Lincoln Music Publications

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Clarinet Quartet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

Debussy's Quartet in G minor, movement 1 is beautifully written and would be an excellent addition to an experienced Clarinet Quartet library but it is a challenge from start to finish!

Claude Debussy’s Reverie transcribed here for Clarinet Quartet. This is an advanced intermediate transcription of a Debussy classic.

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Saxophone Quartet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

Debussy's Quartet in G minor, movement 1 is beautifully written and would be an excellent addition to an experienced Saxophone Quartet library but it is a challenge from start to finish!

Claude Debussy’s Reverie transcribed here for Saxophone Quartet. This is an advanced intermediate transcription of a Debussy classic.

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for String Quartet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

Claude Debussy’s Reverie transcribed here for String Quartet. This is an advanced intermediate transcription of a Debussy classic.

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Woodwind Quartet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

Claude Debussy’s Reverie transcribed here for Woodwind Quartet. This is an advanced intermediate transcription of a Debussy classic.

Claude Debussy’s Reverie transcribed here for Woodwind Quintet. This is an advanced intermediate transcription of a Debussy classic.

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Saxophone Quartet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Saxophone Quintet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Saxophone Quintet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Woodwind Quintet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Brass Quintet. This “Rag Time” style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50

This is Danza Espagñola - No.2 “Oriental” from 12 Danzas españolas by Enrique Granados transcribed here for Saxophone Quintet. This beautifully mournful piece is an advanced intermediate level transcription. Playing time: 4:20

This is Danza Espagñola - No.2 “Oriental” from 12 Danzas españolas by Enrique Granados transcribed here for Woodwind Quintet. This beautifully mournful piece is an advanced intermediate level transcription. Playing time: 4:20

Claude Debussy’s lovely La plus que lente for Clarinet Quartet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically.

Claude Debussy’s lovely La plus que lente for Saxophone Quartet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically.

Claude Debussy’s lovely La plus que lente for String Quartet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically.

Claude Debussy’s lovely La plus que lente for Woodwind Quartet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically.

Claude Debussy’s lovely La plus que lente for Woodwind Quintet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically.

Claude Debussy’s lovely La plus que lente for Saxophone Quintet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically.

Debussy's String Quartet in G minor, Movement No.1 transcribed for Clarinet Quartet. This is beautifully written piece and an excellent addition to any experienced quartet's repertoire. It is an advanced work and a challenge from start to finish!

Debussy's String Quartet in G minor, Movement No.1 transcribed for Saxophone Quartet. This is beautifully written piece and an excellent addition to any experienced quartet's repertoire. It is an advanced work and a challenge from start to finish!

The Girl with the Flaxen Hair or La fille aux cheveux de lin by Claude Debussy transcribed for Clarinet Quartet. This is number eight of twelve in Debussy’s first book of preludes and inspired by a poem by Leconte de Lisle of the same name. This is advanced intermediate arrangement and suitable for a variety of performance applications. The approximate playing time is 2:10.

The Girl with the Flaxen Hair or La fille aux cheveux de lin by Claude Debussy transcribed for Saxophone Quartet. This is number eight of twelve in Debussy’s first book of preludes and inspired by a poem by Leconte de Lisle of the same name. This is advanced intermediate arrangement and suitable for a variety of performance applications. The approximate playing time is 2:10.

The Girl with the Flaxen Hair or La fille aux cheveux de lin by Claude Debussy transcribed for String Quartet. This is number eight of twelve in Debussy’s first book of preludes and inspired by a poem by Leconte de Lisle of the same name. This is advanced intermediate arrangement and suitable for a variety of performance applications. The approximate playing time is 2:10.

The Girl with the Flaxen Hair or La fille aux cheveux de lin by Claude Debussy transcribed for Woodwind Quartet. This is number eight of twelve in Debussy’s first book of preludes and inspired by a poem by Leconte de Lisle of the same name. This is advanced intermediate arrangement and suitable for a variety of performance applications. The approximate playing time is 2:10.

The Girl with the Flaxen Hair or La fille aux cheveux de lin by Claude Debussy transcribed for Woodwind Quintet. This is number eight of twelve in Debussy’s first book of preludes and inspired by a poem by Leconte de Lisle of the same name. This is advanced intermediate arrangement and suitable for a variety of performance applications. The approximate playing time is 2:10.

The Girl with the Flaxen Hair or La fille aux cheveux de lin by Claude Debussy transcribed for Saxophone Quintet. This is number eight of twelve in Debussy’s first book of preludes and inspired by a poem by Leconte de Lisle of the same name. This is advanced intermediate arrangement and suitable for a variety of performance applications. The approximate playing time is 2:10.

Bergamasque Suite (L.75) 3. Clair de Lune by Claude Debussy transcribed for Clarinet Quartet by Kenneth Abeling. This is an easier advanced level transcription. While none of the individual parts are extremely difficult, the numerous instances of dove-tailing combined with rubato do make the piece challenging to perform. The playing time is approximately: 5:30

Bergamasque Suite (L.75) 3. Clair de Lune by Claude Debussy transcribed for Saxophone Quartet by Kenneth Abeling. This is an easier advanced level transcription. While none of the individual parts are extremely difficult, the numerous instances of dove-tailing combined with rubato do make the piece challenging to perform. The playing time is approximately: 5:30

Bergamasque Suite (L.75) 3. Clair de Lune by Claude Debussy transcribed for String Quartet by Kenneth Abeling. This is an easier advanced level transcription. While none of the individual parts are extremely difficult, the numerous instances of dove-tailing combined with rubato do make the piece challenging to perform. The playing time is approximately: 5:30

Bergamasque Suite (L.75) 3. Clair de Lune by Claude Debussy transcribed for Woodwind Quartet by Kenneth Abeling. This is an easier advanced level transcription. While none of the individual parts are extremely difficult, the numerous instances of dove-tailing combined with rubato do make the piece challenging to perform. The playing time is approximately: 5:30

Bergamasque Suite (L.75) 3. Clair de Lune by Claude Debussy transcribed for Woodwind Quintet by Kenneth Abeling. This is an easier advanced level transcription. While none of the individual parts are extremely difficult, the numerous instances of dove-tailing combined with rubato do make the piece challenging to perform. The playing time is approximately: 5:30

Bergamasque Suite (L.75) 3. Clair de Lune by Claude Debussy transcribed for Saxophone Quintet by Kenneth Abeling. This is an easier advanced level transcription. While none of the individual parts are extremely difficult, the numerous instances of dove-tailing combined with rubato do make the piece challenging to perform. The playing time is approximately: 5:30

Bergamasque Suite (L.75) 4. Passepied by Claude Debussy transcribed for Clarinet Quartet. This is an advanced ensemble level transcription. While the first two voices are not extremely difficult, the third and fourth voices are comparatively much more difficult. The playing time is approximately 4:15.

Bergamasque Suite (L.75) 4. Passepied by Claude Debussy transcribed for Saxophone Quartet. This is an advanced ensemble level transcription. While the first two voices are not extremely difficult, the third and fourth voices are comparatively much more difficult. The playing time is approximately 4:15.

Bergamasque Suite (L.75) 4. Passepied by Claude Debussy transcribed for String Quartet. This is an advanced ensemble level transcription. While the first two voices are not extremely difficult, the third and fourth voices are comparatively much more difficult. The playing time is approximately 4:15.

Bergamasque Suite (L.75) 4. Passepied by Claude Debussy transcribed for Woodwind Quartet. This is an advanced ensemble level transcription. While the first two voices are not extremely difficult, the third and fourth voices are comparatively much more difficult. The playing time is approximately 4:15.