Lincoln Music Publications

Aria "sulla quarta corda" or “Air on the G -string" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Clarinet Quartet. This intermediate level transcription is suitable for a variety of occasions! Playing Time: 4:20 or 2:10 if bypassing the repeated sections

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Clarinet Quartet. This intermediate level transcription is suitable for a variety of occasions!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Clarinet Quartet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services as well.

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Clarinet Quartet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Clarinet Quartet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings. Offered here for the Clarinet Quartet.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for Clarinet Quartet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications including Weddings.

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribed here for Clarinet Quartet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings. Playing time: 4:10

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Saxophone Quartet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings as well.

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Saxophone Quartet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Saxophone Quartet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

Jesu, Joy of Man’s Desiring, transcribed here for Saxophone Quartet. This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for Saxophone Quartet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications including Weddings.

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribed here for Saxophone Quartet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings.

Aria "sulla quarta corda" or “Air on the G -string" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for String Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections.

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for String Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for String Quartet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings!

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for String Quartet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for String Quartet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

Jesu, Joy of Man’s Desiring, transcribed here for String Quartet. This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings.

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribes here for String Quartet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings!

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Woodwind Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections.

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Woodwind Quartet. This easy to intermediate level transcription is suitable for a variety of occasions including Weddings!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Woodwind Quartet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings as well.

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Woodwind Quartet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Woodwind Quartet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

Jesu, Joy of Man’s Desiring, transcribed here for Woodwind Quartet. This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for Woodwind Quartet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications including Weddings!

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribed here for Woodwind Quartet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings!

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Woodwind Quintet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Woodwind Quintet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Woodwind Quintet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings as well.

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Woodwind Quintet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Woodwind Quintet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribed here for Woodwind Quintet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings. It is appropriate for advanced intermediate ensembles and beyond.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for String Quartet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications.

Jesu, Joy of Man’s Desiring, transcribed here for Woodwind Quintet. This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings.

35 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Brass Quintet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications.

This is the complete Brandenburg Concerto No. 3 Johann Sebastian Bach transcribed for Saxophone Quartet by Kenneth Abeling. It has an optional organ part if so desired, but will work perfectly well without. Originally written for three violins three violas, three celli, double bass and continuo, this transcription despite its difficulty may actually be accessible to more advanced non-professional quartets. It for the most part lays well on all of the instrument and once continuous lines have been dispersed to allow for some breaks. A lead part solo has been created over the second movement Phrygian cadence that would have been originally improvised by the harpsichordist. Either the organist or another Instrument could improvise their own solo here if desired. Playing Time 13:00.

Jesu, Joy of Man’s Desiring, transcribed here for Saxophone Quintet. This is one of Bach's most recognizable compositions appropriate for weddings, Christmas and other religious and secular settings.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for Woodwind Quintet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications including Weddings. It is appropriate for intermediate to advanced intermediate ensembles and beyond.

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quintet. This intermediate level transcription is suitable for a variety of occasions including Weddings! Playing Time: 4:20 or 2:10 if bypassing the repeated sections

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quintet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

36 of Johann Sebastian Bach’s beloved Four-Part Chorales transcribed for Saxophone Quintet. These Chorales are suitable for the beginner to the professional musician and make excellent warm-up and tuning exercises. They are also appropriate for a variety of religious applications. Playing time: 35-37 minutes (depending on desired tempos) without repeats.

Johann Sebastian Bach’s Bist du bei mir, geh ich mit Freuden' from - Anna Magdalena Notebook transcribed for Saxophone Quintet. This is a charming little piece and is a great introduction to works of J.S. Bach. It is fitting for younger ensembles and useful for religious services and Weddings as well.

Fugue in G minor or “The Little Organ Fugue is one of Johann Sebastian Bach’s most popular fugues, transcribed here for Saxophone Quintet. This transcription is both fun to play and challenging, is best suited for an advanced ensemble, and is appropriate for both secular and religious settings.

Aria: "Schafe können sicher weiden" – “Sheep May Safely Graze” (from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribed here for Saxophone Quintet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions including Weddings. It is appropriate for advanced intermediate ensembles and beyond.

This is Johann Sebastian Bach’s very popular Wachet Auf or "Sleepers Wake" for Saxophone Quintet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications including Weddings.

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quintet. This early intermediate level AATTB transcription (a SATTB version is available as well) is suitable for a variety of occasions including Weddings!

Arioso - (from Cantata No. 156) is another one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quartet. This early intermediate level AATB transcription (a SATB version is available as well) is suitable for a variety of occasions including Weddings!

One the most recognizable Classical pieces ever written, Canon in D Major by Johann Pachelbel is transcribed here for Saxophone Quartet. This selection is the AATB version (a SATB version is available as well) suitable for a wide variety of performance occasions.

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quartet. This intermediate level transcription is suitable for a variety of occasions including Weddings!

Aria "sulla quarta corda" or “Air on the G-String" as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quintet (AATTB). This intermediate level transcription is suitable for a variety of occasions including Weddings!

“In Heaven There is No Beer”, Music by Ralph Maria Siegel & Lyrics by Ernst Neubach for Clarinet Quartet, arr. Ken Abeling.  This is an easier advanced arrangement of a Polka Classic. You cannot play an Oktoberfest gig without this chart!

“In Heaven There is No Beer”, Music by Ralph Maria Siegel & Lyrics by Ernst Neubach for Saxophone Quartet, arr. Ken Abeling.  This is an easier advanced arrangement of a Polka Classic. You cannot play an Oktoberfest gig without this chart!

“In Heaven There is No Beer”, Music by Ralph Maria Siegel & Lyrics by Ernst Neubach for String Quartet, arr. Ken Abeling.  This is an easier advanced arrangement of a Polka Classic. You cannot play an Oktoberfest gig without this chart!

“In Heaven There is No Beer”, Music by Ralph Maria Siegel & Lyrics by Ernst Neubach for Woodwind Quartet, arr. Ken Abeling.  This is an easier advanced arrangement of a Polka Classic. You cannot play an Oktoberfest gig without this chart!

“In Heaven There is No Beer”, Music by Ralph Maria Siegel & Lyrics by Ernst Neubach for Woodwind Quintet, arr. Ken Abeling.  This is an easier advanced arrangement of a Polka Classic. You cannot play an Oktoberfest gig without this chart!

“In Heaven There is No Beer”, Music by Ralph Maria Siegel & Lyrics by Ernst Neubach for Brass Quintet, arr. Ken Abeling.  This is an easier advanced arrangement of a Polka Classic. You cannot play an Oktoberfest gig without this chart!

“In Heaven There is No Beer”, Music by Ralph Maria Siegel & Lyrics by Ernst Neubach for Saxophone Quintet, arr. Ken Abeling.  This is an easier advanced arrangement of a Polka Classic. You cannot play an Oktoberfest gig without this chart!

This is the complete Brandenburg Concerto No. 3 Johann Sebastian Bach transcribed for Clarinet Quartet by Kenneth Abeling. It has an optional organ part if so desired, but will work perfectly well without. Originally written for three violins three violas, three celli, double bass and continuo, this transcription despite its difficulty may actually be accessible to more advanced non-professional quartets. It for the most part lays well on all of the instrument and once continuous lines have been dispersed to allow for some breaks. A lead part solo has been created over the second movement Phrygian cadence that would have been originally improvised by the harpsichordist. Either the organist or another Instrument could improvise their own solo here if desired. Playing Time 13:00.

This is the complete Brandenburg Concerto No. 6 Johann Sebastian Bach transcribed for Saxophone Quartet by Kenneth Abeling. It has an optional organ part if so desired, but will work perfectly well without. Originally written for two viola da braccio, two viola da gamba, cello, bass violin and continuo, this transcription despite its difficulty may actually be accessible to more advanced non-professional quartets. It for the most part lays well on all of the instrument and once continuous lines have been dispersed to allow for some breaks. Playing Time 16:00.

This is the complete Brandenburg Concerto No. 6 Johann Sebastian Bach transcribed for Clarinet Quartet by Kenneth Abeling. It has an optional organ part if so desired, but will work perfectly well without. Originally written for two viola da braccio, two viola da gamba, cello, bass violin and continuo, this transcription despite its difficulty may actually be accessible to more advanced non-professional quartets. It for the most part lays well on all of the instrument and once continuous lines have been dispersed to allow for some breaks. Playing Time 16:00.

Ave Maria – Charles Gounod’s beautiful melody written atop Johann Sebastian Bach’s Prelude in C major from his Well-Tempered Clavier BWV 846 for Clarinet Quartet. This version along with Franz Schubert’s work of the same title are arguably the most popular. This piece is suitable for a variety of religious settings along with Weddings and Funerals. Playing Time 2:50.

Ave Maria – Charles Gounod’s beautiful melody written atop Johann Sebastian Bach’s Prelude in C major from his Well-Tempered Clavier BWV 846 for Saxophone Quartet. This version along with Franz Schubert’s work of the same title are arguably the most popular. This piece is suitable for a variety of religious settings along with Weddings and Funerals. Playing Time 2:50.

Ave Maria – Charles Gounod’s beautiful melody written atop Johann Sebastian Bach’s Prelude in C major from his Well-Tempered Clavier BWV 846 for String Quartet. This version along with Franz Schubert’s work of the same title are arguably the most popular. This piece is suitable for a variety of religious settings along with Weddings and Funerals. Playing Time 2:50.

Ave Maria – Charles Gounod’s beautiful melody written atop Johann Sebastian Bach’s Prelude in C major from his Well-Tempered Clavier BWV 846 for Woodwind Quartet. This version along with Franz Schubert’s work of the same title are arguably the most popular. This piece is suitable for a variety of religious settings along with Weddings and Funerals. Playing Time 2:50.

Ave Maria – Charles Gounod’s beautiful melody written atop Johann Sebastian Bach’s Prelude in C major from his Well-Tempered Clavier BWV 846 for Woodwind Quintet. This version along with Franz Schubert’s work of the same title are arguably the most popular. This piece is suitable for a variety of religious settings along with Weddings and Funerals. Playing Time 2:50.

Ave Maria – Charles Gounod’s beautiful melody written atop Johann Sebastian Bach’s Prelude in C major from his Well-Tempered Clavier BWV 846 for Brass Quintet. This version along with Franz Schubert’s work of the same title are arguably the most popular. This piece is suitable for a variety of religious settings along with Weddings and Funerals. Playing Time 2:50.

Ave Maria – Charles Gounod’s beautiful melody written atop Johann Sebastian Bach’s Prelude in C major from his Well-Tempered Clavier BWV 846 for Saxophone Quintet. This version along with Franz Schubert’s work of the same title are arguably the most popular. This piece is suitable for a variety of religious settings along with Weddings and Funerals. Playing Time 2:50.

Raindrops Keep Fallin’ On My Head, Lyrics by Hal David and music by Burt Bacharach arranged for Clarinet Quartet. This is an intermediate level arrangement of this soft-rock chart topping and Oscar Winning song originally recorded by B.J. Thomas. The playing time is approximately 2:45.

Raindrops Keep Fallin’ On My Head, Lyrics by Hal David and music by Burt Bacharach arranged for Saxophone Quartet. This is an intermediate level arrangement of this soft-rock chart topping and Oscar Winning song originally recorded by B.J. Thomas. The playing time is approximately 2:45.

Raindrops Keep Fallin’ On My Head, Lyrics by Hal David and music by Burt Bacharach arranged for String Quartet. This is an intermediate level arrangement of this soft-rock chart topping and Oscar Winning song originally recorded by B.J. Thomas. The playing time is approximately 2:45.

Raindrops Keep Fallin’ On My Head, Lyrics by Hal David and music by Burt Bacharach arranged for Woodwind Quartet. This is an intermediate level arrangement of this soft-rock chart topping and Oscar Winning song originally recorded by B.J. Thomas. The playing time is approximately 2:45.

Raindrops Keep Fallin’ On My Head, Lyrics by Hal David and music by Burt Bacharach arranged for Woodwind Quintet. This is an intermediate level arrangement of this soft-rock chart topping and Oscar Winning song originally recorded by B.J. Thomas. The playing time is approximately 2:45.

Raindrops Keep Fallin’ On My Head, Lyrics by Hal David and music by Burt Bacharach arranged for Brass Quintet. This is an intermediate level arrangement of this soft-rock chart topping and Oscar Winning song originally recorded by B.J. Thomas. The playing time is approximately 2:45.

Raindrops Keep Fallin’ On My Head, Lyrics by Hal David and music by Burt Bacharach arranged for Saxophone Quintet. This is an intermediate level arrangement of this soft-rock chart topping and Oscar Winning song originally recorded by B.J. Thomas. The playing time is approximately 2:45.

In dulci jubilo BWV 368 and 608 by Johann Sebastian Bach arranged for Clarinet Quartet. These are two of Bach’s more famous chorales based on the same hymn tune. BWV 368 repeats spreading the melody to all instruments and BWV 608 is a canonical version. Both are suitable for religious services, Christmas and general performance. The playing time is approximately 3:00 for BWV 368 and 2:00 for BWV 608.

In dulci jubilo BWV 368 and 608 by Johann Sebastian Bach arranged for Saxophone Quartet. These are two of Bach’s more famous chorales based on the same hymn tune. BWV 368 repeats spreading the melody to all instruments and BWV 608 is a canonical version. Both are suitable for religious services, Christmas and general performance. The playing time is approximately 3:00 for BWV 368 and 2:00 for BWV 608.

In dulci jubilo BWV 368 and 608 by Johann Sebastian Bach arranged for String Quartet. These are two of Bach’s more famous chorales based on the same hymn tune. BWV 368 repeats spreading the melody to all instruments and BWV 608 is a canonical version. Both are suitable for religious services, Christmas and general performance. The playing time is approximately 3:00 for BWV 368 and 2:00 for BWV 608.

In dulci jubilo BWV 368 and 608 by Johann Sebastian Bach arranged for Woodwind Quartet. These are two of Bach’s more famous chorales based on the same hymn tune. BWV 368 repeats spreading the melody to all instruments and BWV 608 is a canonical version. Both are suitable for religious services, Christmas and general performance. The playing time is approximately 3:00 for BWV 368 and 2:00 for BWV 608.

In dulci jubilo BWV 368 and 608 by Johann Sebastian Bach arranged for Woodwind Quintet. These are two of Bach’s more famous chorales based on the same hymn tune. BWV 368 repeats spreading the melody to all instruments and BWV 608 is a canonical version. Both are suitable for religious services, Christmas and general performance. The playing time is approximately 3:00 for BWV 368 and 2:00 for BWV 608.

In dulci jubilo BWV 368 and 608 by Johann Sebastian Bach arranged for Brass Quintet. These are two of Bach’s more famous chorales based on the same hymn tune. BWV 368 repeats spreading the melody to all instruments and BWV 608 is a canonical version. Both are suitable for religious services, Christmas and general performance. The playing time is approximately 3:00 for BWV 368 and 2:00 for BWV 608.

In dulci jubilo BWV 368 and 608 by Johann Sebastian Bach arranged for Saxophone Quintet. These are two of Bach’s more famous chorales based on the same hymn tune. BWV 368 repeats spreading the melody to all instruments and BWV 608 is a canonical version. Both are suitable for religious services, Christmas and general performance. The playing time is approximately 3:00 for BWV 368 and 2:00 for BWV 608.

What the World Needs Now is Love, by Hal David & Burt Bacharach arranged for Clarinet Quartet. This is an intermediate level arrangement of this1965 Pop Hit most notably recorded by Jackie DeShannon and Dionne Warwick. The playing time is approximately 2:45

What the World Needs Now is Love, by Hal David & Burt Bacharach arranged for Saxophone Quartet. This is an intermediate level arrangement of this1965 Pop Hit most notably recorded by Jackie DeShannon and Dionne Warwick. The playing time is approximately 2:45

What the World Needs Now is Love, by Hal David & Burt Bacharach arranged for String Quartet. This is an intermediate level arrangement of this1965 Pop Hit most notably recorded by Jackie DeShannon and Dionne Warwick. The playing time is approximately 2:45

What the World Needs Now is Love, by Hal David & Burt Bacharach arranged for Woodwind Quartet. This is an intermediate level arrangement of this1965 Pop Hit most notably recorded by Jackie DeShannon and Dionne Warwick. The playing time is approximately 2:45

What the World Needs Now is Love, by Hal David & Burt Bacharach arranged for Woodwind Quintet. This is an intermediate level arrangement of this1965 Pop Hit most notably recorded by Jackie DeShannon and Dionne Warwick. The playing time is approximately 2:45

What the World Needs Now is Love, by Hal David & Burt Bacharach arranged for Brass Quintet. This is an intermediate level arrangement of this1965 Pop Hit most notably recorded by Jackie DeShannon and Dionne Warwick. The playing time is approximately 2:45

What the World Needs Now is Love, by Hal David & Burt Bacharach arranged for Saxophone Quintet. This is an intermediate level arrangement of this1965 Pop Hit most notably recorded by Jackie DeShannon and Dionne Warwick. The playing time is approximately 2:45