktoberfest and similar performances.

“Edelweiss” arranged here for Saxophone Quintet. This is an intermediate level arrangement of Richard Rodgers and Oscar Hammerstein lovely melody from “The Sound of Music”. This song and arrangement are very suitable to Oktoberfest and similar performances.

"Basin Street Blues" written by Spencer Williams, first published in 1926 and made famous by a Louis Armstrong recording in 1928 is a Dixieland favorite.  This arrangement for Saxophone Quintet features solo sections by all in the ensemble and a fun read for the professional Quintet while still being accessible to younger or less experienced musicians.

This is an advanced arrangement for Saxophone Quintet of George Shearing's "Lullaby of Birdland".  The arrangement features individual solos as well as numerous soli and tutti sections and while a little challenging, it is a lot of fun to play.  

"The Girl From Ipanema" by Antonio Carlos Jobim, arranged here for Saxophone Quintet, is a staple in any professional quintets Jazz repertoire. However, this arrangement is still accessible to younger or less experienced Quintets.

"When Sunny Gets Blue", music by Marvin Fisher and arranged here for Saxophone Quintet, is a timeless classic and a "must have" in any professional quintets Jazz library. This arrangement is also playable by younger or less experienced Quintets.

“Edelweiss” arranged here for String Quartet. This is an intermediate level arrangement of Richard Rodgers and Oscar Hammerstein lovely melody from “The Sound of Music”. This song and arrangement are very suitable to Oktoberfest and similar performances.

"Basin Street Blues" written by Spencer Williams, first published in 1926 and made famous by a Louis Armstrong recording in 1928 is a Dixieland favorite.  This arrangement for String Quartet features solo sections by all in the ensemble and a fun read for the professional Quartet while still being accessible to younger or less experienced musicians.

This is an advanced arrangement for String Quartet of George Shearing's "Lullaby of Birdland".  The arrangement features individual solos as well as numerous soli and tutti sections and while a little challenging, it is a lot of fun to play.  

"The "Girl From Ipanema" by Antonio Carlos Jobim, arranged here for String Quartet, is a staple in any professional quartets Jazz repertoire. However, this arrangement is still accessible to younger or less experienced Quartets.

"When Sunny Gets Blue", music by Marvin Fisher and arranged here for String Quartet, is a timeless classic and a "must have" in any professional Quartets Jazz library. This arrangement is also playable by younger or less experienced quartets.

“Edelweiss” arranged here for Woodwind Quartet. This is an intermediate level arrangement of Richard Rodgers and Oscar Hammerstein lovely melody from “The Sound of Music”. This song and arrangement are very suitable to Oktoberfest and similar performances.

"Basin Street Blues" written by Spencer Williams, first published in 1926 and made famous by a Louis Armstrong recording in 1928 is a Dixieland favorite.  This arrangement for Woodwind Quartet features solo sections by all in the ensemble and a fun read for the professional Quartet while still being accessible to younger or less experienced musicians.

This is an advanced arrangement for Woodwind Quartet of George Shearing's "Lullaby of Birdland".  The arrangement features individual solos as well as numerous soli and tutti sections and while a little challenging, it is a lot of fun to play.  

"The "Girl From Ipanema" by Antonio Carlos Jobim, arranged here for Woodwind Quartet, is a staple in any professional quartets Jazz repertoire. However, this arrangement is still accessible to younger or less experienced quartets.

"When Sunny Gets Blue", music by Marvin Fisher and arranged here for Woodwind Quartet, is a timeless classic and a "must have" in any professional Quartets Jazz library. This arrangement is also playable by younger or less experienced Quartets.

“Edelweiss” arranged here for Woodwind Quintet. This is an intermediate level arrangement of Richard Rodgers and Oscar Hammerstein lovely melody from “The Sound of Music”. This song and arrangement are very suitable to Oktoberfest and similar performances.

"Basin Street Blues" written by Spencer Williams, first published in 1926 and made famous by a Louis Armstrong recording in 1928 is a Dixieland favorite.  This arrangement for Woodwind Quintet features solo sections by all in the ensemble and a fun read for the professional Quintet while still being accessible to younger or less experienced musicians.

"The "Girl From Ipanema" by Antonio Carlos Jobim, arranged here for Woodwind Quintet, is a staple in any professional quintets Jazz repertoire. However, this arrangement is still accessible to younger or less experienced quintets.

"When Sunny Gets Blue", music by Marvin Fisher and arranged here for Woodwind Quintet, is a timeless classic and a "must have" in any professional quintets Jazz library. This arrangement is also playable by younger or less experienced Quintets.

"Basin Street Blues" written by Spencer Williams, first published in 1926 and made famous by a Louis Armstrong recording in 1928 is a Dixieland favorite.  This arrangement for Brass Quintet features solo sections by all in the ensemble and a fun read for the professional Quintet while still being accessible to younger or less experienced musicians.

"The Girl From Ipanema" by Antonio Carlos Jobim, arranged here for Brass Quintet, is a staple in any professional quintets Jazz repertoire. However, this arrangement is still accessible to younger or less experienced Quintets.

"When Sunny Gets Blue", music by Marvin Fisher and arranged here for Brass Quintet, is a timeless classic and a "must have" in any professional quintets Jazz library. This arrangement is also playable by younger or less experienced Quintets.

This is an advanced arrangement for Woodwind Quintet of George Shearing's "Lullaby of Birdland".  The arrangement features individual solos as well as numerous soli and tutti sections and while a little challenging, it is a lot of fun to play.  

This somewhat challenging arrangement of Henry Mancini’s “The Days of Wine and Roses” for Woodwind Quintet is suitable for both concert performance or background music. The melody is shared amongst all members of the quartet and the piece features tutti and soli sections that will showcase the precision of your quartet!

This somewhat challenging arrangement of Henry Mancini’s “The Days of Wine and Roses” for Saxophone Quintet is suitable for both concert performance or background music. The melody is shared amongst all members of the quartet and the piece features tutti and soli sections that will showcase the precision of your quartet!

Mac & Johnson’s “Charleston” or “The Charleston” as it is most frequently referred for Woodwind Quintet is a bit of a workout. The chart is in typical Dixieland fashion with both written solos and chord changes for improvised solos provided throughout. The rarely used introduction begins the piece as it works its way into frenzy at the end! Suitable for numerous performance occasions your audiences will love this staple of the American Jazz/Dixieland library…

Mac & Johnson’s “Charleston” or “The Charleston” as it is most frequently referred for Saxophone Quintet is a bit of a workout. The chart is in typical Dixieland fashion with both written solos and chord changes for improvised solos provided throughout. The rarely used introduction begins the piece as it works its way into frenzy at the end! Suitable for numerous performance occasions your audiences will love this staple of the American Jazz/Dixieland library…

This is Irving Berlin’s “Always” for Clarinet Quartet from Christmas Holiday. This lovely song is appropriate for various occasions including Weddings and Christmas and the arrangement is of intermediate level difficulty.

This is Irving Berlin’s “Always” for Saxophone Quartet from Christmas Holiday. This lovely song is appropriate for various occasions including Weddings and Christmas and the arrangement is of intermediate level difficulty.

This is Irving Berlin’s “Always” for Saxophone Quintet from Christmas Holiday. This lovely song is appropriate for various occasions including Weddings and Christmas and the arrangement is of intermediate level difficulty.

This is Irving Berlin’s “Always” for String Quartet from Christmas Holiday. This lovely song is appropriate for various occasions including Weddings and Christmas and the arrangement is of intermediate level difficulty.

This is Irving Berlin’s “Always” for Woodwind Quartet from Christmas Holiday. This lovely song is appropriate for various occasions including Weddings and Christmas and the arrangement is of intermediate level difficulty.

This is Irving Berlin’s “Always” for Woodwind Quintet from Christmas Holiday. This lovely song is appropriate for various occasions including Weddings and Christmas and the arrangement is of intermediate level difficulty.

This is Irving Berlin’s “Always” for Brass Quintet from Christmas Holiday. This lovely song is appropriate for various occasions including Weddings and Christmas and the arrangement is of intermediate level difficulty.

“Blue Moon” by Lorenz Hart & Richard Rodgers, arranged here for Brass Quintet, is an ageless standard most audiences will remember. This is an intermediate to advanced intermediate level arrangement depending on the ensemble you choose.

“Blue Moon” by Lorenz Hart & Richard Rodgers, arranged here for Woodwind Quintet, is an ageless standard most audiences will remember. This is an intermediate to advanced intermediate level arrangement depending on the ensemble you choose.

“Blue Moon” by Lorenz Hart & Richard Rodgers, arranged here for Woodwind Quartet, is an ageless standard most audiences will remember. This is an intermediate to advanced intermediate level arrangement depending on the ensemble you choose.

“Blue Moon” by Lorenz Hart & Richard Rodgers, arranged here for String Quartet, is an ageless standard most audiences will remember. This is an intermediate to advanced intermediate level arrangement depending on the ensemble you choose.

“Blue Moon” by Lorenz Hart & Richard Rodgers, arranged here for Clarinet Quartet, is an ageless standard most audiences will remember. This is an intermediate to advanced intermediate level arrangement depending on the ensemble you choose.

“Blue Moon” by Lorenz Hart & Richard Rodgers, arranged here for Saxophone Quartet, is an ageless standard most audiences will remember. This is an intermediate to advanced intermediate level arrangement depending on the ensemble you choose.

“Blue Moon” by Lorenz Hart & Richard Rodgers, arranged here for Saxophone Quintet, is an ageless standard most audiences will remember. This is an intermediate to advanced intermediate level arrangement depending on the ensemble you choose.

Cole Porter’s romantic, “I’ve Got You Under My Skin” for Woodwind Quintet. This arrangement is in a “Latin feel” and a good device for learning 2 against 3 & 3 against 4. Intermediate and professional players will both find this chart useful.

Cole Porter’s romantic, “I’ve Got You Under My Skin” for Woodwind Quartet. This arrangement is in a “Latin feel” and a good device for learning 2 against 3 & 3 against 4. Intermediate and professional players will both find this chart useful.

Cole Porter’s romantic, “I’ve Got You Under My Skin” for String Quartet. This arrangement is in a “Latin feel” and a good device for learning 2 against 3 & 3 against 4. Intermediate and professional players will both find this chart useful.

Cole Porter’s romantic, “I’ve Got You Under My Skin” for Saxophone Quintet. This arrangement is in a “Latin feel” and a good device for learning 2 against 3 & 3 against 4. Intermediate and professional players will both find this chart useful.

Cole Porter’s romantic, “I’ve Got You Under My Skin” for Saxophone Quartet. This arrangement is in a “Latin feel” and a good device for learning 2 against 3 & 3 against 4. Intermediate and professional players will both find this chart useful.

Cole Porter’s romantic, “I’ve Got You Under My Skin” for Clarinet Quartet. This arrangement is in a “Latin feel” and a good device for learning 2 against 3 & 3 against 4. Intermediate and professional players will both find this chart useful.

Cole Porter’s romantic, “I’ve Got You Under My Skin” for Brass Quintet. This arrangement is in a “Latin feel” and a good device for learning 2 against 3 & 3 against 4. Intermediate and professional players will both find this chart useful.

“The Way You Look Tonight”, Words by Dorothy Fields Music by Jerome Kern for Woodwind Quintet.  This is an intermediate to advanced intermediate level arrangement through professional players will enjoy playing it as well. 

“The Way You Look Tonight”, Words by Dorothy Fields Music by Jerome Kern for Brass Quintet.  This is an intermediate to advanced intermediate level arrangement through professional players will enjoy playing it as well. 

“The Way You Look Tonight”, Words by Dorothy Fields Music by Jerome Kern for Saxophone Quintet.  This is an intermediate to advanced intermediate level arrangement through professional players will enjoy playing it as well. 

“The Way You Look Tonight”, Words by Dorothy Fields Music by Jerome Kern for Saxophone Quartet.  This is an intermediate to advanced intermediate level arrangement through professional players will enjoy playing it as well. 

“The Way You Look Tonight”, Words by Dorothy Fields Music by Jerome Kern for Clarinet Quartet.  This is an intermediate to advanced intermediate level arrangement through professional players will enjoy playing it as well. 

“The Way You Look Tonight”, Words by Dorothy Fields Music by Jerome Kern for String Quartet.  This is an intermediate to advanced intermediate level arrangemen through professional players will enjoy playing it as well. 

“The Way You Look Tonight”, Words by Dorothy Fields Music by Jerome Kern for Woodwind Quartet.  This is an intermediate to advanced intermediate level arrangement through professional players will enjoy playing it as well. 

“Come Fly With Me” Words & Music by Sammy Cahn & James Van Heusen and arranged here for Brass Quintet. This is an intermediate to advanced intermediate level arrangement of a jazz standard.

“Come Fly With Me” Words & Music by Sammy Cahn & James Van Heusen and arranged here for Woodwind Quintet. This is an intermediate to advanced intermediate level arrangement of a jazz standard.

“Come Fly With Me” Words & Music by Sammy Cahn & James Van Heusen and arranged here for Saxophone Quintet. This is an intermediate to advanced intermediate level arrangement of a jazz standard.

“Come Fly With Me” Words & Music by Sammy Cahn & James Van Heusen and arranged here for Saxophone Quartet. This is an intermediate to advanced intermediate level arrangement of a jazz standard.

“Come Fly With Me” Words & Music by Sammy Cahn & James Van Heusen and arranged here for Clarinet Quartet. This is an intermediate to advanced intermediate level arrangement of a jazz standard.

“Come Fly With Me” Words & Music by Sammy Cahn & James Van Heusen and arranged here for String Quartet. This is an intermediate to advanced intermediate level arrangement of a jazz standard.

“Come Fly With Me” Words & Music by Sammy Cahn & James Van Heusen and arranged here for Woodwind Quartet. This is an intermediate to advanced intermediate level arrangement of a jazz standard.

“Sentimental Journey”, Words and Music by Bud Green, Les Brown and Ben Homer, arranged for Woodwind Quintet. This is a delightful intermediate level arrangement of a Jazz / Show Tune staple.

“Sentimental Journey”, Words and Music by Bud Green, Les Brown and Ben Homer, arranged for Brass Quintet. This is a delightful intermediate level arrangement of a Jazz / Show Tune staple.

“Sentimental Journey”, Words and Music by Bud Green, Les Brown and Ben Homer, arranged for Saxophone Quintet. This is a delightful intermediate level arrangement of a Jazz / Show Tune staple.

“Sentimental Journey”, Words and Music by Bud Green, Les Brown and Ben Homer, arranged for Saxophone Quartet. This is a delightful intermediate level arrangement of a Jazz / Show Tune staple.

“Sentimental Journey”, Words and Music by Bud Green, Les Brown and Ben Homer, arranged for Clarinet Quartet. This is a delightful intermediate level arrangement of a Jazz / Show Tune staple.

“Sentimental Journey”, Words and Music by Bud Green, Les Brown and Ben Homer, arranged for String Quartet. This is a delightful intermediate level arrangement of a Jazz / Show Tune staple.

“Sentimental Journey”, Words and Music by Bud Green, Les Brown and Ben Homer, arranged for Woodwind Quartet. This is a delightful intermediate level arrangement of a Jazz / Show Tune staple.

“Sing-along Medley #1, arranged here for Woodwind Quintet is a collection 5 timeless classics to include: “Baby Face”, “Daisy Bell”, “By the light of the Silvery Moon”, “Down by the Old Mill Stream”, “I’m Looking Over a Four Leaf Clover”. This piece is of intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other performance applications.

“Sing-along Medley #1, arranged here for Brass Quintet is a collection 5 timeless classics to include: “Baby Face”, “Daisy Bell”, “By the light of the Silvery Moon”, “Down by the Old Mill Stream”, “I’m Looking Over a Four Leaf Clover”. This piece is of intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other performance applications.

“Sing-along Medley #1, arranged here for Saxophone Quintet is a collection 5 timeless classics to include: “Baby Face”, “Daisy Bell”, “By the light of the Silvery Moon”, “Down by the Old Mill Stream”, “I’m Looking Over a Four Leaf Clover”. This piece is of intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other performance applications.

“Sing-along Medley #1, arranged here for Saxophone Quartet is a collection 5 timeless classics to include: “Baby Face”, “Daisy Bell”, “By the light of the Silvery Moon”, “Down by the Old Mill Stream”, “I’m Looking Over a Four Leaf Clover”. This piece is of intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other performance applications.

“Sing-along Medley #1, arranged here for Clarinet Quartet is a collection 5 timeless classics to include: “Baby Face”, “Daisy Bell”, “By the light of the Silvery Moon”, “Down by the Old Mill Stream”, “I’m Looking Over a Four Leaf Clover”. This piece is of intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other performance applications. (Concert C Version)

“Sing-along Medley #1, arranged here for Clarinet Quartet is a collection 5 timeless classics to include: “Baby Face”, “Daisy Bell”, “By the light of the Silvery Moon”, “Down by the Old Mill Stream”, “I’m Looking Over a Four Leaf Clover”. This piece is of intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other performance applications. (Concert F Version)

“Sing-along Medley #1, arranged here for String Quartet is a collection 5 timeless classics to include: “Baby Face”, “Daisy Bell”, “By the light of the Silvery Moon”, “Down by the Old Mill Stream”, “I’m Looking Over a Four Leaf Clover”. This piece is of intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other performance applications.

“Sing-along Medley #1, arranged here for Woodwind Quartet is a collection 5 timeless classics to include: “Baby Face”, “Daisy Bell”, “By the light of the Silvery Moon”, “Down by the Old Mill Stream”, “I’m Looking Over a Four Leaf Clover”. This piece is of intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other performance applications.

“Sweet Caroline”, Words and Music by Neil Diamond and arranged here for Woodwind Quintet. A timeless “Pop” classic that audiences love to “Interact” with…

“Sweet Caroline”, Words and Music by Neil Diamond and arranged here for Brass Quintet. A timeless “Pop” classic that audiences love to “Interact” with…

“Sweet Caroline”, Words and Music by Neil Diamond and arranged here for Saxophone Quintet. A timeless “Pop” classic that audiences love to “Interact” with…

“Sweet Caroline”, Words and Music by Neil Diamond and arranged here for Saxophone Quartet. A timeless “Pop” classic that audiences love to “Interact” with…

“Sweet Caroline”, Words and Music by Neil Diamond and arranged here for Clarinet Quartet. A timeless “Pop” classic that audiences love to “Interact” with…

“Sweet Caroline”, Words and Music by Neil Diamond and arranged here for String Quartet. A timeless “Pop” classic that audiences love to “Interact” with…

“Sweet Caroline”, Words and Music by Neil Diamond and arranged here for Woodwind Quartet. A timeless “Pop” classic that audiences love to “Interact” with…

“Take On Me”, Music by Waaktaar and Magne Furuholmne and Words by Waaktaar, Furuholmne and Harket arranged here for Brass Quintet. This is an intermediate to advanced arrangement depending on the ensemble of the still very popular song created and made popular by the Norwegian Band a-ha.

“Take On Me”, Music by Waaktaar and Magne Furuholmne and Words by Waaktaar, Furuholmne and Harket arranged here for Saxophone Quintet. This is an intermediate to advanced arrangement depending on the ensemble of the still very popular song created and made popular by the Norwegian Band a-ha.

“Take On Me”, Music by Waaktaar and Magne Furuholmne and Words by Waaktaar, Furuholmne and Harket arranged here for Woodwind Quintet. This is an intermediate to advanced arrangement depending on the ensemble of the still very popular song created and made popular by the Norwegian Band a-ha.

“Take On Me”, Music by Waaktaar and Magne Furuholmne and Words by Waaktaar, Furuholmne and Harket arranged here for Woodwind Quartet. This is an intermediate to advanced arrangement depending on the ensemble of the still very popular song created and made popular by the Norwegian Band a-ha.

“Take On Me”, Music by Waaktaar and Magne Furuholmne and Words by Waaktaar, Furuholmne and Harket arranged here for String Quartet. This is an intermediate to advanced arrangement depending on the ensemble of the still very popular song created and made popular by the Norwegian Band a-ha.

“Take On Me”, Music by Waaktaar and Magne Furuholmne and Words by Waaktaar, Furuholmne and Harket arranged here for Saxophone Quartet. This is an intermediate to advanced arrangement depending on the ensemble of the still very popular song created and made popular by the Norwegian Band a-ha.

“Take On Me”, Music by Waaktaar and Magne Furuholmne and Words by Waaktaar, Furuholmne and Harket arranged here for Clarinet Quartet. This is an intermediate to advanced arrangement depending on the ensemble of the still very popular song created and made popular by the Norwegian Band a-ha.

Stylistic Variations on “Smoke on the Water”, Words and Music by Blackmore, Gillan, Glover and Lord and Paice arranged here for Brass Quintet. Both the performers and audience will find this advanced intermediate to advanced arrangement with its theme and three variations humorously appealing…

Stylistic Variations on “Smoke on the Water”, Words and Music by Blackmore, Gillan, Glover and Lord and Paice arranged here for Saxophone Quintet. Both the performers and audience will find this advanced intermediate to advanced arrangement with its theme and three variations humorously appealing…

Stylistic Variations on “Smoke on the Water”, Words and Music by Blackmore, Gillan, Glover and Lord and Paice arranged here for Woodwind Quintet. Both the performers and audience will find this advanced intermediate to advanced arrangement with its theme and three variations humorously appealing…

Stylistic Variations on “Smoke on the Water”, Words and Music by Blackmore, Gillan, Glover and Lord and Paice arranged here for Woodwind Quartet. Both the performers and audience will find this advanced intermediate to advanced arrangement with its theme and three variations humorously appealing…

Stylistic Variations on “Smoke on the Water”, Words and Music by Blackmore, Gillan, Glover and Lord and Paice arranged here for String Quartet. Both the performers and audience will find this advanced intermediate to advanced arrangement with its theme and three variations humorously appealing…

Stylistic Variations on “Smoke on the Water”, Words and Music by Blackmore, Gillan, Glover and Lord and Paice arranged here for Saxophone Quartet. Both the performers and audience will find this advanced intermediate to advanced arrangement with its theme and three variations humorously appealing…

Stylistic Variations on “Smoke on the Water”, Words and Music by Blackmore, Gillan, Glover and Lord and Paice arranged here for Clarinet Quartet. Both the performers and audience will find this advanced intermediate to advanced arrangement with its theme and three variations humorously appealing…

“The Shadow of Your Smile”, Words by Paul Francis Webster and Music by Johnny Mandel arranged for Brass Quintet. This charming song was first introduced in the 1965 film “The Sandpiper” and won the Grammy Award for Song of the Year as well as the Academy Award for Best Original Song.

“The Shadow of Your Smile”, Words by Paul Francis Webster and Music by Johnny Mandel arranged for Woodwind Quintet. This charming song was first introduced in the 1965 film “The Sandpiper” and won the Grammy Award for Song of the Year as well as the Academy Award for Best Original Song.

“The Shadow of Your Smile”, Words by Paul Francis Webster and Music by Johnny Mandel arranged for Saxophone Quintet. This charming song was first introduced in the 1965 film “The Sandpiper” and won the Grammy Award for Song of the Year as well as the Academy Award for Best Original Song.

“The Shadow of Your Smile”, Words by Paul Francis Webster and Music by Johnny Mandel arranged for Saxophone Quartet. This charming song was first introduced in the 1965 film “The Sandpiper” and won the Grammy Award for Song of the Year as well as the Academy Award for Best Original Song.

“The Shadow of Your Smile”, Words by Paul Francis Webster and Music by Johnny Mandel arranged for Clarinet Quartet. This charming song was first introduced in the 1965 film “The Sandpiper” and won the Grammy Award for Song of the Year as well as the Academy Award for Best Original Song.

“The Shadow of Your Smile”, Words by Paul Francis Webster and Music by Johnny Mandel arranged for String Quartet. This charming song was first introduced in the 1965 film “The Sandpiper” and won the Grammy Award for Song of the Year as well as the Academy Award for Best Original Song.

“The Shadow of Your Smile”, Words by Paul Francis Webster and Music by Johnny Mandel arranged for Woodwind Quartet. This charming song was first introduced in the 1965 film “The Sandpiper” and won the Grammy Award for Song of the Year as well as the Academy Award for Best Original Song.

“Quiet Nights and Quiet Stars” or “Corcovado”, (its Spanish title), Words & Music by Antonio Carlos Jobim arranged here for Saxophone Quintet. This is an Intermediate to advanced intermediate arrangement of Jobim’s romantic Latin Jazz standard.

“Quiet Nights and Quiet Stars” or “Corcovado”, (its Spanish title), Words & Music by Antonio Carlos Jobim arranged here for Saxophone Quartet. This is an Intermediate to advanced intermediate arrangement of Jobim’s romantic Latin Jazz standard.

“Quiet Nights and Quiet Stars” or “Corcovado”, (its Spanish title), Words & Music by Antonio Carlos Jobim arranged here for Woodwind Quintet. This is an Intermediate to advanced intermediate arrangement of Jobim’s romantic Latin Jazz standard.

“Quiet Nights and Quiet Stars” or “Corcovado”, (its Spanish title), Words & Music by Antonio Carlos Jobim arranged here for Brass Quintet. This is an Intermediate to advanced intermediate arrangement of Jobim’s romantic Latin Jazz standard.

“Quiet Nights and Quiet Stars” or “Corcovado”, (its Spanish title), Words & Music by Antonio Carlos Jobim arranged here for Clarinet Quartet. This is an Intermediate to advanced intermediate arrangement of Jobim’s romantic Latin Jazz standard.

“Quiet Nights and Quiet Stars” or “Corcovado”, (its Spanish title), Words & Music by Antonio Carlos Jobim arranged here for String Quartet. This is an Intermediate to advanced intermediate arrangement of Jobim’s romantic Latin Jazz standard.

“Quiet Nights and Quiet Stars” or “Corcovado”, (its Spanish title), Words & Music by Antonio Carlos Jobim arranged here for Woodwind Quartet. This is an Intermediate to advanced intermediate arrangement of Jobim’s romantic Latin Jazz standard.

“My Favorite Things” arranged here for Clarinet Quartet. This is an advanced intermediate to advanced level arrangement of Richard Rodgers and Oscar Hammerstein’s timeless classic from The Sound of Music.

“My Favorite Things” arranged here for String Quartet. This is an advanced intermediate to advanced level arrangement of Richard Rodgers and Oscar Hammerstein’s timeless classic from The Sound of Music.

“My Favorite Things” arranged here for Woodwind Quartet. This is an advanced intermediate to advanced level arrangement of Richard Rodgers and Oscar Hammerstein’s timeless classic from The Sound of Music.

“My Favorite Things” arranged here for Saxophone Quartet. This is an advanced intermediate to advanced level arrangement of Richard Rodgers and Oscar Hammerstein’s timeless classic from The Sound of Music.

“My Favorite Things” arranged here for Saxophone Quintet. This is an advanced intermediate to advanced level arrangement of Richard Rodgers and Oscar Hammerstein’s timeless classic from The Sound of Music.

“My Favorite Things” arranged here for Woodwind Quintet. This is an advanced intermediate to advanced level arrangement of Richard Rodgers and Oscar Hammerstein’s timeless classic from The Sound of Music.

“My Favorite Things” arranged here for Brass Quintet. This is an advanced intermediate to advanced level arrangement of Richard Rodgers and Oscar Hammerstein’s timeless classic from The Sound of Music.

“Audition (The Fools Who Dream)” from La La Land, Music by Justin Hurwitz and Lyrics by Benj Pasek & Justin Paul arranged for Clarinet Quartet. This is an advanced intermediate level arrangement of a multi-award winning, modern day movie musical classic!

“Audition (The Fools Who Dream)” from La La Land, Music by Justin Hurwitz and Lyrics by Benj Pasek & Justin Paul arranged for Saxophone Quartet. This is an advanced intermediate level arrangement of a multi-award winning, modern day movie musical classic!

“Audition (The Fools Who Dream)” from La La Land, Music by Justin Hurwitz and Lyrics by Benj Pasek & Justin Paul arranged for String Quartet. This is an advanced intermediate level arrangement of a multi-award winning, modern day movie musical classic!

“Audition (The Fools Who Dream)” from La La Land, Music by Justin Hurwitz and Lyrics by Benj Pasek & Justin Paul arranged for Woodwind Quartet. This is an advanced intermediate level arrangement of a multi-award winning, modern day movie musical classic!

“Audition (The Fools Who Dream)” from La La Land, Music by Justin Hurwitz and Lyrics by Benj Pasek & Justin Paul arranged for Woodwind Quintet. This is an advanced intermediate level arrangement of a multi-award winning, modern day movie musical classic!

“Audition (The Fools Who Dream)” from La La Land, Music by Justin Hurwitz and Lyrics by Benj Pasek & Justin Paul arranged for Saxophone Quintet. This is an advanced intermediate level arrangement of a multi-award winning, modern day movie musical classic!

“City of Stars” from La La Land, Music by Justin Hurwitz and Lyrics by Benj Pasek & Justin Paul arranged for Saxophone Quintet. This is an intermediate level arrangement of a modern day movie musical classic!

“City of Stars” from La La Land, Music by Justin Hurwitz and Lyrics by Benj Pasek & Justin Paul arranged for Woodwind Quintet. This is an intermediate level arrangement of a modern day movie musical classic!

“City of Stars” from La La Land, Music by Justin Hurwitz and Lyrics by Benj Pasek & Justin Paul arranged for Woodwind Quartet. This is an intermediate level arrangement of a modern day movie musical classic!

“City of Stars” from La La Land, Music by Justin Hurwitz and Lyrics by Benj Pasek & Justin Paul arranged for String Quartet. This is an intermediate level arrangement of a modern day movie musical classic!

“City of Stars” from La La Land, Music by Justin Hurwitz and Lyrics by Benj Pasek & Justin Paul arranged for Saxophone Quartet. This is an intermediate level arrangement of a modern day movie musical classic!

“City of Stars” from La La Land, Music by Justin Hurwitz and Lyrics by Benj Pasek & Justin Paul arranged for Clarinet Quartet. This is an intermediate level arrangement of a modern day movie musical classic!

“Mia & Sebastian’s” Theme” from La La Land, Music by Justin Hurwitz arranged for Clarinet Quartet. This is an advanced intermediate to easy advanced level arrangement of a multi-award winning, modern day movie musical classic!

“Mia & Sebastian’s” Theme” from La La Land, Music by Justin Hurwitz arranged for Saxophone Quartet. This is an advanced intermediate to easy advanced level arrangement of a multi-award winning, modern day movie musical classic!

“Mia & Sebastian’s” Theme” from La La Land, Music by Justin Hurwitz arranged for String Quartet. This is an advanced intermediate to easy advanced level arrangement of a multi-award winning, modern day movie musical classic!

“Mia & Sebastian’s” Theme” from La La Land, Music by Justin Hurwitz arranged for Woodwind Quartet. This is an advanced intermediate to easy advanced level arrangement of a multi-award winning, modern day movie musical classic!

“Mia & Sebastian’s” Theme” from La La Land, Music by Justin Hurwitz arranged for Woodwind Quintet. This is an advanced intermediate to easy advanced level arrangement of a multi-award winning, modern day movie musical classic!

“Mia & Sebastian’s” Theme” from La La Land, Music by Justin Hurwitz arranged for Saxophone Quintet. This is an advanced intermediate to easy advanced level arrangement of a multi-award winning, modern day movie musical classic!

“Don’t Get Around Much Anymore”, Words by Bob Russell Music by Duke Ellington for Clarinet Quartet.  This is an advanced ?level arrangement of a classic jazz standard.

“Don’t Get Around Much Anymore”, Words by Bob Russell Music by Duke Ellington for Saxophone Quartet.  This is an advanced ?level arrangement of a classic jazz standard.

“Don’t Get Around Much Anymore”, Words by Bob Russell Music by Duke Ellington for String Quartet.  This is an advanced ?level arrangement of a classic jazz standard.

“Don’t Get Around Much Anymore”, Words by Bob Russell Music by Duke Ellington for Woodwind Quartet.  This is an advanced ?level arrangement of a classic jazz standard.

“Don’t Get Around Much Anymore”, Words by Bob Russell Music by Duke Ellington for Woodwind Quintet.  This is an advanced ?level arrangement of a classic jazz standard.

“Don’t Get Around Much Anymore”, Words by Bob Russell Music by Duke Ellington for Brass Quintet.  This is an advanced ?level arrangement of a classic jazz standard.

“Don’t Get Around Much Anymore”, Words by Bob Russell Music by Duke Ellington for Saxophone Quintet.  This is an advanced ?level arrangement of a classic jazz standard.

“Georgia on My Mind”, Words by Stuart Gorrell & Music by Hoagy Carmichael for Clarinet Quartet.  This is an easier advanced to advanced arrangement of Hoagy Carmichael’s tribute to his home state. While there are some challenging sections, the tempo and the way it lays should make it accessible to many ensembles.

“Georgia on My Mind”, Words by Stuart Gorrell & Music by Hoagy Carmichael for Saxophone Quartet.  This is an easier advanced to advanced arrangement of Hoagy Carmichael’s tribute to his home state. While there are some challenging sections, the tempo and the way it lays should make it accessible to many ensembles.

“Georgia on My Mind”, Words by Stuart Gorrell & Music by Hoagy Carmichael for String Quartet.  This is an easier advanced to advanced arrangement of Hoagy Carmichael’s tribute to his home state. While there are some challenging sections, the tempo and the way it lays should make it accessible to many ensembles.

“Georgia on My Mind”, Words by Stuart Gorrell & Music by Hoagy Carmichael for Woodwind Quartet.  This is an easier advanced to advanced arrangement of Hoagy Carmichael’s tribute to his home state. While there are some challenging sections, the tempo and the way it lays should make it accessible to many ensembles.

“Georgia on My Mind”, Words by Stuart Gorrell & Music by Hoagy Carmichael for Woodwind Quintet.  This is an easier advanced to advanced arrangement of Hoagy Carmichael’s tribute to his home state. While there are some challenging sections, the tempo and the way it lays should make it accessible to many ensembles.

“Georgia on My Mind”, Words by Stuart Gorrell & Music by Hoagy Carmichael for Brass Quintet.  This is an easier advanced to advanced arrangement of Hoagy Carmichael’s tribute to his home state. While there are some challenging sections, the tempo and the way it lays should make it accessible to many ensembles.

“Georgia on My Mind”, Words by Stuart Gorrell & Music by Hoagy Carmichael for Saxophone Quintet.  This is an easier advanced to advanced arrangement of Hoagy Carmichael’s tribute to his home state. While there are some challenging sections, the tempo and the way it lays should make it accessible to many ensembles.

“You Took Advantage of Me”, Music by Richard Rogers & Lyrics by Lorenz Hart for Clarinet Quartet, arr. Ken Abeling. This is an advanced arrangement of an all time Show Tune turned Dixieland favorite that will showcase your entire ensemble.

“You Took Advantage of Me”, Music by Richard Rogers & Lyrics by Lorenz Hart for Saxophone Quartet, arr. Ken Abeling. This is an advanced arrangement of an all time Show Tune turned Dixieland favorite that will showcase your entire ensemble.

“You Took Advantage of Me”, Music by Richard Rogers & Lyrics by Lorenz Hart for String Quartet, arr. Ken Abeling. This is an advanced arrangement of an all time Show Tune turned Dixieland favorite that will showcase your entire ensemble.

“You Took Advantage of Me”, Music by Richard Rogers & Lyrics by Lorenz Hart for Woodwind Quartet, arr. Ken Abeling. This is an advanced arrangement of an all time Show Tune turned Dixieland favorite that will showcase your entire ensemble.

“You Took Advantage of Me”, Music by Richard Rogers & Lyrics by Lorenz Hart for Woodwind Quintet, arr. Ken Abeling. This is an advanced arrangement of an all time Show Tune turned Dixieland favorite that will showcase your entire ensemble.

“You Took Advantage of Me”, Music by Richard Rogers & Lyrics by Lorenz Hart for Brass Quintet, arr. Ken Abeling. This is an advanced arrangement of an all time Show Tune turned Dixieland favorite that will showcase your entire ensemble.

“You Took Advantage of Me”, Music by Richard Rogers & Lyrics by Lorenz Hart for Saxophone Quintet, arr. Ken Abeling. This is an advanced arrangement of an all time Show Tune turned Dixieland favorite that will showcase your entire ensemble.

“Witchcraft”, Music by Cy Coleman & Lyrics by Carolyn Leigh for Clarinet Quartet, arr. Ken Abeling.  This is a more advanced arrangement of another Frank Sinatra staple. Sketched in the same “Opus” as “Lullaby of Birdland”, if you liked that chart, you will like this one as well!

“Witchcraft”, Music by Cy Coleman & Lyrics by Carolyn Leigh for Saxophone Quartet, arr. Ken Abeling.  This is a more advanced arrangement of another Frank Sinatra staple. Sketched in the same “Opus” as “Lullaby of Birdland”, if you liked that chart, you will like this one as well!

“Witchcraft”, Music by Cy Coleman & Lyrics by Carolyn Leigh for String Quartet, arr. Ken Abeling.  This is a more advanced arrangement of another Frank Sinatra staple. Sketched in the same “Opus” as “Lullaby of Birdland”, if you liked that chart, you will like this one as well!

“Witchcraft”, Music by Cy Coleman & Lyrics by Carolyn Leigh for Woodwind Quartet, arr. Ken Abeling.  This is a more advanced arrangement of another Frank Sinatra staple. Sketched in the same “Opus” as “Lullaby of Birdland”, if you liked that chart, you will like this one as well!

“Witchcraft”, Music by Cy Coleman & Lyrics by Carolyn Leigh for Woodwind Quintet, arr. Ken Abeling.  This is a more advanced arrangement of another Frank Sinatra staple. Sketched in the same “Opus” as “Lullaby of Birdland”, if you liked that chart, you will like this one as well!

“Witchcraft”, Music by Cy Coleman & Lyrics by Carolyn Leigh for Brass Quintet, arr. Ken Abeling.  This is a more advanced arrangement of another Frank Sinatra staple. Sketched in the same “Opus” as “Lullaby of Birdland”, if you liked that chart, you will like this one as well!

“Witchcraft”, Music by Cy Coleman & Lyrics by Carolyn Leigh for Saxophone Quintet, arr. Ken Abeling.  This is a more advanced arrangement of another Frank Sinatra staple. Sketched in the same “Opus” as “Lullaby of Birdland”, if you liked that chart, you will like this one as well!

“I Want a Little Girl”, Words and Music by Murray Mencher and Billy Moll for Clarinet Quartet, arr. Ken Abeling. This is an easier advanced to advanced Dixieland arrangement of an old Vaudeville favorite.

“I Want a Little Girl”, Words and Music by Murray Mencher and Billy Moll for Saxophone Quartet, arr. Ken Abeling. This is an easier advanced to advanced Dixieland arrangement of an old Vaudeville favorite.

“I Want a Little Girl”, Words and Music by Murray Mencher and Billy Moll for Saxophone Quintet, arr. Ken Abeling. This is an easier advanced to advanced Dixieland arrangement of an old Vaudeville favorite.

“I Want a Little Girl”, Words and Music by Murray Mencher and Billy Moll for String Quartet, arr. Ken Abeling. This is an easier advanced to advanced Dixieland arrangement of an old Vaudeville favorite.

“I Want a Little Girl”, Words and Music by Murray Mencher and Billy Moll for Woodwind Quartet, arr. Ken Abeling. This is an easier advanced to advanced Dixieland arrangement of an old Vaudeville favorite.

“I Want a Little Girl”, Words and Music by Murray Mencher and Billy Moll for Woodwind Quintet, arr. Ken Abeling. This is an easier advanced to advanced Dixieland arrangement of an old Vaudeville favorite.

“I Want a Little Girl”, Words and Music by Murray Mencher and Billy Moll for Brass Quintet, arr. Ken Abeling. This is an advanced Dixieland arrangement of an old Vaudeville favorite.

“Muskrat Ramble”, Music by Edward “Kid” Ory for Clarinet Quartet, arr. Ken Abeling. This is a rather advanced arrangement of a chart you will find on anyone’s list of top ten best Dixieland songs ever written!

“Muskrat Ramble”, Music by Edward “Kid” Ory for Saxophone Quartet, arr. Ken Abeling. This is a rather advanced arrangement of a chart you will find on anyone’s list of top ten best Dixieland songs ever written!

“Muskrat Ramble”, Music by Edward “Kid” Ory for Saxophone Quintet, arr. Ken Abeling. This is a rather advanced arrangement of a chart you will find on anyone’s list of top ten best Dixieland songs ever written!

“Muskrat Ramble”, Music by Edward “Kid” Ory for String Quartet, arr. Ken Abeling. This is a rather advanced arrangement of a chart you will find on anyone’s list of top ten best Dixieland songs ever written!

“Muskrat Ramble”, Music by Edward “Kid” Ory for Woodwind Quartet, arr. Ken Abeling. This is a rather advanced arrangement of a chart you will find on anyone’s list of top ten best Dixieland songs ever written!

“Muskrat Ramble”, Music by Edward “Kid” Ory for Woodwind Quintet, arr. Ken Abeling. This is a rather advanced arrangement of a chart you will find on anyone’s list of top ten best Dixieland songs ever written!

“Muskrat Ramble”, Music by Edward “Kid” Ory for Brass Quintet, arr. Ken Abeling. This is a rather advanced arrangement of a chart you will find on anyone’s list of top ten best Dixieland songs ever written!

“Sing-along Medley #2”, arranged here for Clarinet Quartet is the second collection five “Tin Pan Alley” era songs arranged by Kenneth Abeling to include: “You Made Me love You” - “In the Good Old Summertime” - "Shine on Harvest Moon" - "Let Me Call You Sweetheart" & “April Showers". This piece is of intermediate to advanced intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other nostalgic performance applications. Playing Time 4:40 without repeats & 7:40 with repeats.

“Sing-along Medley #2”, arranged here for Saxophone Quartet is the second collection five “Tin Pan Alley” era songs arranged by Kenneth Abeling to include: “You Made Me love You” - “In the Good Old Summertime” - "Shine on Harvest Moon" - "Let Me Call You Sweetheart" & “April Showers". This piece is of intermediate to advanced intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other nostalgic performance applications. Playing Time 4:40 without repeats & 7:40 with repeats.

“Sing-along Medley #2”, arranged here for String Quartet is the second collection five “Tin Pan Alley” era songs arranged by Kenneth Abeling to include: “You Made Me love You” - “In the Good Old Summertime” - "Shine on Harvest Moon" - "Let Me Call You Sweetheart" & “April Showers". This piece is of intermediate to advanced intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other nostalgic performance applications. Playing Time 4:40 without repeats & 7:40 with repeats.

“Sing-along Medley #2”, arranged here for Woodwind Quartet is the second collection five “Tin Pan Alley” era songs arranged by Kenneth Abeling to include: “You Made Me love You” - “In the Good Old Summertime” - "Shine on Harvest Moon" - "Let Me Call You Sweetheart" & “April Showers". This piece is of intermediate to advanced intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other nostalgic performance applications. Playing Time 4:40 without repeats & 7:40 with repeats.

“Sing-along Medley #2”, arranged here for Woodwind Quintet is the second collection five “Tin Pan Alley” era songs arranged by Kenneth Abeling to include: “You Made Me love You” - “In the Good Old Summertime” - "Shine on Harvest Moon" - "Let Me Call You Sweetheart" & “April Showers". This piece is of intermediate to advanced intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other nostalgic performance applications. Playing Time 4:40 without repeats & 7:40 with repeats.

“Sing-along Medley #2”, arranged here for Brass Quintet is the second collection five “Tin Pan Alley” era songs arranged by Kenneth Abeling to include: “You Made Me love You” - “In the Good Old Summertime” - "Shine on Harvest Moon" - "Let Me Call You Sweetheart" & “April Showers". This piece is of intermediate to advanced intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other nostalgic performance applications. Playing Time 4:40 without repeats & 7:40 with repeats.

“Sing-along Medley #2”, arranged here for Saxophone Quintet is the second collection five “Tin Pan Alley” era songs arranged by Kenneth Abeling to include: “You Made Me love You” - “In the Good Old Summertime” - "Shine on Harvest Moon" - "Let Me Call You Sweetheart" & “April Showers". This piece is of intermediate to advanced intermediate level difficulty and is perfect for performances for elderly audiences, as a music history-teaching tool for younger audiences as well as other nostalgic performance applications. Playing Time 4:40 without repeats & 7:40 with repeats.

CHICAGO (That Toddlin' Town) by Fred Fisher arranged for Clarinet Quartet by Kenneth Abeling. This an advanced arrangement of Fisher’s tribute to the 2nd City and made popular by Frank Sinatra amongst others. Playing time: 3:00.

CHICAGO (That Toddlin' Town) by Fred Fisher arranged for Saxophone Quartet by Kenneth Abeling. This an advanced arrangement of Fisher’s tribute to the 2nd City and made popular by Frank Sinatra amongst others. Playing time: 3:00.

CHICAGO (That Toddlin' Town) by Fred Fisher arranged for String Quartet by Kenneth Abeling. This an advanced arrangement of Fisher’s tribute to the 2nd City and made popular by Frank Sinatra amongst others. Playing time: 3:00.

CHICAGO (That Toddlin' Town) by Fred Fisher arranged for Woodwind Quartet by Kenneth Abeling. This an advanced arrangement of Fisher’s tribute to the 2nd City and made popular by Frank Sinatra amongst others. Playing time: 3:00.

CHICAGO (That Toddlin' Town) by Fred Fisher arranged for Woodwind Quintet by Kenneth Abeling. This an advanced arrangement of Fisher’s tribute to the 2nd City and made popular by Frank Sinatra amongst others. Playing time: 3:00.

CHICAGO (That Toddlin' Town) by Fred Fisher arranged for Brass Quintet by Kenneth Abeling. This an advanced arrangement of Fisher’s tribute to the 2nd City and made popular by Frank Sinatra amongst others. Playing time: 3:00.

CHICAGO (That Toddlin' Town) by Fred Fisher arranged for Saxophone Quintet by Kenneth Abeling. This an advanced arrangement of Fisher’s tribute to the 2nd City and made popular by Frank Sinatra amongst others. Playing time: 3:00.

“Edelweiss” arranged here for Brass Quintet by Kenneth Abeling. This is an intermediate level arrangement of Richard Rodgers and Oscar Hammerstein lovely melody from “The Sound of Music”. This song and arrangement are very suitable to Oktoberfest and similar performances.

“Peg O’ My Heart” is a charming song written for a Broadway show of the same name by Alfred Bryan & Fred Fisher and arranged here for Clarinet Quartet by Kenneth Abeling. This is an advanced intermediate to early advanced version of the very popular show tune which evolves from a slow “Rag-ish” type feel into a slow Swing. Playing Time: 3:45.

“Peg O’ My Heart” is a charming song written for a Broadway show of the same name by Alfred Bryan & Fred Fisher and arranged here for Saxophone Quartet by Kenneth Abeling. This is an advanced intermediate to early advanced version of the very popular show tune which evolves from a slow “Rag-ish” type feel into a slow Swing. Playing Time: 3:45.

“Peg O’ My Heart” is a charming song written for a Broadway show of the same name by Alfred Bryan & Fred Fisher and arranged here for String Quartet by Kenneth Abeling. This is an advanced intermediate to early advanced version of the very popular show tune which evolves from a slow “Rag-ish” type feel into a slow Swing. Playing Time: 3:45.

“Peg O’ My Heart” is a charming song written for a Broadway show of the same name by Alfred Bryan & Fred Fisher and arranged here for Woodwind Quartet by Kenneth Abeling. This is an advanced intermediate to early advanced version of the very popular show tune which evolves from a slow “Rag-ish” type feel into a slow Swing. Playing Time: 3:45.

“Peg O’ My Heart” is a charming song written for a Broadway show of the same name by Alfred Bryan & Fred Fisher and arranged here for Woodwind Quintet by Kenneth Abeling. This is an advanced intermediate to early advanced version of the very popular show tune which evolves from a slow “Rag-ish” type feel into a slow Swing. Playing Time: 3:45.

“Peg O’ My Heart” is a charming song written for a Broadway show of the same name by Alfred Bryan & Fred Fisher and arranged here for Brass Quintet by Kenneth Abeling. This is an advanced intermediate to early advanced version of the very popular show tune which evolves from a slow “Rag-ish” type feel into a slow Swing. Playing Time: 3:45.

“Peg O’ My Heart” is a charming song written for a Broadway show of the same name by Alfred Bryan & Fred Fisher and arranged here for Saxophone Quintet by Kenneth Abeling. This is an advanced intermediate to early advanced version of the very popular show tune which evolves from a slow “Rag-ish” type feel into a slow Swing. Playing Time: 3:45.

Mac & Johnson’s “Charleston” or “The Charleston” as it is most frequently referred for Brass Quintet is a bit of a workout. The chart is in typical Dixieland fashion with both written solos and chord changes for improvised solos provided throughout. The rarely used introduction begins the piece as it works its way into frenzy at the end! Suitable for numerous performance occasions your audiences will love this staple of the American Jazz/Dixieland library…

Who’s Sorry Now? Music by Ted Snyder, Lyrics by Bert Kalmer and Harry Ruby arranged here for Clarinet Quartet by Kenneth Abeling. This is an advanced intermediate to easy advanced level arrangement of the 1923 immensely popular song recorded by a variety of vocalists, and appearing in number of films.

Who’s Sorry Now? Music by Ted Snyder, Lyrics by Bert Kalmer and Harry Ruby arranged here for Saxophone Quartet by Kenneth Abeling. This is an advanced intermediate to easy advanced level arrangement of the 1923 immensely popular song recorded by a variety of vocalists, and appearing in number of films.

Who’s Sorry Now? Music by Ted Snyder, Lyrics by Bert Kalmer and Harry Ruby arranged here for String Quartet by Kenneth Abeling. This is an advanced intermediate to easy advanced level arrangement of the 1923 immensely popular song recorded by a variety of vocalists, and appearing in number of films.

Who’s Sorry Now? Music by Ted Snyder, Lyrics by Bert Kalmer and Harry Ruby arranged here for Woodwind Quartet by Kenneth Abeling. This is an advanced intermediate to easy advanced level arrangement of the 1923 immensely popular song recorded by a variety of vocalists, and appearing in number of films.

Who’s Sorry Now? Music by Ted Snyder, Lyrics by Bert Kalmer and Harry Ruby arranged here for Woodwind Quintet by Kenneth Abeling. This is an advanced intermediate to easy advanced level arrangement of the 1923 immensely popular song recorded by a variety of vocalists, and appearing in number of films.

Who’s Sorry Now? Music by Ted Snyder, Lyrics by Bert Kalmer and Harry Ruby arranged here for Brass Quintet by Kenneth Abeling. This is an advanced level arrangement of the 1923 immensely popular song recorded by a variety of vocalists, and appearing in number of films.

Who’s Sorry Now? Music by Ted Snyder, Lyrics by Bert Kalmer and Harry Ruby arranged here for Saxophone Quintet by Kenneth Abeling. This is an advanced intermediate to easy advanced level arrangement of the 1923 immensely popular song recorded by a variety of vocalists, and appearing in number of films.

I’ve Found a New Baby, Music by Spencer Williams and Lyrics by Jack Palmer for Clarinet Quartet and arranged by Kenneth Abeling. This is an advanced arrangement of one of the most popular Dixieland charts of all time and a must for your Dixieland library!! Playing Time 3:10.

I’ve Found a New Baby, Music by Spencer Williams and Lyrics by Jack Palmer for Saxophone Quartet and arranged by Kenneth Abeling. This is an advanced arrangement of one of the most popular Dixieland charts of all time and a must for your Dixieland library!! Playing Time 3:10.

I’ve Found a New Baby, Music by Spencer Williams and Lyrics by Jack Palmer for String Quartet and arranged by Kenneth Abeling. This is an advanced arrangement of one of the most popular Dixieland charts of all time and a must for your Dixieland library!! Playing Time 3:10.

I’ve Found a New Baby, Music by Spencer Williams and Lyrics by Jack Palmer for Woodwind Quartet and arranged by Kenneth Abeling. This is an advanced arrangement of one of the most popular Dixieland charts of all time and a must for your Dixieland library!! Playing Time 3:10.

I’ve Found a New Baby, Music by Spencer Williams and Lyrics by Jack Palmer for Woodwind Quintet and arranged by Kenneth Abeling. This is an advanced arrangement of one of the most popular Dixieland charts of all time and a must for your Dixieland library!! Playing Time 3:10.

I’ve Found a New Baby, Music by Spencer Williams and Lyrics by Jack Palmer for Brass Quintet and arranged by Kenneth Abeling. This is an advanced arrangement of one of the most popular Dixieland charts of all time and a must for your Dixieland library!! Playing Time 3:10.

I’ve Found a New Baby, Music by Spencer Williams and Lyrics by Jack Palmer for Saxophone Quintet and arranged by Kenneth Abeling. This is an advanced arrangement of one of the most popular Dixieland charts of all time and a must for your Dixieland library!! Playing Time 3:10.

Serenade in Blue Music by Harry Warren with Lyrics by Mack Gordon for Clarinet Quartet and arranged by Kenneth Abeling. This is a moderate to moderately advanced arrangement of a tune first popularized by the Glenn Miller Orchestra (Big Band) and first featured in the movie “Orchestra Wives”. This is a classic tune and readily recognizable to anyone over the age of 40. A must ballad for your Jazz library!! Playing Time 3:20.

Serenade in Blue Music by Harry Warren with Lyrics by Mack Gordon for Saxophone Quartet and arranged by Kenneth Abeling. This is a moderate to moderately advanced arrangement of a tune first popularized by the Glenn Miller Orchestra (Big Band) and first featured in the movie “Orchestra Wives”. This is a classic tune and readily recognizable to anyone over the age of 40. A must ballad for your Jazz library!! Playing Time 3:20.

Serenade in Blue Music by Harry Warren with Lyrics by Mack Gordon for String Quartet and arranged by Kenneth Abeling. This is a moderate to moderately advanced arrangement of a tune first popularized by the Glenn Miller Orchestra (Big Band) and first featured in the movie “Orchestra Wives”. This is a classic tune and readily recognizable to anyone over the age of 40. A must ballad for your Jazz library!! Playing Time 3:20.

Serenade in Blue Music by Harry Warren with Lyrics by Mack Gordon for Woodwind Quartet and arranged by Kenneth Abeling. This is a moderate to moderately advanced arrangement of a tune first popularized by the Glenn Miller Orchestra (Big Band) and first featured in the movie “Orchestra Wives”. This is a classic tune and readily recognizable to anyone over the age of 40. A must ballad for your Jazz library!! Playing Time 3:20.

Serenade in Blue Music by Harry Warren with Lyrics by Mack Gordon for Woodwind Quintet and arranged by Kenneth Abeling. This is a moderate to moderately advanced arrangement of a tune first popularized by the Glenn Miller Orchestra (Big Band) and first featured in the movie “Orchestra Wives”. This is a classic tune and readily recognizable to anyone over the age of 40. A must ballad for your Jazz library!! Playing Time 3:20.

Serenade in Blue Music by Harry Warren with Lyrics by Mack Gordon for Brass Quintet and arranged by Kenneth Abeling. This is a moderate to moderately advanced arrangement of a tune first popularized by the Glenn Miller Orchestra (Big Band) and first featured in the movie “Orchestra Wives”. This is a classic tune and readily recognizable to anyone over the age of 40. A must ballad for your Jazz library!! Playing Time 3:20.

Serenade in Blue Music by Harry Warren with Lyrics by Mack Gordon for Saxophone Quintet and arranged by Kenneth Abeling. This is a moderate to moderately advanced arrangement of a tune first popularized by the Glenn Miller Orchestra (Big Band) and first featured in the movie “Orchestra Wives”. This is a classic tune and readily recognizable to anyone over the age of 40. A must ballad for your Jazz library!! Playing Time 3:20.

This Masquerade Words & Music by Leon Russell and arranged for Clarinet Quartet by Kenneth Abeling. This very beautiful song is one of Leon Russell's most popular of all time. It has been recorded by various artists over the years most notably George Benson. This is a Latin arrangement of the song and most ensembles will find it to be moderately difficult. Playing time 3:45.

This Masquerade Words & Music by Leon Russell and arranged for Saxophone Quartet by Kenneth Abeling. This very beautiful song is one of Leon Russell's most popular of all time. It has been recorded by various artists over the years most notably George Benson. This is a Latin arrangement of the song and most ensembles will find it to be moderately difficult. Playing time 3:45.

This Masquerade Words & Music by Leon Russell and arranged for String Quartet by Kenneth Abeling. This very beautiful song is one of Leon Russell's most popular of all time. It has been recorded by various artists over the years most notably George Benson. This is a Latin arrangement of the song and most ensembles will find it to be moderately difficult. Playing time 3:45.

This Masquerade Words & Music by Leon Russell and arranged for Woodwind Quartet by Kenneth Abeling. This very beautiful song is one of Leon Russell's most popular of all time. It has been recorded by various artists over the years most notably George Benson. This is a Latin arrangement of the song and most ensembles will find it to be moderately difficult. Playing time 3:45.

This Masquerade Words & Music by Leon Russell and arranged for Woodwind Quintet by Kenneth Abeling. This very beautiful song is one of Leon Russell's most popular of all time. It has been recorded by various artists over the years most notably George Benson. This is a Latin arrangement of the song and most ensembles will find it to be moderately difficult. Playing time 3:45.

This Masquerade Words & Music by Leon Russell and arranged for Brass Quintet by Kenneth Abeling. This very beautiful song is one of Leon Russell's most popular of all time. It has been recorded by various artists over the years most notably George Benson. This is a Latin arrangement of the song and most ensembles will find it to be moderately difficult. Playing time 3:45.

This Masquerade Words & Music by Leon Russell and arranged for Saxophone Quintet by Kenneth Abeling. This very beautiful song is one of Leon Russell's most popular of all time. It has been recorded by various artists over the years most notably George Benson. This is a Latin arrangement of the song and most ensembles will find it to be moderately difficult. Playing time 3:45.

Blazing Saddles Music & Lyrics by John Morris and Mel Brooks and arranged for Clarinet Quartet by Kenneth Abeling. This is the theme song to the 1974 comedy classic and Oscar nominated satirical western film. While the melodies are somewhat simple, the repetitive background sixteenth notes can make it moderately difficult and a bit challenging. Playing time 1:50.

Blazing Saddles Music & Lyrics by John Morris and Mel Brooks and arranged for Saxophone Quartet by Kenneth Abeling. This is the theme song to the 1974 comedy classic and Oscar nominated satirical western film. While the melodies are somewhat simple, the repetitive background sixteenth notes can make it moderately difficult and a bit challenging. Playing time 1:50.

Blazing Saddles Music & Lyrics by John Morris and Mel Brooks and arranged for String Quartet by Kenneth Abeling. This is the theme song to the 1974 comedy classic and Oscar nominated satirical western film. While the melodies are somewhat simple, the repetitive background sixteenth notes can make it moderately difficult and a bit challenging. Playing time 1:50.

Blazing Saddles Music & Lyrics by John Morris and Mel Brooks and arranged for Woodwind Quartet by Kenneth Abeling. This is the theme song to the 1974 comedy classic and Oscar nominated satirical western film. While the melodies are somewhat simple, the repetitive background sixteenth notes can make it moderately difficult and a bit challenging. Playing time 1:50.

Blazing Saddles Music & Lyrics by John Morris and Mel Brooks and arranged for Woodwind Quintet by Kenneth Abeling. This is the theme song to the 1974 comedy classic and Oscar nominated satirical western film. While the melodies are somewhat simple, the repetitive background sixteenth notes can make it moderately difficult and a bit challenging. Playing time 1:50.

Blazing Saddles Music & Lyrics by John Morris and Mel Brooks and arranged for Brass Quintet by Kenneth Abeling. This is the theme song to the 1974 comedy classic and Oscar nominated satirical western film. While the melodies are somewhat simple, the repetitive background sixteenth notes can make it moderately difficult and a bit challenging. Playing time 1:50.

Blazing Saddles Music & Lyrics by John Morris and Mel Brooks and arranged for Saxophone Quintet by Kenneth Abeling. This is the theme song to the 1974 comedy classic and Oscar nominated satirical western film. While the melodies are somewhat simple, the repetitive background sixteenth notes can make it moderately difficult and a bit challenging. Playing time 1:50.

Broadway Medley by George M. Cohan and arranged for Clarinet Quartet by Kenneth Abeling. This is an intermediate level arrangement of three Broadway favorites to include; Forty-Five Minutes form Broadway, Harrigan and Give my regards to Broadway. Playing time 3:25.

Broadway Medley by George M. Cohan and arranged for Saxophone Quartet by Kenneth Abeling. This is an intermediate level arrangement of three Broadway favorites to include; Forty-Five Minutes form Broadway, Harrigan and Give my regards to Broadway. Playing time 3:25.

Broadway Medley by George M. Cohan and arranged for String Quartet by Kenneth Abeling. This is an intermediate level arrangement of three Broadway favorites to include; Forty-Five Minutes form Broadway, Harrigan and Give my regards to Broadway. Playing time 3:25.

Broadway Medley by George M. Cohan and arranged for Woodwind Quartet by Kenneth Abeling. This is an intermediate level arrangement of three Broadway favorites to include; Forty-Five Minutes form Broadway, Harrigan and Give my regards to Broadway. Playing time 3:25.

Broadway Medley by George M. Cohan and arranged for Woodwind Quintet by Kenneth Abeling. This is an intermediate level arrangement of three Broadway favorites to include; Forty-Five Minutes form Broadway, Harrigan and Give my regards to Broadway. Playing time 3:25.

Broadway Medley by George M. Cohan and arranged for Brass Quintet by Kenneth Abeling. This is an intermediate level arrangement of three Broadway favorites to include; Forty-Five Minutes form Broadway, Harrigan and Give my regards to Broadway. Playing time 3:25.

Broadway Medley by George M. Cohan and arranged for Saxophone Quintet by Kenneth Abeling. This is an intermediate level arrangement of three Broadway favorites to include; Forty-Five Minutes form Broadway, Harrigan and Give my regards to Broadway. Playing time 3:25.

Amapola, Music by Spanish American Composer Joseph Lacalle (formerly Jose Maria Lacalle Garcia) and arranged here for Clarinet Quartet. This lovely piece has been recorded by dozens of prominent vocal artists, Operatic to Pop, and instrumentally as well as being featured in several movies. This is moderate level “Tango-ish” arrangements and suitable for general performance and other special events such as Weddings. Playing time 3:20.

Amapola, Music by Spanish American Composer Joseph Lacalle (formerly Jose Maria Lacalle Garcia) and arranged here for Saxophone Quartet. This lovely piece has been recorded by dozens of prominent vocal artists, Operatic to Pop, and instrumentally as well as being featured in several movies. This is moderate level “Tango-ish” arrangements and suitable for general performance and other special events such as Weddings. Playing time 3:20.

Amapola, Music by Spanish American Composer Joseph Lacalle (formerly Jose Maria Lacalle Garcia) and arranged here for String Quartet. This lovely piece has been recorded by dozens of prominent vocal artists, Operatic to Pop, and instrumentally as well as being featured in several movies. This is moderate level “Tango-ish” arrangements and suitable for general performance and other special events such as Weddings. Playing time 3:20.

Amapola, Music by Spanish American Composer Joseph Lacalle (formerly Jose Maria Lacalle Garcia) and arranged here for Woodwind Quartet. This lovely piece has been recorded by dozens of prominent vocal artists, Operatic to Pop, and instrumentally as well as being featured in several movies. This is moderate level “Tango-ish” arrangements and suitable for general performance and other special events such as Weddings. Playing time 3:20.

Amapola, Music by Spanish American Composer Joseph Lacalle (formerly Jose Maria Lacalle Garcia) and arranged here for Woodwind Quintet. This lovely piece has been recorded by dozens of prominent vocal artists, Operatic to Pop, and instrumentally as well as being featured in several movies. This is moderate level “Tango-ish” arrangements and suitable for general performance and other special events such as Weddings. Playing time 3:20.

Amapola, Music by Spanish American Composer Joseph Lacalle (formerly Jose Maria Lacalle Garcia) and arranged here for Brass Quintet. This lovely piece has been recorded by dozens of prominent vocal artists, Operatic to Pop, and instrumentally as well as being featured in several movies. This is moderate level “Tango-ish” arrangements and suitable for general performance and other special events such as Weddings. Playing time 3:20.

Amapola, Music by Spanish American Composer Joseph Lacalle (formerly Jose Maria Lacalle Garcia) and arranged here for Saxophone Quintet. This lovely piece has been recorded by dozens of prominent vocal artists, Operatic to Pop, and instrumentally as well as being featured in several movies. This is moderate level “Tango-ish” arrangements and suitable for general performance and other special events such as Weddings. Playing time 3:20.

It Had to Be You, lyrics by Gus Kahn and music by Isham Jones arranged here for Clarinet Quartet. This delightful song, and timeless standard, has appeared in several films and recorded by such prominent vocalists as Doris Day, Frank Sinatra, Bing Crosby and Barbra Streisand. This is a moderate to moderately difficult arrangement appropriate for numerous performance opportunities and audiences will enjoy this memorable tune. Playing Time 3:20

It Had to Be You, lyrics by Gus Kahn and music by Isham Jones arranged here for Saxophone Quartet. This delightful song, and timeless standard, has appeared in several films and recorded by such prominent vocalists as Doris Day, Frank Sinatra, Bing Crosby and Barbra Streisand. This is a moderate to moderately difficult arrangement appropriate for numerous performance opportunities and audiences will enjoy this memorable tune. Playing Time 3:20

It Had to Be You, lyrics by Gus Kahn and music by Isham Jones arranged here for String Quartet. This delightful song, and timeless standard, has appeared in several films and recorded by such prominent vocalists as Doris Day, Frank Sinatra, Bing Crosby and Barbra Streisand. This is a moderate to moderately difficult arrangement appropriate for numerous performance opportunities and audiences will enjoy this memorable tune. Playing Time 3:20

It Had to Be You, lyrics by Gus Kahn and music by Isham Jones arranged here for Woodwind Quartet. This delightful song, and timeless standard, has appeared in several films and recorded by such prominent vocalists as Doris Day, Frank Sinatra, Bing Crosby and Barbra Streisand. This is a moderate to moderately difficult arrangement appropriate for numerous performance opportunities and audiences will enjoy this memorable tune. Playing Time 3:20

It Had to Be You, lyrics by Gus Kahn and music by Isham Jones arranged here for Woodwind Quintet. This delightful song, and timeless standard, has appeared in several films and recorded by such prominent vocalists as Doris Day, Frank Sinatra, Bing Crosby and Barbra Streisand. This is a moderate to moderately difficult arrangement appropriate for numerous performance opportunities and audiences will enjoy this memorable tune. Playing Time 3:20

It Had to Be You, lyrics by Gus Kahn and music by Isham Jones arranged here for Brass Quintet. This delightful song, and timeless standard, has appeared in several films and recorded by such prominent vocalists as Doris Day, Frank Sinatra, Bing Crosby and Barbra Streisand. This is a moderate to moderately difficult arrangement appropriate for numerous performance opportunities and audiences will enjoy this memorable tune. Playing Time 3:20

It Had to Be You, lyrics by Gus Kahn and music by Isham Jones arranged here for Saxophone Quintet. This delightful song, and timeless standard, has appeared in several films and recorded by such prominent vocalists as Doris Day, Frank Sinatra, Bing Crosby and Barbra Streisand. This is a moderate to moderately difficult arrangement appropriate for numerous performance opportunities and audiences will enjoy this memorable tune. Playing Time 3:20

Gershwin Medley, Music by George Gershwin arranged for Clarinet Quartet. This is a collection of four popular songs by George Gershwin to include, "Somebody Loves Me", "Swanee", "The Man I Love" and "Fascinating Rhythm". It is a Moderate to Moderately difficult arrangement and is suitable for general performance. Playing Time: 4:50

Gershwin Medley, Music by George Gershwin arranged for Saxophone Quartet. This is a collection of four popular songs by George Gershwin to include, "Somebody Loves Me", "Swanee", "The Man I Love" and "Fascinating Rhythm". It is a Moderate to Moderately difficult arrangement and is suitable for general performance. Playing Time: 4:50

Gershwin Medley, Music by George Gershwin arranged for Saxophone Quintet. This is a collection of four popular songs by George Gershwin to include, "Somebody Loves Me", "Swanee", "The Man I Love" and "Fascinating Rhythm". It is a Moderate to Moderately difficult arrangement and is suitable for general performance. Playing Time: 4:50

Gershwin Medley, Music by George Gershwin arranged for String Quartet. This is a collection of four popular songs by George Gershwin to include, "Somebody Loves Me", "Swanee", "The Man I Love" and "Fascinating Rhythm". It is a Moderate to Moderately difficult arrangement and is suitable for general performance. Playing Time: 4:50

Gershwin Medley, Music by George Gershwin arranged for Woodwind Quartet. This is a collection of four popular songs by George Gershwin to include, "Somebody Loves Me", "Swanee", "The Man I Love" and "Fascinating Rhythm". It is a Moderate to Moderately difficult arrangement and is suitable for general performance. Playing Time: 4:50

Gershwin Medley, Music by George Gershwin arranged for Woodwind Quintet. This is a collection of four popular songs by George Gershwin to include, "Somebody Loves Me", "Swanee", "The Man I Love" and "Fascinating Rhythm". It is a Moderate to Moderately difficult arrangement and is suitable for general performance. Playing Time: 4:50

Irish Folksong Suite is a collection of popular traditional Irish Folksongs arranged for Clarinet Quartet. The titles include: 1. When Irish Eyes Are Smiling, 2. My Wild Irish Rose, 3. Molly Malone (Cockles and Mussels), 4. The Irish Washerwoman and 5. Drunken Sailor. This is a versatile arrangement that allows the songs to be played individually, as a medley in the original order, or any of the selections in any desired order. The arrangement is moderately advanced and perfect for most St. Patrick’s Day and other Irish celebrations. Total Playing Time with repeats 9:40 and 6:40 without repeats.

Irish Folksong Suite is a collection of popular traditional Irish Folksongs arranged for Saxophone Quartet. The titles include: 1. When Irish Eyes Are Smiling, 2. My Wild Irish Rose, 3. Molly Malone (Cockles and Mussels), 4. The Irish Washerwoman and 5. Drunken Sailor. This is a versatile arrangement that allows the songs to be played individually, as a medley in the original order, or any of the selections in any desired order. The arrangement is moderately advanced and perfect for most St. Patrick’s Day and other Irish celebrations. Total Playing Time with repeats 9:40 and 6:40 without repeats.

Irish Folksong Suite is a collection of popular traditional Irish Folksongs arranged for String Quartet. The titles include: 1. When Irish Eyes Are Smiling, 2. My Wild Irish Rose, 3. Molly Malone (Cockles and Mussels), 4. The Irish Washerwoman and 5. Drunken Sailor. This is a versatile arrangement that allows the songs to be played individually, as a medley in the original order, or any of the selections in any desired order. The arrangement is moderately advanced and perfect for most St. Patrick’s Day and other Irish celebrations. Total Playing Time with repeats 9:40 and 6:40 without repeats.

Irish Folksong Suite is a collection of popular traditional Irish Folksongs arranged for Woodwind Quartet. The titles include: 1. When Irish Eyes Are Smiling, 2. My Wild Irish Rose, 3. Molly Malone (Cockles and Mussels), 4. The Irish Washerwoman and 5. Drunken Sailor. This is a versatile arrangement that allows the songs to be played individually, as a medley in the original order, or any of the selections in any desired order. The arrangement is moderately advanced and perfect for most St. Patrick’s Day and other Irish celebrations. Total Playing Time with repeats 9:40 and 6:40 without repeats.

Irish Folksong Suite is a collection of popular traditional Irish Folksongs arranged for Woodwind Quintet. The titles include: 1. When Irish Eyes Are Smiling, 2. My Wild Irish Rose, 3. Molly Malone (Cockles and Mussels), 4. The Irish Washerwoman and 5. Drunken Sailor. This is a versatile arrangement that allows the songs to be played individually, as a medley in the original order, or any of the selections in any desired order. The arrangement is moderately advanced and perfect for most St. Patrick’s Day and other Irish celebrations. Total Playing Time with repeats 9:40 and 6:40 without repeats.

Irish Folksong Suite is a collection of popular traditional Irish Folksongs arranged for Saxophone Quintet. The titles include: 1. When Irish Eyes Are Smiling, 2. My Wild Irish Rose, 3. Molly Malone (Cockles and Mussels), 4. The Irish Washerwoman and 5. Drunken Sailor. This is a versatile arrangement that allows the songs to be played individually, as a medley in the original order, or any of the selections in any desired order. The arrangement is moderately advanced and perfect for most St. Patrick’s Day and other Irish celebrations. Total Playing Time with repeats 9:40 and 6:40 without repeats.

Embraceable You by Ira & George Gershwin for Clarinet Quartet arranged by Kenneth Abeling. This is a lovely and popular song by George and Ira Gershwin and first apart of the Broadway musical Girl Crazy. The arrangement of this timeless jazz standard is advanced intermediate to early advanced with a playing time of approximately 3:30.

Embraceable You by Ira & George Gershwin for Saxophone Quartet arranged by Kenneth Abeling. This is a lovely and popular song by George and Ira Gershwin and first apart of the Broadway musical Girl Crazy. The arrangement of this timeless jazz standard is advanced intermediate to early advanced with a playing time of approximately 3:30.

Embraceable You by Ira & George Gershwin for String Quartet arranged by Kenneth Abeling. This is a lovely and popular song by George and Ira Gershwin and first apart of the Broadway musical Girl Crazy. The arrangement of this timeless jazz standard is advanced intermediate to early advanced with a playing time of approximately 3:30.

Embraceable You by Ira & George Gershwin for Woodwind Quartet arranged by Kenneth Abeling. This is a lovely and popular song by George and Ira Gershwin and first apart of the Broadway musical Girl Crazy. The arrangement of this timeless jazz standard is advanced intermediate to early advanced with a playing time of approximately 3:30.

Embraceable You by Ira & George Gershwin for Woodwind Quintet arranged by Kenneth Abeling. This is a lovely and popular song by George and Ira Gershwin and first apart of the Broadway musical Girl Crazy. The arrangement of this timeless jazz standard is advanced intermediate to early advanced with a playing time of approximately 3:30.

Embraceable You by Ira & George Gershwin for Brass Quintet arranged by Kenneth Abeling. This is a lovely and popular song by George and Ira Gershwin and first apart of the Broadway musical Girl Crazy. The arrangement of this timeless jazz standard is advanced intermediate to early advanced with a playing time of approximately 3:30.

Embraceable You by Ira & George Gershwin for Saxophone Quintet arranged by Kenneth Abeling. This is a lovely and popular song by George and Ira Gershwin and first apart of the Broadway musical Girl Crazy. The arrangement of this timeless jazz standard is advanced intermediate to early advanced with a playing time of approximately 3:30.

April in Paris, words by E.Y. "Yip" Harburg and music by Vernon Duke arranged for Clarinet Quartet. Composed for the musical “Walk a Little Faster”, this song has been covered by numerous vocalists and jazz orchestras. This is an easier advanced arrangement of this very popular jazz standard! The playing time is approximately 3:35

April in Paris, words by E.Y. "Yip" Harburg and music by Vernon Duke arranged for Saxophone Quartet. Composed for the musical “Walk a Little Faster”, this song has been covered by numerous vocalists and jazz orchestras. This is an easier advanced arrangement of this very popular jazz standard! The playing time is approximately 3:35

April in Paris, words by E.Y. "Yip" Harburg and music by Vernon Duke arranged for String Quartet. Composed for the musical “Walk a Little Faster”, this song has been covered by numerous vocalists and jazz orchestras. This is an easier advanced arrangement of this very popular jazz standard! The playing time is approximately 3:35

April in Paris, words by E.Y. "Yip" Harburg and music by Vernon Duke arranged for Woodwind Quartet. Composed for the musical “Walk a Little Faster”, this song has been covered by numerous vocalists and jazz orchestras. This is an easier advanced arrangement of this very popular jazz standard! The playing time is approximately 3:35

April in Paris, words by E.Y. "Yip" Harburg and music by Vernon Duke arranged for Woodwind Quintet. Composed for the musical “Walk a Little Faster”, this song has been covered by numerous vocalists and jazz orchestras. This is an easier advanced arrangement of this very popular jazz standard! The playing time is approximately 3:35

April in Paris, words by E.Y. "Yip" Harburg and music by Vernon Duke arranged for Brass Quintet. Composed for the musical “Walk a Little Faster”, this song has been covered by numerous vocalists and jazz orchestras. This is an easier advanced arrangement of this very popular jazz standard! The playing time is approximately 3:35

April in Paris, words by E.Y. "Yip" Harburg and music by Vernon Duke arranged for Saxophone Quintet. Composed for the musical “Walk a Little Faster”, this song has been covered by numerous vocalists and jazz orchestras. This is an easier advanced arrangement of this very popular jazz standard! The playing time is approximately 3:35

Tea for Two, music by Vincent Youmans with lyrics by Irving Caesar arranged for Clarinet Quartet. This cute little number was first featured in the Broadway Musical “No, No, Nanette” and is a show tune standard. This is an advanced intermediate to earlier advanced “Cha Cha-ish” arrangement and is suitable for a variety of audiences. Playing time 3:10.

Tea for Two, music by Vincent Youmans with lyrics by Irving Caesar arranged for Saxophone Quartet. This cute little number was first featured in the Broadway Musical “No, No, Nanette” and is a show tune standard. This is an advanced intermediate to earlier advanced “Cha Cha-ish” arrangement and is suitable for a variety of audiences. Playing time 3:10.

Tea for Two, music by Vincent Youmans with lyrics by Irving Caesar arranged for String Quartet. This cute little number was first featured in the Broadway Musical “No, No, Nanette” and is a show tune standard. This is an advanced intermediate to earlier advanced “Cha Cha-ish” arrangement and is suitable for a variety of audiences. Playing time 3:10.

Tea for Two, music by Vincent Youmans with lyrics by Irving Caesar arranged for Woodwind Quartet. This cute little number was first featured in the Broadway Musical “No, No, Nanette” and is a show tune standard. This is an advanced intermediate to earlier advanced “Cha Cha-ish” arrangement and is suitable for a variety of audiences. Playing time 3:10.

Tea for Two, music by Vincent Youmans with lyrics by Irving Caesar arranged for Woodwind Quintet. This cute little number was first featured in the Broadway Musical “No, No, Nanette” and is a show tune standard. This is an advanced intermediate to earlier advanced “Cha Cha-ish” arrangement and is suitable for a variety of audiences. Playing time 3:10.

Tea for Two, music by Vincent Youmans with lyrics by Irving Caesar arranged for Brass Quintet. This cute little number was first featured in the Broadway Musical “No, No, Nanette” and is a show tune standard. This is an advanced intermediate to earlier advanced “Cha Cha-ish” arrangement and is suitable for a variety of audiences. Playing time 3:10.

Tea for Two, music by Vincent Youmans with lyrics by Irving Caesar arranged for Saxophone Quintet. This cute little number was first featured in the Broadway Musical “No, No, Nanette” and is a show tune standard. This is an advanced intermediate to earlier advanced “Cha Cha-ish” arrangement and is suitable for a variety of audiences. Playing time 3:10.

Sweet Georgia Brown, Lyrics by Kenneth Casey and Music by Ben Bernie & Maceo Pinkard arranged for Clarinet Quartet. This is a more advanced arrangement of the 1925 Jazz standard / Popular tune. The song is perhaps most recognized as the theme song of the basketball comedy team the Harlem Globetrotters. Playing time approximately 3:00.

Sweet Georgia Brown, Lyrics by Kenneth Casey and Music by Ben Bernie & Maceo Pinkard arranged for Saxophone Quartet. This is a more advanced arrangement of the 1925 Jazz standard / Popular tune. The song is perhaps most recognized as the theme song of the basketball comedy team the Harlem Globetrotters. Playing time approximately 3:00.

Sweet Georgia Brown, Lyrics by Kenneth Casey and Music by Ben Bernie & Maceo Pinkard arranged for String Quartet. This is a more advanced arrangement of the 1925 Jazz standard / Popular tune. The song is perhaps most recognized as the theme song of the basketball comedy team the Harlem Globetrotters. Playing time approximately 3:00.

Sweet Georgia Brown, Lyrics by Kenneth Casey and Music by Ben Bernie & Maceo Pinkard arranged for Woodwind Quartet. This is a more advanced arrangement of the 1925 Jazz standard / Popular tune. The song is perhaps most recognized as the theme song of the basketball comedy team the Harlem Globetrotters. Playing time approximately 3:00.

Sweet Georgia Brown, Lyrics by Kenneth Casey and Music by Ben Bernie & Maceo Pinkard arranged for Woodwind Quintet. This is a more advanced arrangement of the 1925 Jazz standard / Popular tune. The song is perhaps most recognized as the theme song of the basketball comedy team the Harlem Globetrotters. Playing time approximately 3:00.

Sweet Georgia Brown, Lyrics by Kenneth Casey and Music by Ben Bernie & Maceo Pinkard arranged for Saxophone Quintet. This is a more advanced arrangement of the 1925 Jazz standard / Popular tune. The song is perhaps most recognized as the theme song of the basketball comedy team the Harlem Globetrotters. Playing time approximately 3:00.

Sweet Georgia Brown, Lyrics by Kenneth Casey and Music by Ben Bernie & Maceo Pinkard arranged for Brass Quintet. This is a more advanced arrangement of the 1925 Jazz standard / Popular tune. The song is perhaps most recognized as the theme song of the basketball comedy team the Harlem Globetrotters. Playing time approximately 3:00.

A Marshmallow World, lyrics by Carl Sigman & music by Peter De Rose arranged for Clarinet Quartet. This is cute little popular song from the late 1940s about wintertime or more particularly snow itself. The arrangement is intermediate level in difficulty and suitable for wintertime events including Christmas although it is not exclusively a Christmas song. Playing time approximately 2:00.

A Marshmallow World, lyrics by Carl Sigman & music by Peter De Rose arranged for Saxophone Quartet. This is cute little popular song from the late 1940s about wintertime or more particularly snow itself. The arrangement is intermediate level in difficulty and suitable for wintertime events including Christmas although it is not exclusively a Christmas song. Playing time approximately 2:00.

A Marshmallow World, lyrics by Carl Sigman & music by Peter De Rose arranged for String Quartet. This is cute little popular song from the late 1940s about wintertime or more particularly snow itself. The arrangement is intermediate level in difficulty and suitable for wintertime events including Christmas although it is not exclusively a Christmas song. Playing time approximately 2:00.

A Marshmallow World, lyrics by Carl Sigman & music by Peter De Rose arranged for Woodwind Quartet. This is cute little popular song from the late 1940s about wintertime or more particularly snow itself. The arrangement is intermediate level in difficulty and suitable for wintertime events including Christmas although it is not exclusively a Christmas song. Playing time approximately 2:00.

A Marshmallow World, lyrics by Carl Sigman & music by Peter De Rose arranged for Woodwind Quintet. This is cute little popular song from the late 1940s about wintertime or more particularly snow itself. The arrangement is intermediate level in difficulty and suitable for wintertime events including Christmas although it is not exclusively a Christmas song. Playing time approximately 2:00.

A Marshmallow World, lyrics by Carl Sigman & music by Peter De Rose arranged for Brass Quintet. This is cute little popular song from the late 1940s about wintertime or more particularly snow itself. The arrangement is intermediate to easier advanced level in difficulty and suitable for wintertime events including Christmas although it is not exclusively a Christmas song. Playing time approximately 2:00.

A Marshmallow World, lyrics by Carl Sigman & music by Peter De Rose arranged for Saxophone Quintet. This is cute little popular song from the late 1940s about wintertime or more particularly snow itself. The arrangement is intermediate level in difficulty and suitable for wintertime events including Christmas although it is not exclusively a Christmas song. Playing time approximately 2:00.

Fly Me to the Moon, words and music by Bart Howard arranged for Clarinet Quartet. This an advanced intermediate to easier advanced arrangement of Bart Howard’s Grammy Winning song which has been covered by numerous artist to include Peggy Lee, Connie Francis and Frank Sinatra. Approximate Playing time 3:00

Fly Me to the Moon, words and music by Bart Howard arranged for Saxophone Quartet. This an advanced intermediate to easier advanced arrangement of Bart Howard’s Grammy Winning song which has been covered by numerous artist to include Peggy Lee, Connie Francis and Frank Sinatra. Approximate Playing time 3:00

Fly Me to the Moon, words and music by Bart Howard arranged for String Quartet. This an advanced intermediate to easier advanced arrangement of Bart Howard’s Grammy Winning song which has been covered by numerous artist to include Peggy Lee, Connie Francis and Frank Sinatra. Approximate Playing time 3:00

Fly Me to the Moon, words and music by Bart Howard arranged for Woodwind Quartet. This an advanced intermediate to easier advanced arrangement of Bart Howard’s Grammy Winning song which has been covered by numerous artist to include Peggy Lee, Connie Francis and Frank Sinatra. Approximate Playing time 3:00

Fly Me to the Moon, words and music by Bart Howard arranged for Woodwind Quintet. This an advanced intermediate to easier advanced arrangement of Bart Howard’s Grammy Winning song which has been covered by numerous artist to include Peggy Lee, Connie Francis and Frank Sinatra. Approximate Playing time 3:00

Fly Me to the Moon, words and music by Bart Howard arranged for Saxophone Quintet. This an advanced intermediate to easier advanced arrangement of Bart Howard’s Grammy Winning song which has been covered by numerous artist to include Peggy Lee, Connie Francis and Frank Sinatra. Approximate Playing time 3:00

Fly Me to the Moon, words and music by Bart Howard arranged for Brass Quintet. This an advanced intermediate to easier advanced arrangement of Bart Howard’s Grammy Winning song which has been covered by numerous artist to include Peggy Lee, Connie Francis and Frank Sinatra. Approximate Playing time 3:00

"Almost Like Being in Love" music by Frederick Loewe and lyrics by Alan Jay Lerner arranged for Clarinet Quartet. This cute show tune was originally written for the 1947 musical Brigadoon and has since been covered by numerous artists and of course the closing number in the movie “Groundhog Day”. The arrangement is advanced intermediate to easier advanced in difficulty. The Playing Time is approximately 2:45.

"Almost Like Being in Love" music by Frederick Loewe and lyrics by Alan Jay Lerner arranged for Saxophone Quartet. This cute show tune was originally written for the 1947 musical Brigadoon and has since been covered by numerous artists and of course the closing number in the movie “Groundhog Day”. The arrangement is advanced intermediate to easier advanced in difficulty. The Playing Time is approximately 2:45.

"Almost Like Being in Love" music by Frederick Loewe and lyrics by Alan Jay Lerner arranged for String Quartet. This cute show tune was originally written for the 1947 musical Brigadoon and has since been covered by numerous artists and of course the closing number in the movie “Groundhog Day”. The arrangement is advanced intermediate to easier advanced in difficulty. The Playing Time is approximately 2:45.

"Almost Like Being in Love" music by Frederick Loewe and lyrics by Alan Jay Lerner arranged for Woodwind Quartet. This cute show tune was originally written for the 1947 musical Brigadoon and has since been covered by numerous artists and of course the closing number in the movie “Groundhog Day”. The arrangement is advanced intermediate to easier advanced in difficulty. The Playing Time is approximately 2:45.

"Almost Like Being in Love" music by Frederick Loewe and lyrics by Alan Jay Lerner arranged for Woodwind Quintet. This cute show tune was originally written for the 1947 musical Brigadoon and has since been covered by numerous artists and of course the closing number in the movie “Groundhog Day”. The arrangement is advanced intermediate to easier advanced in difficulty. The Playing Time is approximately 2:45.

"Almost Like Being in Love" music by Frederick Loewe and lyrics by Alan Jay Lerner arranged for Brass Quintet. This cute show tune was originally written for the 1947 musical Brigadoon and has since been covered by numerous artists and of course the closing number in the movie “Groundhog Day”. The arrangement is advanced intermediate to easier advanced in difficulty. The Playing Time is approximately 2:45.

"Almost Like Being in Love" music by Frederick Loewe and lyrics by Alan Jay Lerner arranged for Saxophone Quintet. This cute show tune was originally written for the 1947 musical Brigadoon and has since been covered by numerous artists and of course the closing number in the movie “Groundhog Day”. The arrangement is advanced intermediate to easier advanced in difficulty. The Playing Time is approximately 2:45.

When the Saints Go Marching, a traditional spiritual arranged for Clarinet Quartet. When the Saints… is perhaps the most well known and most requested Dixieland piece of all time. This is an advanced intermediate to easier advanced arrangement of the Dixieland classic. Playing time approximately 2:45.

When the Saints Go Marching, a traditional spiritual arranged for Saxophone Quartet. When the Saints… is perhaps the most well known and most requested Dixieland piece of all time. This is an advanced intermediate to easier advanced arrangement of the Dixieland classic. Playing time approximately 2:45.

When the Saints Go Marching, a traditional spiritual arranged for String Quartet. When the Saints… is perhaps the most well known and most requested Dixieland piece of all time. This is an advanced intermediate to easier advanced arrangement of the Dixieland classic. Playing time approximately 2:45.

When the Saints Go Marching, a traditional spiritual arranged for Woodwind Quartet. When the Saints… is perhaps the most well known and most requested Dixieland piece of all time. This is an advanced intermediate to easier advanced arrangement of the Dixieland classic. Playing time approximately 2:45.

When the Saints Go Marching, a traditional spiritual arranged for Woodwind Quintet. When the Saints… is perhaps the most well known and most requested Dixieland piece of all time. This is an advanced intermediate to easier advanced arrangement of the Dixieland classic. Playing time approximately 2:45.

When the Saints Go Marching, a traditional spiritual arranged for Brass Quintet. When the Saints… is perhaps the most well known and most requested Dixieland piece of all time. This is an advanced intermediate to easier advanced arrangement of the Dixieland classic. Playing time approximately 2:45.

When the Saints Go Marching, a traditional spiritual arranged for Saxophone Quintet. When the Saints… is perhaps the most well known and most requested Dixieland piece of all time. This is an advanced intermediate to easier advanced arrangement of the Dixieland classic. Playing time approximately 2:45.

Kansas City or Kansas City (Here I Come) By Jerry Leiber, Mike Stoller Arranged for Clarinet Quartet by Kenneth Abeling. This is an easier advanced arrangement of the classic Blues song first recorded by Little Willie Littlefield and popularized by Wilbert Harrison. The playing time is approximately 3:10

Kansas City or Kansas City (Here I Come) By Jerry Leiber, Mike Stoller Arranged for Saxophone Quartet by Kenneth Abeling. This is an easier advanced arrangement of the classic Blues song first recorded by Little Willie Littlefield and popularized by Wilbert Harrison. The playing time is approximately 3:10

Kansas City or Kansas City (Here I Come) By Jerry Leiber, Mike Stoller Arranged for String Quartet by Kenneth Abeling. This is an easier advanced arrangement of the classic Blues song first recorded by Little Willie Littlefield and popularized by Wilbert Harrison. The playing time is approximately 3:10

Kansas City or Kansas City (Here I Come) By Jerry Leiber, Mike Stoller Arranged for Woodwind Quartet by Kenneth Abeling. This is an easier advanced arrangement of the classic Blues song first recorded by Little Willie Littlefield and popularized by Wilbert Harrison. The playing time is approximately 3:10

Kansas City or Kansas City (Here I Come) By Jerry Leiber, Mike Stoller Arranged for Woodwind Quintet by Kenneth Abeling. This is an easier advanced arrangement of the classic Blues song first recorded by Little Willie Littlefield and popularized by Wilbert Harrison. The playing time is approximately 3:10

Kansas City or Kansas City (Here I Come) By Jerry Leiber, Mike Stoller Arranged for Brass Quintet by Kenneth Abeling. This is an easier advanced arrangement of the classic Blues song first recorded by Little Willie Littlefield and popularized by Wilbert Harrison. The playing time is approximately 3:10

Kansas City or Kansas City (Here I Come) By Jerry Leiber, Mike Stoller Arranged for Saxophone Quintet by Kenneth Abeling. This is an easier advanced arrangement of the classic Blues song first recorded by Little Willie Littlefield and popularized by Wilbert Harrison. The playing time is approximately 3:10

Irving Berlin’s lovely “A Pretty Girl is like a Melody” arranged here for Saxophone Quintet will please your audiences and your ensemble will enjoy playing it as well.

Irving Berlin’s lovely “A Pretty Girl is like a Melody” arranged here for Brass Quintet will please your audiences and your ensemble will enjoy playing it as well.

I Can’t Get Started, Music and Lyrics by Vernon Duke & Ira Gershwin arranged for Clarinet Quartet. This an Intermediate arrangement of this popular song and Jazz Standard first introduced in the 1936 film, “The Ziegfeld Follies”. The playing time is approximately 3:20.

I Can’t Get Started, Music and Lyrics by Vernon Duke & Ira Gershwin arranged for Saxophone Quartet. This an Intermediate arrangement of this popular song and Jazz Standard first introduced in the 1936 film, “The Ziegfeld Follies”. The playing time is approximately 3:20.

I Can’t Get Started, Music and Lyrics by Vernon Duke & Ira Gershwin arranged for String Quartet. This an Intermediate arrangement of this popular song and Jazz Standard first introduced in the 1936 film, “The Ziegfeld Follies”. The playing time is approximately 3:20.

I Can’t Get Started, Music and Lyrics by Vernon Duke & Ira Gershwin arranged for Woodwind Quartet. This an Intermediate arrangement of this popular song and Jazz Standard first introduced in the 1936 film, “The Ziegfeld Follies”. The playing time is approximately 3:20.

I Can’t Get Started, Music and Lyrics by Vernon Duke & Ira Gershwin arranged for Woodwind Quintet. This an Intermediate arrangement of this popular song and Jazz Standard first introduced in the 1936 film, “The Ziegfeld Follies”. The playing time is approximately 3:20.

I Can’t Get Started, Music and Lyrics by Vernon Duke & Ira Gershwin arranged for Brass Quintet. This an Intermediate arrangement of this popular song and Jazz Standard first introduced in the 1936 film, “The Ziegfeld Follies”. The playing time is approximately 3:20.

I Can’t Get Started, Music and Lyrics by Vernon Duke & Ira Gershwin arranged for Saxophone Quintet. This an Intermediate arrangement of this popular song and Jazz Standard first introduced in the 1936 film, “The Ziegfeld Follies”. The playing time is approximately 3:20.

Wave by Antonio Carlos Jobim arranged for Clarinet Quartet. This is an advanced intermediate to easier advanced arrangement of Jobim’s Brazilian Jazz standard.

Wave by Antonio Carlos Jobim arranged for Saxophone Quartet. This is an advanced intermediate to easier advanced arrangement of Jobim’s Brazilian Jazz standard.

Wave by Antonio Carlos Jobim arranged for String Quartet. This is an advanced intermediate to easier advanced arrangement of Jobim’s Brazilian Jazz standard.

Wave by Antonio Carlos Jobim arranged for Woodwind Quartet. This is an advanced intermediate to easier advanced arrangement of Jobim’s Brazilian Jazz standard.

Wave by Antonio Carlos Jobim arranged for Woodwind Quintet. This is an advanced intermediate to easier advanced arrangement of Jobim’s Brazilian Jazz standard.

Wave by Antonio Carlos Jobim arranged for Brass Quintet. This is an advanced intermediate to easier advanced arrangement of Jobim’s Brazilian Jazz standard.

Wave by Antonio Carlos Jobim arranged for Saxophone Quintet. This is an advanced intermediate to easier advanced arrangement of Jobim’s Brazilian Jazz standard.

Someone to Watch Over Me by George & Ira Gershwin arranged for Clarinet Quartet. This is an advanced intermediate ballad arrangement of the centerpiece of the 1926 Broadway Musical “Oh, Kay!’ The song is an enduring jazz standard for which there are over 1800 recordings. The playing time is approximately 4:00.

Someone to Watch Over Me by George & Ira Gershwin arranged for Saxophone Quartet. This is an advanced intermediate ballad arrangement of the centerpiece of the 1926 Broadway Musical “Oh, Kay!’ The song is an enduring jazz standard for which there are over 1800 recordings. The playing time is approximately 4:00.

Someone to Watch Over Me by George & Ira Gershwin arranged for String Quartet. This is an advanced intermediate ballad arrangement of the centerpiece of the 1926 Broadway Musical “Oh, Kay!’ The song is an enduring jazz standard for which there are over 1800 recordings. The playing time is approximately 4:00.

Someone to Watch Over Me by George & Ira Gershwin arranged for Woodwind Quartet. This is an advanced intermediate ballad arrangement of the centerpiece of the 1926 Broadway Musical “Oh, Kay!’ The song is an enduring jazz standard for which there are over 1800 recordings. The playing time is approximately 4:00.

Someone to Watch Over Me by George & Ira Gershwin arranged for Woodwind Quintet. This is an advanced intermediate ballad arrangement of the centerpiece of the 1926 Broadway Musical “Oh, Kay!’ The song is an enduring jazz standard for which there are over 1800 recordings. The playing time is approximately 4:00.

Someone to Watch Over Me by George & Ira Gershwin arranged for Saxophone Quintet. This is an advanced intermediate ballad arrangement of the centerpiece of the 1926 Broadway Musical “Oh, Kay!’ The song is an enduring jazz standard for which there are over 1800 recordings. The playing time is approximately 4:00.

Someone to Watch Over Me by George & Ira Gershwin arranged for Brass Quintet. This is an advanced intermediate ballad arrangement of the centerpiece of the 1926 Broadway Musical “Oh, Kay!’ The song is an enduring jazz standard for which there are over 1800 recordings. The playing time is approximately 4:00.

Big Butter and Egg Man written by Percy Venable and arranged for Clarinet Quartet. This is an advanced intermediate to advanced arrangement of the Dixieland favorite and Jazz standard written for Louis Armstrong and singer May Alix. The playing time is approximately 2:45.

Big Butter and Egg Man written by Percy Venable and arranged for Saxophone Quartet. This is an advanced intermediate to advanced arrangement of the Dixieland favorite and Jazz standard written for Louis Armstrong and singer May Alix. The playing time is approximately 2:45.

Big Butter and Egg Man written by Percy Venable and arranged for String Quartet. This is an advanced intermediate to advanced arrangement of the Dixieland favorite and Jazz standard written for Louis Armstrong and singer May Alix. The playing time is approximately 2:45.

Big Butter and Egg Man written by Percy Venable and arranged for Woodwind Quartet. This is an advanced intermediate to advanced arrangement of the Dixieland favorite and Jazz standard written for Louis Armstrong and singer May Alix. The playing time is approximately 2:45.

Big Butter and Egg Man written by Percy Venable and arranged for Woodwind Quintet. This is an advanced intermediate to advanced arrangement of the Dixieland favorite and Jazz standard written for Louis Armstrong and singer May Alix. The playing time is approximately 2:45.

Big Butter and Egg Man written by Percy Venable and arranged for Brass Quintet. This is an advanced intermediate to advanced arrangement of the Dixieland favorite and Jazz standard written for Louis Armstrong and singer May Alix. The playing time is approximately 2:45.

Big Butter and Egg Man written by Percy Venable and arranged for Saxophone Quintet. This is an advanced intermediate to advanced arrangement of the Dixieland favorite and Jazz standard written for Louis Armstrong and singer May Alix. The playing time is approximately 2:45.

Tijuana Taxi by Ervan "bud" Coleman, Johnny Flamingo arranged for Clarinet Quartet by Kenneth Abeling. This is an Advanced intermediate arrangement “Tijuana Taxi” popularized by Herb Alpert and the Tijuana Brass on their fifth album entitled Going Places released in 1965. The Playing time is approximately 2:10.

Tijuana Taxi by Ervan "bud" Coleman, Johnny Flamingo arranged for Saxophone Quartet by Kenneth Abeling. This is an Advanced intermediate arrangement “Tijuana Taxi” popularized by Herb Alpert and the Tijuana Brass on their fifth album entitled Going Places released in 1965. The Playing time is approximately 2:10.

Tijuana Taxi by Ervan "bud" Coleman, Johnny Flamingo arranged for String Quartet by Kenneth Abeling. This is an Advanced intermediate arrangement “Tijuana Taxi” popularized by Herb Alpert and the Tijuana Brass on their fifth album entitled Going Places released in 1965. The Playing time is approximately 2:10.

Tijuana Taxi by Ervan "bud" Coleman, Johnny Flamingo arranged for Woodwind Quartet by Kenneth Abeling. This is an Advanced intermediate arrangement “Tijuana Taxi” popularized by Herb Alpert and the Tijuana Brass on their fifth album entitled Going Places released in 1965. The Playing time is approximately 2:10.

Tijuana Taxi by Ervan "bud" Coleman, Johnny Flamingo arranged for Woodwind Quintet by Kenneth Abeling. This is an Advanced intermediate arrangement “Tijuana Taxi” popularized by Herb Alpert and the Tijuana Brass on their fifth album entitled Going Places released in 1965. The Playing time is approximately 2:10.

Tijuana Taxi by Ervan "bud" Coleman, Johnny Flamingo arranged for Brass Quintet by Kenneth Abeling. This is an Advanced intermediate arrangement “Tijuana Taxi” popularized by Herb Alpert and the Tijuana Brass on their fifth album entitled Going Places released in 1965. The Playing time is approximately 2:10.

Tijuana Taxi by Ervan "bud" Coleman, Johnny Flamingo arranged for Saxophone Quintet by Kenneth Abeling. This is an Advanced intermediate arrangement “Tijuana Taxi” popularized by Herb Alpert and the Tijuana Brass on their fifth album entitled Going Places released in 1965. The Playing time is approximately 2:10.

Doctor Jazz, by Joe “King” Oliver arranged for Clarinet Quartet. This is an advanced arrangement of one of the most popular Dixieland songs ever written! Playing Time approximately 3:35

Doctor Jazz, by Joe “King” Oliver arranged for Saxophone Quartet. This is an advanced arrangement of one of the most popular Dixieland songs ever written! Playing Time approximately 3:35

Doctor Jazz, by Joe “King” Oliver arranged for String Quartet. This is an advanced arrangement of one of the most popular Dixieland songs ever written! Playing Time approximately 3:35

Doctor Jazz, by Joe “King” Oliver arranged for Woodwind Quartet. This is an advanced arrangement of one of the most popular Dixieland songs ever written! Playing Time approximately 3:35

Doctor Jazz, by Joe “King” Oliver arranged for Woodwind Quintet. This is an advanced arrangement of one of the most popular Dixieland songs ever written! Playing Time approximately 3:35

Doctor Jazz, by Joe “King” Oliver arranged for Saxophone Quintet. This is an advanced arrangement of one of the most popular Dixieland songs ever written! Playing Time approximately 3:35

Doctor Jazz, by Joe “King” Oliver arranged for Brass Quintet. This is an advanced arrangement of one of the most popular Dixieland songs ever written! Playing Time approximately 2:45.

Sir Duke by Stevie Wonder arranged for Clarinet Quartet. This is an advanced arrangement of Stevie Wonder’s hit song from the 1977 album Songs in the Key of Life, and his tribute to Duke Ellington. The Playing Time is approximately 3:45 with the repeat and 2:50 without.

Sir Duke by Stevie Wonder arranged for Saxophone Quartet. This is an advanced arrangement of Stevie Wonder’s hit song from the 1977 album Songs in the Key of Life, and his tribute to Duke Ellington. The Playing Time is approximately 3:45 with the repeat and 2:50 without.

Sir Duke by Stevie Wonder arranged for String Quartet. This is an advanced arrangement of Stevie Wonder’s hit song from the 1977 album Songs in the Key of Life, and his tribute to Duke Ellington. The Playing Time is approximately 3:45 with the repeat and 2:50 without.

Sir Duke by Stevie Wonder arranged for Woodwind Quartet. This is an advanced arrangement of Stevie Wonder’s hit song from the 1977 album Songs in the Key of Life, and his tribute to Duke Ellington. The Playing Time is approximately 3:45 with the repeat and 2:50 without.

Sir Duke by Stevie Wonder arranged for Woodwind Quintet. This is an advanced arrangement of Stevie Wonder’s hit song from the 1977 album Songs in the Key of Life, and his tribute to Duke Ellington. The Playing Time is approximately 3:45 with the repeat and 2:50 without.

Sir Duke by Stevie Wonder arranged for Saxophone Quintet. This is an advanced arrangement of Stevie Wonder’s hit song from the 1977 album Songs in the Key of Life, and his tribute to Duke Ellington. The Playing Time is approximately 3:45 with the repeat and 2:50 without.

Friends in Low Places by Dewayne Blackwell & Earl Bud Lee arranged for Clarinet Quartet. This is an advanced intermediate arrangement of the award-winning country song recorded by Garth Brooks and a mega hit single on his 1990 album No Fences. The Playing time is approximately 4:15 with the repeat and 3:45 without.

Friends in Low Places by Dewayne Blackwell & Earl Bud Lee arranged for Saxophone Quartet. This is an advanced intermediate arrangement of the award-winning country song recorded by Garth Brooks and a mega hit single on his 1990 album No Fences. The Playing time is approximately 4:15 with the repeat and 3:45 without.

Friends in Low Places by Dewayne Blackwell & Earl Bud Lee arranged for String Quartet. This is an advanced intermediate arrangement of the award-winning country song recorded by Garth Brooks and a mega hit single on his 1990 album No Fences. The Playing time is approximately 4:15 with the repeat and 3:45 without.

Friends in Low Places by Dewayne Blackwell & Earl Bud Lee arranged for Woodwind Quartet. This is an advanced intermediate arrangement of the award-winning country song recorded by Garth Brooks and a mega hit single on his 1990 album No Fences. The Playing time is approximately 4:15 with the repeat and 3:45 without.

Friends in Low Places by Dewayne Blackwell & Earl Bud Lee arranged for Brass Quintet. This is an advanced intermediate arrangement of the award-winning country song recorded by Garth Brooks and a mega hit single on his 1990 album No Fences. The Playing time is approximately 4:15 with the repeat and 3:45 without.

Friends in Low Places by Dewayne Blackwell & Earl Bud Lee arranged for Woodwind Quintet. This is an advanced intermediate arrangement of the award-winning country song recorded by Garth Brooks and a mega hit single on his 1990 album No Fences. The Playing time is approximately 4:15 with the repeat and 3:45 without.

Friends in Low Places by Dewayne Blackwell & Earl Bud Lee arranged for Saxophone Quintet. This is an advanced intermediate arrangement of the award-winning country song recorded by Garth Brooks and a mega hit single on his 1990 album No Fences. The Playing time is approximately 4:15 with the repeat and 3:45 without.

A String of Pearls, Music by Jerry Gray & Lyrics by Eddie De Lange arranged for Clarinet Quartet. This is an advanced intermediate to advanced arrangement of the number one hit single recorded by the Glenn miller Orchestra in 1941. The playing time is approximately 3:00

A String of Pearls, Music by Jerry Gray & Lyrics by Eddie De Lange arranged for Saxophone Quartet. This is an advanced intermediate to advanced arrangement of the number one hit single recorded by the Glenn miller Orchestra in 1941. The playing time is approximately 3:00

A String of Pearls, Music by Jerry Gray & Lyrics by Eddie De Lange arranged for String Quartet. This is an advanced intermediate to advanced arrangement of the number one hit single recorded by the Glenn miller Orchestra in 1941. The playing time is approximately 3:00

A String of Pearls, Music by Jerry Gray & Lyrics by Eddie De Lange arranged for Woodwind Quartet. This is an advanced intermediate to advanced arrangement of the number one hit single recorded by the Glenn miller Orchestra in 1941. The playing time is approximately 3:00

A String of Pearls, Music by Jerry Gray & Lyrics by Eddie De Lange arranged for Woodwind Quintet. This is an advanced intermediate to advanced arrangement of the number one hit single recorded by the Glenn miller Orchestra in 1941. The playing time is approximately 3:00

A String of Pearls, Music by Jerry Gray & Lyrics by Eddie De Lange arranged for Saxophone Quintet. This is an advanced intermediate to advanced arrangement of the number one hit single recorded by the Glenn miller Orchestra in 1941. The playing time is approximately 3:00

In the Mood, Music by Joe Garland arranged for Clarinet Quartet. This is an advanced intermediate to advanced arrangement of the most recognizable song performed by The Glenn Miller Orchestra!

In the Mood, Music by Joe Garland arranged for Saxophone Quartet. This is an advanced intermediate to advanced arrangement of the most recognizable song performed by The Glenn Miller Orchestra!

In the Mood, Music by Joe Garland arranged for String Quartet. This is an advanced intermediate to advanced arrangement of the most recognizable song performed by The Glenn Miller Orchestra!

In the Mood, Music by Joe Garland arranged for Woodwind Quartet. This is an advanced intermediate to advanced arrangement of the most recognizable song performed by The Glenn Miller Orchestra!

In the Mood, Music by Joe Garland arranged for Woodwind Quintet. This is an advanced intermediate to advanced arrangement of the most recognizable song performed by The Glenn Miller Orchestra!

In the Mood, Music by Joe Garland arranged for Saxophone Quintet. This is an advanced intermediate to advanced arrangement of the most recognizable song performed by The Glenn Miller Orchestra!

A String of Pearls, Music by Jerry Gray & Lyrics by Eddie De Lange arranged for Brass Quintet. This is an advanced arrangement of the number one hit single recorded by the Glenn miller Orchestra in 1941. The playing time is approximately 3:00

Boogie Woogie Bugle Boy, Music and Lyrics by Don Raye & Hughie Prince arranged for Clarinet Quartet. This is an advanced intermediate to advanced arrangement of this song first introduced by the Andrews Sisters in the 1941 movie Buck Privates. The playing time is approximately 2:35

Boogie Woogie Bugle Boy, Music and Lyrics by Don Raye & Hughie Prince arranged for Saxophone Quartet. This is an advanced intermediate to advanced arrangement of this song first introduced by the Andrews Sisters in the 1941 movie Buck Privates. The playing time is approximately 2:35

Boogie Woogie Bugle Boy, Music and Lyrics by Don Raye & Hughie Prince arranged for String Quartet. This is an advanced intermediate to advanced arrangement of this song first introduced by the Andrews Sisters in the 1941 movie Buck Privates. The playing time is approximately 2:35

Boogie Woogie Bugle Boy, Music and Lyrics by Don Raye & Hughie Prince arranged for Woodwind Quartet. This is an advanced intermediate to advanced arrangement of this song first introduced by the Andrews Sisters in the 1941 movie Buck Privates. The playing time is approximately 2:35

Boogie Woogie Bugle Boy, Music and Lyrics by Don Raye & Hughie Prince arranged for Woodwind Quintet. This is an advanced intermediate to advanced arrangement of this song first introduced by the Andrews Sisters in the 1941 movie Buck Privates. The playing time is approximately 2:35

Boogie Woogie Bugle Boy, Music and Lyrics by Don Raye & Hughie Prince arranged for Brass Quintet. This is an advanced intermediate to advanced arrangement of this song first introduced by the Andrews Sisters in the 1941 movie Buck Privates. The playing time is approximately 2:35

Boogie Woogie Bugle Boy, Music and Lyrics by Don Raye & Hughie Prince arranged for Saxophone Quintet. This is an advanced intermediate to advanced arrangement of this song first introduced by the Andrews Sisters in the 1941 movie Buck Privates. The playing time is approximately 2:35

Moonlight Serenade, Music by Glenn Miller & Lyrics by Mitchell Parish arranged for Clarinet Quartet. This is an advanced intermediate arrangement, with solo being more difficult, of The Glenn Miller Orchestra theme song! The playing time is approximately 3:20

Moonlight Serenade, Music by Glenn Miller & Lyrics by Mitchell Parish arranged for Saxophone Quartet. This is an advanced intermediate arrangement, with solo being more difficult, of The Glenn Miller Orchestra theme song! The playing time is approximately 3:20

Moonlight Serenade, Music by Glenn Miller & Lyrics by Mitchell Parish arranged for String Quartet. This is an advanced intermediate arrangement, with solo being more difficult, of The Glenn Miller Orchestra theme song! The playing time is approximately 3:20

Moonlight Serenade, Music by Glenn Miller & Lyrics by Mitchell Parish arranged for Woodwind Quartet. This is an advanced intermediate arrangement, with solo being more difficult, of The Glenn Miller Orchestra theme song! The playing time is approximately 3:20

Moonlight Serenade, Music by Glenn Miller & Lyrics by Mitchell Parish arranged for Woodwind Quintet. This is an advanced intermediate arrangement, with solo being more difficult, of The Glenn Miller Orchestra theme song! The playing time is approximately 3:20

Moonlight Serenade, Music by Glenn Miller & Lyrics by Mitchell Parish arranged for Saxophone Quintet. This is an advanced intermediate arrangement, with solo being more difficult, of The Glenn Miller Orchestra theme song! The playing time is approximately 3:20

Summer Wind Music by Heinz (Henry) Meier and English Lyrics by Johnny Mercer arranged for Clarinet Quartet. This is an advanced intermediate arrangement of this Jazz standard popularized by Frank Sinatra and many others! The playing time is approximately 3:00

Summer Wind Music by Heinz (Henry) Meier and English Lyrics by Johnny Mercer arranged for Saxophone Quartet. This is an advanced intermediate arrangement of this Jazz standard popularized by Frank Sinatra and many others! The playing time is approximately 3:00

Summer Wind Music by Heinz (Henry) Meier and English Lyrics by Johnny Mercer arranged for String Quartet. This is an advanced intermediate arrangement of this Jazz standard popularized by Frank Sinatra and many others! The playing time is approximately 3:00

Summer Wind Music by Heinz (Henry) Meier and English Lyrics by Johnny Mercer arranged for Woodwind Quartet. This is an advanced intermediate arrangement of this Jazz standard popularized by Frank Sinatra and many others! The playing time is approximately 3:00

Summer Wind Music by Heinz (Henry) Meier and English Lyrics by Johnny Mercer arranged for Woodwind Quintet. This is an advanced intermediate arrangement of this Jazz standard popularized by Frank Sinatra and many others! The playing time is approximately 3:00

Summer Wind Music by Heinz (Henry) Meier and English Lyrics by Johnny Mercer arranged for Brass Quintet. This is an advanced intermediate arrangement of this Jazz standard popularized by Frank Sinatra and many others! The playing time is approximately 3:00

Summer Wind Music by Heinz (Henry) Meier and English Lyrics by Johnny Mercer arranged for Saxophone Quintet. This is an advanced intermediate arrangement of this Jazz standard popularized by Frank Sinatra and many others! The playing time is approximately 3:00

Spanish Flea by Julius Wechter arranged for Clarinet Quartet. This is an Advanced intermediate to easier advanced arrangement of the song originally recorded by Herb Alpert and the Tijuana Brass on their album Going Places. This melody will be recognized as the “Bachelor’s Theme” to the long running game show The Dating Game. Additionally, it has been used in numerous movies and TV episodes.

Spanish Flea by Julius Wechter arranged for Saxophone Quartet. This is an Advanced intermediate to easier advanced arrangement of the song originally recorded by Herb Alpert and the Tijuana Brass on their album Going Places. This melody will be recognized as the “Bachelor’s Theme” to the long running game show The Dating Game. Additionally, it has been used in numerous movies and TV episodes.

Spanish Flea by Julius Wechter arranged for String Quartet. This is an Advanced intermediate to easier advanced arrangement of the song originally recorded by Herb Alpert and the Tijuana Brass on their album Going Places. This melody will be recognized as the “Bachelor’s Theme” to the long running game show The Dating Game. Additionally, it has been used in numerous movies and TV episodes.

Spanish Flea by Julius Wechter arranged for Woodwind Quartet. This is an Advanced intermediate to easier advanced arrangement of the song originally recorded by Herb Alpert and the Tijuana Brass on their album Going Places. This melody will be recognized as the “Bachelor’s Theme” to the long running game show The Dating Game. Additionally, it has been used in numerous movies and TV episodes.

Spanish Flea by Julius Wechter arranged for Woodwind Quintet. This is an Advanced intermediate to easier advanced arrangement of the song originally recorded by Herb Alpert and the Tijuana Brass on their album Going Places. This melody will be recognized as the “Bachelor’s Theme” to the long running game show The Dating Game. Additionally, it has been used in numerous movies and TV episodes.

Spanish Flea by Julius Wechter arranged for Brass Quintet. This is an Advanced intermediate to easier advanced arrangement of the song originally recorded by Herb Alpert and the Tijuana Brass on their album Going Places. This melody will be recognized as the “Bachelor’s Theme” to the long running game show The Dating Game. Additionally, it has been used in numerous movies and TV episodes.

Spanish Flea by Julius Wechter arranged for Saxophone Quintet. This is an Advanced intermediate to easier advanced arrangement of the song originally recorded by Herb Alpert and the Tijuana Brass on their album Going Places. This melody will be recognized as the “Bachelor’s Theme” to the long running game show The Dating Game. Additionally, it has been used in numerous movies and TV episodes.

Margaritaville by Jimmy Buffett arranged for Clarinet Quartet. This is an intermediate level arrangement of Buffett’s Top Ten 1977 Billboard hit! The playing time approximately 4:00.

Margaritaville by Jimmy Buffett arranged for Saxophone Quartet. This is an intermediate level arrangement of Buffett’s Top Ten 1977 Billboard hit! The playing time approximately 4:00.

Margaritaville by Jimmy Buffett arranged for String Quartet. This is an intermediate level arrangement of Buffett’s Top Ten 1977 Billboard hit! The playing time approximately 4:00.

Margaritaville by Jimmy Buffett arranged for Woodwind Quartet. This is an intermediate level arrangement of Buffett’s Top Ten 1977 Billboard hit! The playing time approximately 4:00.

Margaritaville by Jimmy Buffett arranged for Woodwind Quintet. This is an intermediate level arrangement of Buffett’s Top Ten 1977 Billboard hit! The playing time approximately 4:00.

Margaritaville by Jimmy Buffett arranged for Brass Quintet. This is an intermediate level arrangement of Buffett’s Top Ten 1977 Billboard hit! The playing time approximately 4:00.

Margaritaville by Jimmy Buffett arranged for Saxophone Quintet. This is an intermediate level arrangement of Buffett’s Top Ten 1977 Billboard hit! The playing time approximately 4:00.

Raindrops Keep Fallin’ On My Head, Lyrics by Hal David and music by Burt Bacharach arranged for Clarinet Quartet. This is an intermediate level arrangement of this soft-rock chart topping and Oscar Winning song originally recorded by B.J. Thomas. The playing time is approximately 2:45.

Raindrops Keep Fallin’ On My Head, Lyrics by Hal David and music by Burt Bacharach arranged for Saxophone Quartet. This is an intermediate level arrangement of this soft-rock chart topping and Oscar Winning song originally recorded by B.J. Thomas. The playing time is approximately 2:45.

Raindrops Keep Fallin’ On My Head, Lyrics by Hal David and music by Burt Bacharach arranged for String Quartet. This is an intermediate level arrangement of this soft-rock chart topping and Oscar Winning song originally recorded by B.J. Thomas. The playing time is approximately 2:45.

Raindrops Keep Fallin’ On My Head, Lyrics by Hal David and music by Burt Bacharach arranged for Woodwind Quartet. This is an intermediate level arrangement of this soft-rock chart topping and Oscar Winning song originally recorded by B.J. Thomas. The playing time is approximately 2:45.

Raindrops Keep Fallin’ On My Head, Lyrics by Hal David and music by Burt Bacharach arranged for Woodwind Quintet. This is an intermediate level arrangement of this soft-rock chart topping and Oscar Winning song originally recorded by B.J. Thomas. The playing time is approximately 2:45.

Raindrops Keep Fallin’ On My Head, Lyrics by Hal David and music by Burt Bacharach arranged for Brass Quintet. This is an intermediate level arrangement of this soft-rock chart topping and Oscar Winning song originally recorded by B.J. Thomas. The playing time is approximately 2:45.

Raindrops Keep Fallin’ On My Head, Lyrics by Hal David and music by Burt Bacharach arranged for Saxophone Quintet. This is an intermediate level arrangement of this soft-rock chart topping and Oscar Winning song originally recorded by B.J. Thomas. The playing time is approximately 2:45.

Struttin’ With Some Barbecue, Don Raye, Lillian Hardin Armstrong for Clarinet Quartet and arranged by Kenneth Abeling. This is an easier advanced to advanced arrangement of one of the most popular Dixieland songs of all time!! Playing Time 3:25

Struttin’ With Some Barbecue, Don Raye, Lillian Hardin Armstrong for Saxophone Quartet and arranged by Kenneth Abeling. This is an easier advanced to advanced arrangement of one of the most popular Dixieland songs of all time!! Playing Time 3:25

Struttin’ With Some Barbecue, Don Raye, Lillian Hardin Armstrong for String Quartet and arranged by Kenneth Abeling. This is an easier advanced to advanced arrangement of one of the most popular Dixieland songs of all time!! Playing Time 3:25

Struttin’ With Some Barbecue, Don Raye, Lillian Hardin Armstrong for Woodwind Quartet and arranged by Kenneth Abeling. This is an easier advanced to advanced arrangement of one of the most popular Dixieland songs of all time!! Playing Time 3:25

Struttin’ With Some Barbecue, Don Raye, Lillian Hardin Armstrong for Woodwind Quintet and arranged by Kenneth Abeling. This is an easier advanced to advanced arrangement of one of the most popular Dixieland songs of all time!! Playing Time 3:25

Struttin’ With Some Barbecue, Don Raye, Lillian Hardin Armstrong for Brass Quintet and arranged by Kenneth Abeling. This is an easier advanced to advanced arrangement of one of the most popular Dixieland songs of all time!! Playing Time 3:25

Struttin’ With Some Barbecue, Don Raye, Lillian Hardin Armstrong for Saxophone Quintet and arranged by Kenneth Abeling. This is an easier advanced to advanced arrangement of one of the most popular Dixieland songs of all time!! Playing Time 3:25

Tonight You Belong to Me by Billy Rose & Lee David arranged for Clarinet Quartet. This charming Jazz, Pop song duet has been covered by numerous vocalists perhaps most notably Patience and Prudence and The Lennon Sisters. It has also been used in a variety of movies and featured most humorously as a duet sang by Steve Martin and Bernadette Petters in the movie The Jerk. The playing time is approximately 2:20

Tonight You Belong to Me by Billy Rose & Lee David arranged for Saxophone Quartet. This charming Jazz, Pop song duet has been covered by numerous vocalists perhaps most notably Patience and Prudence and The Lennon Sisters. It has also been used in a variety of movies and featured most humorously as a duet sang by Steve Martin and Bernadette Petters in the movie The Jerk. The playing time is approximately 2:20

Tonight You Belong to Me by Billy Rose & Lee David arranged for String Quartet. This charming Jazz, Pop song duet has been covered by numerous vocalists perhaps most notably Patience and Prudence and The Lennon Sisters. It has also been used in a variety of movies and featured most humorously as a duet sang by Steve Martin and Bernadette Petters in the movie The Jerk. The playing time is approximately 2:20

Tonight You Belong to Me by Billy Rose & Lee David arranged for Woodwind Quartet. This charming Jazz, Pop song duet has been covered by numerous vocalists perhaps most notably Patience and Prudence and The Lennon Sisters. It has also been used in a variety of movies and featured most humorously as a duet sang by Steve Martin and Bernadette Petters in the movie The Jerk. The playing time is approximately 2:20

Tonight You Belong to Me by Billy Rose & Lee David arranged for Woodwind Quintet. This charming Jazz, Pop song duet has been covered by numerous vocalists perhaps most notably Patience and Prudence and The Lennon Sisters. It has also been used in a variety of movies and featured most humorously as a duet sang by Steve Martin and Bernadette Petters in the movie The Jerk. The playing time is approximately 2:20

Tonight You Belong to Me by Billy Rose & Lee David arranged for Brass Quintet. This charming Jazz, Pop song duet has been covered by numerous vocalists perhaps most notably Patience and Prudence and The Lennon Sisters. It has also been used in a variety of movies and featured most humorously as a duet sang by Steve Martin and Bernadette Petters in the movie The Jerk. The playing time is approximately 2:20

Tonight You Belong to Me by Billy Rose & Lee David arranged for Saxophone Quintet. This charming Jazz, Pop song duet has been covered by numerous vocalists perhaps most notably Patience and Prudence and The Lennon Sisters. It has also been used in a variety of movies and featured most humorously as a duet sang by Steve Martin and Bernadette Petters in the movie The Jerk. The playing time is approximately 2:20

My Blue Heaven, music by Walter Donaldson and Lyrics by George Whiting arranged for Clarinet Quartet. This song, first recorded in 1927 was a huge success for crooner Gene Austin selling over 5 million copies globally. It was initially used in the Ziegfeld Follies, then covered by numerous recording artist and has like numbers of music credits. This is an advanced intermediate arrangement. The Playing time is approximately 3:00.

My Blue Heaven, music by Walter Donaldson and Lyrics by George Whiting arranged for Saxophone Quartet. This song, first recorded in 1927 was a huge success for crooner Gene Austin selling over 5 million copies globally. It was initially used in the Ziegfeld Follies, then covered by numerous recording artist and has like numbers of music credits. This is an advanced intermediate arrangement. The Playing time is approximately 3:00.

My Blue Heaven, music by Walter Donaldson and Lyrics by George Whiting arranged for String Quartet. This song, first recorded in 1927 was a huge success for crooner Gene Austin selling over 5 million copies globally. It was initially used in the Ziegfeld Follies, then covered by numerous recording artist and has like numbers of music credits. This is an advanced intermediate arrangement. The Playing time is approximately 3:00.

My Blue Heaven, music by Walter Donaldson and Lyrics by George Whiting arranged for Woodwind Quartet. This song, first recorded in 1927 was a huge success for crooner Gene Austin selling over 5 million copies globally. It was initially used in the Ziegfeld Follies, then covered by numerous recording artist and has like numbers of music credits. This is an advanced intermediate arrangement. The Playing time is approximately 3:00.

My Blue Heaven, music by Walter Donaldson and Lyrics by George Whiting arranged for Woodwind Quintet. This song, first recorded in 1927 was a huge success for crooner Gene Austin selling over 5 million copies globally. It was initially used in the Ziegfeld Follies, then covered by numerous recording artist and has like numbers of music credits. This is an advanced intermediate arrangement. The Playing time is approximately 3:00.

My Blue Heaven, music by Walter Donaldson and Lyrics by George Whiting arranged for Brass Quintet. This song, first recorded in 1927 was a huge success for crooner Gene Austin selling over 5 million copies globally. It was initially used in the Ziegfeld Follies, then covered by numerous recording artist and has like numbers of music credits. This is an advanced intermediate arrangement. The Playing time is approximately 3:00.

My Blue Heaven, music by Walter Donaldson and Lyrics by George Whiting arranged for Saxophone Quintet. This song, first recorded in 1927 was a huge success for crooner Gene Austin selling over 5 million copies globally. It was initially used in the Ziegfeld Follies, then covered by numerous recording artist and has like numbers of music credits. This is an advanced intermediate arrangement. The Playing time is approximately 3:00.

Sing-along Medley #3, arranged for Clarinet Quartet is a collection 5 timeless Old Time classics from the years, 1926 and 1927. The Titles in this Medley/Collection are; “Ain’t She Sweet”, “The Best Things in Life Are Free”, “Me and My Shadow”, “Side by Side” and “Five Foot Two Eyes of Blue”. The songs within this intermediate level arrangement can either be played as a medley, or individually with or without the repeats. This is perfect for performances for elderly audiences or as a music history-teaching tool for younger audiences as well as other performance applications. The approximate playing times are, 8:45 with the repeats and 4:30 without.

Sing-along Medley #3, arranged for Saxophone Quartet is a collection 5 timeless Old Time classics from the years, 1926 and 1927. The Titles in this Medley/Collection are; “Ain’t She Sweet”, “The Best Things in Life Are Free”, “Me and My Shadow”, “Side by Side” and “Five Foot Two Eyes of Blue”. The songs within this intermediate level arrangement can either be played as a medley, or individually with or without the repeats. This is perfect for performances for elderly audiences or as a music history-teaching tool for younger audiences as well as other performance applications. The approximate playing times are, 8:45 with the repeats and 4:30 without.

Sing-along Medley #3, arranged for String Quartet is a collection 5 timeless Old Time classics from the years, 1926 and 1927. The Titles in this Medley/Collection are; “Ain’t She Sweet”, “The Best Things in Life Are Free”, “Me and My Shadow”, “Side by Side” and “Five Foot Two Eyes of Blue”. The songs within this intermediate level arrangement can either be played as a medley, or individually with or without the repeats. This is perfect for performances for elderly audiences or as a music history-teaching tool for younger audiences as well as other performance applications. The approximate playing times are, 8:45 with the repeats and 4:30 without.

Sing-along Medley #3, arranged for Woodwind Quartet is a collection 5 timeless Old Time classics from the years, 1926 and 1927. The Titles in this Medley/Collection are; “Ain’t She Sweet”, “The Best Things in Life Are Free”, “Me and My Shadow”, “Side by Side” and “Five Foot Two Eyes of Blue”. The songs within this intermediate level arrangement can either be played as a medley, or individually with or without the repeats. This is perfect for performances for elderly audiences or as a music history-teaching tool for younger audiences as well as other performance applications. The approximate playing times are, 8:45 with the repeats and 4:30 without.

Sing-along Medley #3, arranged for Woodwind Quintet is a collection 5 timeless Old Time classics from the years, 1926 and 1927. The Titles in this Medley/Collection are; “Ain’t She Sweet”, “The Best Things in Life Are Free”, “Me and My Shadow”, “Side by Side” and “Five Foot Two Eyes of Blue”. The songs within this intermediate level arrangement can either be played as a medley, or individually with or without the repeats. This is perfect for performances for elderly audiences or as a music history-teaching tool for younger audiences as well as other performance applications. The approximate playing times are, 8:45 with the repeats and 4:30 without.

Sing-along Medley #3, arranged for Brass Quintet is a collection 5 timeless Old Time classics from the years, 1926 and 1927. The Titles in this Medley/Collection are; “Ain’t She Sweet”, “The Best Things in Life Are Free”, “Me and My Shadow”, “Side by Side” and “Five Foot Two Eyes of Blue”. The songs within this intermediate level arrangement can either be played as a medley, or individually with or without the repeats. This is perfect for performances for elderly audiences or as a music history-teaching tool for younger audiences as well as other performance applications. The approximate playing times are, 8:45 with the repeats and 4:30 without.

Sing-along Medley #3, arranged for Saxophone Quintet is a collection 5 timeless Old Time classics from the years, 1926 and 1927. The Titles in this Medley/Collection are; “Ain’t She Sweet”, “The Best Things in Life Are Free”, “Me and My Shadow”, “Side by Side” and “Five Foot Two Eyes of Blue”. The songs within this intermediate level arrangement can either be played as a medley, or individually with or without the repeats. This is perfect for performances for elderly audiences or as a music history-teaching tool for younger audiences as well as other performance applications. The approximate playing times are, 8:45 with the repeats and 4:30 without.

Are You Lonesome Tonight?, Lyrics and Music by vaudevillians Roy Turk and Lou Handman arranged for Clarinet Quartet. This intermediate level arrangement of Handman’s charming melody has been recorded by dozens of popular artists dating back to 1927. Perhaps most notably on the list is Elvis Presley. The playing time is approximately 2:30.

Are You Lonesome Tonight?, Lyrics and Music by vaudevillians Roy Turk and Lou Handman arranged for Saxophone Quartet. This intermediate level arrangement of Handman’s charming melody has been recorded by dozens of popular artists dating back to 1927. Perhaps most notably on the list is Elvis Presley. The playing time is approximately 2:30.

Are You Lonesome Tonight?, Lyrics and Music by vaudevillians Roy Turk and Lou Handman arranged for String Quartet. This intermediate level arrangement of Handman’s charming melody has been recorded by dozens of popular artists dating back to 1927. Perhaps most notably on the list is Elvis Presley. The playing time is approximately 2:30.

Are You Lonesome Tonight?, Lyrics and Music by vaudevillians Roy Turk and Lou Handman arranged for Woodwind Quartet. This intermediate level arrangement of Handman’s charming melody has been recorded by dozens of popular artists dating back to 1927. Perhaps most notably on the list is Elvis Presley. The playing time is approximately 2:30.

Are You Lonesome Tonight?, Lyrics and Music by vaudevillians Roy Turk and Lou Handman arranged for Woodwind Quintet. This intermediate level arrangement of Handman’s charming melody has been recorded by dozens of popular artists dating back to 1927. Perhaps most notably on the list is Elvis Presley. The playing time is approximately 2:30.

Are You Lonesome Tonight?, Lyrics and Music by vaudevillians Roy Turk and Lou Handman arranged for Brass Quintet. This intermediate level arrangement of Handman’s charming melody has been recorded by dozens of popular artists dating back to 1927. Perhaps most notably on the list is Elvis Presley. The playing time is approximately 2:30.

Are You Lonesome Tonight?, Lyrics and Music by vaudevillians Roy Turk and Lou Handman arranged for Saxophone Quintet. This intermediate level arrangement of Handman’s charming melody has been recorded by dozens of popular artists dating back to 1927. Perhaps most notably on the list is Elvis Presley. The playing time is approximately 2:30.

Dream a Little Dream of Me by Wilbur Schwandt, Gus Kahn, Fabian Andre arranged for Clarinet Quartet by Kenneth Abeling. This is an intermediate level arrangement of the song popularized by Ella Fitzgerald, Doris Day and perhaps most notably by Cass Elliot. https://lincolnmusicpublications.com/music/search.php?q=Dream+a+Little

Dream a Little Dream of Me by Wilbur Schwandt, Gus Kahn, Fabian Andre arranged for Saxophone Quartet by Kenneth Abeling. This is an intermediate level arrangement of the song popularized by Ella Fitzgerald, Doris Day and perhaps most notably by Cass Elliot. https://lincolnmusicpublications.com/music/search.php?q=Dream+a+Little

Dream a Little Dream of Me by Wilbur Schwandt, Gus Kahn, Fabian Andre arranged for String Quartet by Kenneth Abeling. This is an intermediate level arrangement of the song popularized by Ella Fitzgerald, Doris Day and perhaps most notably by Cass Elliot. https://lincolnmusicpublications.com/music/search.php?q=Dream+a+Little

Dream a Little Dream of Me by Wilbur Schwandt, Gus Kahn, Fabian Andre arranged for Woodwind Quartet by Kenneth Abeling. This is an intermediate level arrangement of the song popularized by Ella Fitzgerald, Doris Day and perhaps most notably by Cass Elliot. https://lincolnmusicpublications.com/music/search.php?q=Dream+a+Little

Dream a Little Dream of Me by Wilbur Schwandt, Gus Kahn, Fabian Andre arranged for Woodwind Quintet by Kenneth Abeling. This is an intermediate level arrangement of the song popularized by Ella Fitzgerald, Doris Day and perhaps most notably by Cass Elliot. https://lincolnmusicpublications.com/music/search.php?q=Dream+a+Little

Dream a Little Dream of Me by Wilbur Schwandt, Gus Kahn, Fabian Andre arranged for Brass Quintet by Kenneth Abeling. This is an intermediate level arrangement of the song popularized by Ella Fitzgerald, Doris Day and perhaps most notably by Cass Elliot. https://lincolnmusicpublications.com/music/search.php?q=Dream+a+Little

Dream a Little Dream of Me by Wilbur Schwandt, Gus Kahn, Fabian Andre arranged for Saxophone Quintet by Kenneth Abeling. This is an intermediate level arrangement of the song popularized by Ella Fitzgerald, Doris Day and perhaps most notably by Cass Elliot. https://lincolnmusicpublications.com/music/search.php?q=Dream+a+Little

Build Me Up Buttercup by Michael D’abo and Tony Macauley arranged for Clarinet Quartet. This is an intermediate level arrangement of the 1968 chart toping hit released by The Foundations and featured in many film and TV productions throughout the years. The playing time is approximately 3:10.

Build Me Up Buttercup by Michael D’abo and Tony Macauley arranged for Saxophone Quartet. This is an intermediate level arrangement of the 1968 chart toping hit released by The Foundations and featured in many film and TV productions throughout the years. The playing time is approximately 3:10.

Build Me Up Buttercup by Michael D’abo and Tony Macauley arranged for String Quartet. This is an intermediate level arrangement of the 1968 chart toping hit released by The Foundations and featured in many film and TV productions throughout the years. The playing time is approximately 3:10.

Build Me Up Buttercup by Michael D’abo and Tony Macauley arranged for Woodwind Quartet. This is an intermediate level arrangement of the 1968 chart toping hit released by The Foundations and featured in many film and TV productions throughout the years. The playing time is approximately 3:10.

Build Me Up Buttercup by Michael D’abo and Tony Macauley arranged for Woodwind Quintet. This is an intermediate level arrangement of the 1968 chart toping hit released by The Foundations and featured in many film and TV productions throughout the years. The playing time is approximately 3:10.

Build Me Up Buttercup by Michael D’abo and Tony Macauley arranged for Brass Quintet. This is an intermediate level arrangement of the 1968 chart toping hit released by The Foundations and featured in many film and TV productions throughout the years. The playing time is approximately 3:10.

Build Me Up Buttercup by Michael D’abo and Tony Macauley arranged for Saxophone Quintet. This is an intermediate level arrangement of the 1968 chart toping hit released by The Foundations and featured in many film and TV productions throughout the years. The playing time is approximately 3:10.

Cheek to Cheek by Irving Berlin arranged for Clarinet Quartet. This is an intermediate level arrangement of the #1 song of 1935 written for the musical Top Hat featuring Fred Astaire & Ginger Rodgers. This song has been covered by hundreds of recording artists over the years. The playing time is approximately 3:15.

Cheek to Cheek by Irving Berlin arranged for Saxophone Quartet. This is an intermediate level arrangement of the #1 song of 1935 written for the musical Top Hat featuring Fred Astaire & Ginger Rodgers. This song has been covered by hundreds of recording artists over the years. The playing time is approximately 3:15.

Cheek to Cheek by Irving Berlin arranged for String Quartet. This is an intermediate level arrangement of the #1 song of 1935 written for the musical Top Hat featuring Fred Astaire & Ginger Rodgers. This song has been covered by hundreds of recording artists over the years. The playing time is approximately 3:15.

Cheek to Cheek by Irving Berlin arranged for Woodwind Quartet. This is an intermediate level arrangement of the #1 song of 1935 written for the musical Top Hat featuring Fred Astaire & Ginger Rodgers. This song has been covered by hundreds of recording artists over the years. The playing time is approximately 3:15.

Cheek to Cheek by Irving Berlin arranged for Woodwind Quintet. This is an intermediate level arrangement of the #1 song of 1935 written for the musical Top Hat featuring Fred Astaire & Ginger Rodgers. This song has been covered by hundreds of recording artists over the years. The playing time is approximately 3:15.

Cheek to Cheek by Irving Berlin arranged for Brass Quintet. This is an intermediate level arrangement of the #1 song of 1935 written for the musical Top Hat featuring Fred Astaire & Ginger Rodgers. This song has been covered by hundreds of recording artists over the years. The playing time is approximately 3:15.

Cheek to Cheek by Irving Berlin arranged for Saxophone Quintet. This is an intermediate level arrangement of the #1 song of 1935 written for the musical Top Hat featuring Fred Astaire & Ginger Rodgers. This song has been covered by hundreds of recording artists over the years. The playing time is approximately 3:15.

All the Things You Are, music by Jerome Kern and lyrics by Oscar Hammerstein arranged for Clarinet Quartet. This is an advanced intermediate arrangement of a very beautiful song originally written for the 1939 Broadway Musical Warm in May. It has since been recorded both as a vocal and instrumental by numerous artists. The playing time is approximately 3:10.

All the Things You Are, music by Jerome Kern and lyrics by Oscar Hammerstein arranged for Saxophone Quartet. This is an advanced intermediate arrangement of a very beautiful song originally written for the 1939 Broadway Musical Warm in May. It has since been recorded both as a vocal and instrumental by numerous artists. The playing time is approximately 3:10.

All the Things You Are, music by Jerome Kern and lyrics by Oscar Hammerstein arranged for String Quartet. This is an advanced intermediate arrangement of a very beautiful song originally written for the 1939 Broadway Musical Warm in May. It has since been recorded both as a vocal and instrumental by numerous artists. The playing time is approximately 3:10.

All the Things You Are, music by Jerome Kern and lyrics by Oscar Hammerstein arranged for Woodwind Quartet. This is an advanced intermediate arrangement of a very beautiful song originally written for the 1939 Broadway Musical Warm in May. It has since been recorded both as a vocal and instrumental by numerous artists. The playing time is approximately 3:10.

All the Things You Are, music by Jerome Kern and lyrics by Oscar Hammerstein arranged for Woodwind Quintet. This is an advanced intermediate arrangement of a very beautiful song originally written for the 1939 Broadway Musical Warm in May. It has since been recorded both as a vocal and instrumental by numerous artists. The playing time is approximately 3:10.

All the Things You Are, music by Jerome Kern and lyrics by Oscar Hammerstein arranged for Brass Quintet. This is an advanced intermediate arrangement of a very beautiful song originally written for the 1939 Broadway Musical Warm in May. It has since been recorded both as a vocal and instrumental by numerous artists. The playing time is approximately 3:10.

All the Things You Are, music by Jerome Kern and lyrics by Oscar Hammerstein arranged for Saxophone Quintet. This is an advanced intermediate arrangement of a very beautiful song originally written for the 1939 Broadway Musical Warm in May. It has since been recorded both as a vocal and instrumental by numerous artists. The playing time is approximately 3:10.

Dancing in the Moonlight, music and lyrics by Sherman Kelly arranged for Clarinet Quartet. This is an advanced intermediate arrangement of the Pop hit from 1972 by recorded by King Harvest. The playing time is approximately 3:00.

Dancing in the Moonlight, music and lyrics by Sherman Kelly arranged for Saxophone Quartet. This is an advanced intermediate arrangement of the Pop hit from 1972 by recorded by King Harvest. The playing time is approximately 3:00.

Dancing in the Moonlight, music and lyrics by Sherman Kelly arranged for String Quartet. This is an advanced intermediate arrangement of the Pop hit from 1972 by recorded by King Harvest. The playing time is approximately 3:00.

Dancing in the Moonlight, music and lyrics by Sherman Kelly arranged for Woodwind Quartet. This is an advanced intermediate arrangement of the Pop hit from 1972 by recorded by King Harvest. The playing time is approximately 3:00.

Dancing in the Moonlight, music and lyrics by Sherman Kelly arranged for Woodwind Quintet. This is an advanced intermediate arrangement of the Pop hit from 1972 by recorded by King Harvest. The playing time is approximately 3:00.

Dancing in the Moonlight, music and lyrics by Sherman Kelly arranged for Saxophone Quintet. This is an advanced intermediate arrangement of the Pop hit from 1972 by recorded by King Harvest. The playing time is approximately 3:00.

They Can’t take That Away from Me, music by George Gershwin and lyrics by Ira Gershwin arranged for Clarinet Quartet. This is an intermediate to advanced intermediate level arrangement of the Academy Award nominated song introduced by Fred Astaire in the 1937 film Shall We Dance. It has been featured in several other Broadway musicals, films and covered by numerous recording artists as well. The playing time is approximately 3:30.

They Can’t take That Away from Me, music by George Gershwin and lyrics by Ira Gershwin arranged for Saxophone Quartet. This is an intermediate to advanced intermediate level arrangement of the Academy Award nominated song introduced by Fred Astaire in the 1937 film Shall We Dance. It has been featured in several other Broadway musicals, films and covered by numerous recording artists as well. The playing time is approximately 3:30.

They Can’t take That Away from Me, music by George Gershwin and lyrics by Ira Gershwin arranged for String Quartet. This is an intermediate to advanced intermediate level arrangement of the Academy Award nominated song introduced by Fred Astaire in the 1937 film Shall We Dance. It has been featured in several other Broadway musicals, films and covered by numerous recording artists as well. The playing time is approximately 3:30.

They Can’t take That Away from Me, music by George Gershwin and lyrics by Ira Gershwin arranged for Woodwind Quartet. This is an intermediate to advanced intermediate level arrangement of the Academy Award nominated song introduced by Fred Astaire in the 1937 film Shall We Dance. It has been featured in several other Broadway musicals, films and covered by numerous recording artists as well. The playing time is approximately 3:30.

They Can’t take That Away from Me, music by George Gershwin and lyrics by Ira Gershwin arranged for Woodwind Quintet. This is an intermediate to advanced intermediate level arrangement of the Academy Award nominated song introduced by Fred Astaire in the 1937 film Shall We Dance. It has been featured in several other Broadway musicals, films and covered by numerous recording artists as well. The playing time is approximately 3:30.

They Can’t take That Away from Me, music by George Gershwin and lyrics by Ira Gershwin arranged for Brass Quintet. This is an intermediate to advanced intermediate level arrangement of the Academy Award nominated song introduced by Fred Astaire in the 1937 film Shall We Dance. It has been featured in several other Broadway musicals, films and covered by numerous recording artists as well. The playing time is approximately 3:30.