Lincoln Music Publications

This is Pifa or Pastoral Symphony from G. F. Handel’s Messiah transcribed here for Brass Quintet.

Fugue #1 in G minor 1 of 6 Fugues by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #2 in G Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #3 in Bb Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #4 in A minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #5 in B minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

Fugue #6 in C minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Clarinet Quartet.

This song, whose title translates as "In the Pleasant Grove, " is cast in an a minor-mode setting in a duple meter. The obbligato instrument contrasts with the voice throughout. This transcription is for Clarinet Quartet.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Clarinet Quartet. This is an advanced piece and a great deal of fun to play…

“And the Glory of the Lord Shall be Revealed” from George Fredrick Handel’s Messiah, transcribed here for Clarinet Quartet. This is an intermediate to advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

And With His Stripes We Are Healed from George Fredrick Handel’s Messiah, transcribed for Clarinet Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

Behold the Lamb of God from George Fredrick Handel’s Messiah, transcribed for Clarinet Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

The famous Hallelujah Chorus from G. F. Handel’s Messiah in a user friendly key with equal emphasis on the orchestral parts for Clarinet Quartet.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Clarinet Quartet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“Sinfonia” or “Sinfony” from George Fredrick Handel’s Messiah, transcribed here for Clarinet Quartet. This is an advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events

This is Pifa or Pastoral Symphony from G. F. Handel’s Messiah transcribed here for Clarinet Quartet.

This is “For Unto Us a Child is Born” from G. F. Handel’s Messiah transcribed here for Clarinet Quartet.

Fugue #1 in G minor 1 of 6 Fugues by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #2 in G Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #3 in Bb Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #4 in A minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #5 in B minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

Fugue #6 in C minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Saxophone Quartet.

This song, whose title translates as "In the Pleasant Grove, " is cast in an a minor-mode setting in a duple meter. The obbligato instrument contrasts with the voice throughout. This transcription is for Saxophone Quartet.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Saxophone Quartet (SATB). This is an advanced piece and a great deal of fun to play…

“And the Glory of the Lord Shall be Revealed” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quartet. This is an intermediate to advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

And With His Stripes We Are Healed from George Fredrick Handel’s Messiah, transcribed for Saxophone Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

Behold the Lamb of God from George Fredrick Handel’s Messiah, transcribed for Saxophone Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

The famous Hallelujah Chorus from G. F. Handel’s Messiah in a user friendly key with equal emphasis on the orchestral parts for Saxophone Quartet.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quartet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“Sinfonia” or “Sinfony” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quartet. This is an advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events

Pastoral Symphony from G. F. Handel’s Messiah for Saxophone Quartet.

This is “For Unto Us a Child is Born” from G. F. Handel’s Messiah transcribed here for Saxophone Quartet.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for String Quartet. This is an advanced piece and a great deal of fun to play…

“And the Glory of the Lord Shall be Revealed” from George Fredrick Handel’s Messiah, transcribed here for String Quartet. This is an intermediate to advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

And With His Stripes We Are Healed from George Fredrick Handel’s Messiah, transcribed for String Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

Behold the Lamb of God from George Fredrick Handel’s Messiah, transcribed for String Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

This is the “Hallelujah Chorus” from G. F. Handel’s Messiah transcribed here for String Quartet.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for String Quartet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“Sinfonia” or “Sinfony” from George Fredrick Handel’s Messiah, transcribed here for Clarinet Quartet. This is an advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is Pifa or Pastoral Symphony from G. F. Handel’s Messiah transcribed here for String Quartet.

This is “For Unto Us a Child is Born” from G. F. Handel’s Messiah transcribed here for String Quartet.

Fugue #1 in G minor 1 of 6 Fugues by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #2 in G Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #3 in Bb Major 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #4 in A minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #5 in B minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

Fugue #6 in C minor 1 of 6 Fugues available by G. F. Handel. This transcription is for Woodwind Quartet.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Woodwind Quartet. This is an advanced piece and a great deal of fun to play…

“And the Glory of the Lord Shall be Revealed” from George Fredrick Handel’s Messiah, transcribed here for Woodwind Quartet. This is an intermediate to advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

And With His Stripes We Are Healed from George Fredrick Handel’s Messiah, transcribed for Woodwind Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

Behold the Lamb of God from George Fredrick Handel’s Messiah, transcribed for Woodwind Quartet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

The famous Hallelujah Chorus from G. F. Handel’s Messiah in a user friendly key with equal emphasis on the orchestral parts for Woodwind Quartet.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Woodwind Quartet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“Sinfonia” or “Sinfony” from George Fredrick Handel’s Messiah, transcribed here for Woodwind Quartet. This is an advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is Pifa or Pastoral Symphony from G. F. Handel’s Messiah transcribed here for Woodwind Quartet.

This is “For Unto Us a Child is Born” from G. F. Handel’s Messiah transcribed here for Woodwind Quartet.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Woodwind Quintet. This is an advanced piece and a great deal of fun to play…

This is Pifa or Pastoral Symphony from G. F. Handel’s Messiah transcribed here for Saxophone Quintet.

This is Pifa or Pastoral Symphony from G. F. Handel’s Messiah transcribed here for Woodwind Quintet.

This is the “Hallelujah Chorus” from G. F. Handel’s Messiah transcribed here for Woodwind Quintet.

This is “For Unto Us a Child is Born” from G. F. Handel’s Messiah transcribed here for Woodwind Quintet.

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Saxophone Quartet (AATB). This is an advanced piece and a great deal of fun to play…

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Saxophone Quintet (SATTB). This is an advanced piece and a great deal of fun to play…

“Arrival / Entrance of the Queen of Sheba” from George Frederick Handel’s Solomon for Saxophone Quintet (AATTB). This is an advanced piece and a great deal of fun to play…

“Sinfonia” or “Sinfony” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quartet. This is an advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“Sinfonia” or “Sinfony” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quintet. This is an advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“Sinfonia” or “Sinfony” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quintet. This is an advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“Sinfonia” or “Sinfony” from George Fredrick Handel’s Messiah, transcribed here for Woodwind Quintet. This is an advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“And the Glory of the Lord Shall be Revealed” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quintet. This is an intermediate to advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“And the Glory of the Lord Shall be Revealed” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quintet. This is an intermediate to advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“And the Glory of the Lord Shall be Revealed” from George Fredrick Handel’s Messiah, transcribed here for Woodwind Quintet. This is an intermediate to advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

“And the Glory of the Lord Shall be Revealed” from George Fredrick Handel’s Messiah, transcribed here for Brass Quintet. This is an intermediate to advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is the “Hallelujah Chorus” from G. F. Handel’s Messiah transcribed here for Brass Quintet.

This is the “Hallelujah Chorus” from G. F. Handel’s Messiah transcribed here for Saxophone Quintet.

This is “For Unto Us a Child is Born” from G. F. Handel’s Messiah transcribed here for Brass Quintet.

This is “For Unto Us a Child is Born” from G. F. Handel’s Messiah transcribed here for SaxophoneQuintet.

This is “Glory to God in the Highest” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quartet. This is an advanced intermediate to easy advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “Glory to God in the Highest” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quartet. This is an advanced intermediate to easy advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “Glory to God in the Highest” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quintet. This is an advanced intermediate to easy advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “Glory to God in the Highest” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quintet. This is an advanced intermediate to easy advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “Glory to God in the Highest” from George Fredrick Handel’s Messiah, transcribed here for Brass Quintet. This is an advanced intermediate to easy advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “Glory to God in the Highest” from George Fredrick Handel’s Messiah, transcribed here for Woodwind Quintet. This is an advanced intermediate to easy advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “Glory to God in the Highest” from George Fredrick Handel’s Messiah, transcribed here for Woodwind Quartet. This is an advanced intermediate to easy advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “Glory to God in the Highest” from George Fredrick Handel’s Messiah, transcribed here for String Quartet. This is an advanced intermediate to easy advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “Glory to God in the Highest” from George Fredrick Handel’s Messiah, transcribed here for Clarinet Quartet. This is an advanced intermediate to easy advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quartet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quintet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quintet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Brass Quintet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

This is “His Yoke is Easy” from George Fredrick Handel’s Messiah, transcribed here for Woodwind Quintet. This is an advanced intermediate transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events.

And With His Stripes We Are Healed from George Fredrick Handel’s Messiah, transcribed for Brass Quintet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

And With His Stripes We Are Healed from George Fredrick Handel’s Messiah, transcribed for Woodwind Quintet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

And With His Stripes We Are Healed from George Fredrick Handel’s Messiah, transcribed for Saxophone Quintet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

Behold the Lamb of God from George Fredrick Handel’s Messiah, transcribed for Woodwind Quintet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

Behold the Lamb of God from George Fredrick Handel’s Messiah, transcribed for Saxophone Quintet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

Behold the Lamb of God from George Fredrick Handel’s Messiah, transcribed for Brass Quintet. This is an advanced intermediate transcription from Part II of Handel’s Messiah and appropriate for sacred Easter events. The organ part is completely optional but will enhance the transcription if available in a church setting and employ an organist!

This is “Music for the Royal Fireworks” or Royal Fireworks Music by George Frideric Handel transcribed here for Woodwind Quintet. This is an easier advanced transcription of one Handel’s most popular works and may be performed in its entirety or as separate movements. It is quite appropriate for use during segments of religious services. The five movements are: I. Ouverture: Adagio, Allegro, Lentement, Allegro - II. Bourrée – III. La Paix: Largo alla siciliana – IV. La Réjouissance: Allegro – V. Menuets I and II.

This is “Music for the Royal Fireworks” or Royal Fireworks Music by George Frideric Handel transcribed here for Saxophone Quintet. This is an easier advanced transcription of one Handel’s most popular works and may be performed in its entirety or as separate movements. It is quite appropriate for use during segments of religious services. The five movements are: I. Ouverture: Adagio, Allegro, Lentement, Allegro - II. Bourrée – III. La Paix: Largo alla siciliana – IV. La Réjouissance: Allegro – V. Menuets I and II.

This is “Music for the Royal Fireworks” or Royal Fireworks Music by George Frideric Handel transcribed here for Saxophone Quartet. This is an easier advanced transcription of one Handel’s most popular works and may be performed in its entirety or as separate movements. It is quite appropriate for use during segments of religious services. The five movements are: I. Ouverture: Adagio, Allegro, Lentement, Allegro - II. Bourrée – III. La Paix: Largo alla siciliana – IV. La Réjouissance: Allegro – V. Menuets I and II.

This is “Music for the Royal Fireworks” or Royal Fireworks Music by George Frideric Handel transcribed here for Woodwind Quartet. This is an easier advanced transcription of one Handel’s most popular works and may be performed in its entirety or as separate movements. It is quite appropriate for use during segments of religious services. The five movements are: I. Ouverture: Adagio, Allegro, Lentement, Allegro - II. Bourrée – III. La Paix: Largo alla siciliana – IV. La Réjouissance: Allegro – V. Menuets I and II.

This is “Music for the Royal Fireworks” or Royal Fireworks Music by George Frideric Handel transcribed here for String Quartet. This is an easier advanced transcription of one Handel’s most popular works and may be performed in its entirety or as separate movements. It is quite appropriate for use during segments of religious services. The five movements are: I. Ouverture: Adagio, Allegro, Lentement, Allegro - II. Bourrée – III. La Paix: Largo alla siciliana – IV. La Réjouissance: Allegro – V. Menuets I and II.

This is “Music for the Royal Fireworks” or Royal Fireworks Music by George Frideric Handel transcribed here for Clarinet Quartet. This is an easier advanced transcription of one Handel’s most popular works and may be performed in its entirety or as separate movements. It is quite appropriate for use during segments of religious services. The five movements are: I. Ouverture: Adagio, Allegro, Lentement, Allegro - II. Bourrée – III. La Paix: Largo alla siciliana – IV. La Réjouissance: Allegro – V. Menuets I and II.

Water Music Suite No. I in F Major (HWV 348) by George Friderick Handel transcribed for Clarinet Quartet by Kenneth Abeling. The Movements include: 1. Overture (Largo – Allegro), 2. Adagio e staccato, 3. Allegro – Andante – Allegro da capo Aria, 4. Minuet I, 5. Air, 6. Minuet II, 7. Bourrée, 8. Hornpipe, 9. Andante. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies.

Water Music Suite No. I in F Major (HWV 348) by George Friderick Handel transcribed for Saxophone Quartet by Kenneth Abeling. The Movements include: 1. Overture (Largo – Allegro), 2. Adagio e staccato, 3. Allegro – Andante – Allegro da capo Aria, 4. Minuet I, 5. Air, 6. Minuet II, 7. Bourrée, 8. Hornpipe, 9. Andante. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies.

Water Music Suite No. I in F Major (HWV 348) by George Friderick Handel transcribed for String Quartet by Kenneth Abeling. The Movements include: 1. Overture (Largo – Allegro), 2. Adagio e staccato, 3. Allegro – Andante – Allegro da capo Aria, 4. Minuet I, 5. Air, 6. Minuet II, 7. Bourrée, 8. Hornpipe, 9. Andante. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies.

Water Music Suite No. I in F Major (HWV 348) by George Friderick Handel transcribed for Woodwind Quartet by Kenneth Abeling. The Movements include: 1. Overture (Largo – Allegro), 2. Adagio e staccato, 3. Allegro – Andante – Allegro da capo Aria, 4. Minuet I, 5. Air, 6. Minuet II, 7. Bourrée, 8. Hornpipe, 9. Andante. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies.

Water Music Suite No. I in F Major (HWV 348) by George Friderick Handel transcribed for Woodwind Quintet by Kenneth Abeling. The Movements include: 1. Overture (Largo – Allegro), 2. Adagio e staccato, 3. Allegro – Andante – Allegro da capo Aria, 4. Minuet I, 5. Air, 6. Minuet II, 7. Bourrée, 8. Hornpipe, 9. Andante. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies.

Water Music Suite No. II in D Major (HWV 349) by George Friderick Handel transcribed for Clarinet Quartet by Kenneth Abeling. The Movements include: I. Overture (Allegro), II. Hornpipe, III. Minuet, IV. Lentement, V. Bourrée. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. The total playing time: 10:50.

Water Music Suite No. II in D Major (HWV 349) by George Friderick Handel transcribed for Saxophone Quartet by Kenneth Abeling. The Movements include: I. Overture (Allegro), II. Hornpipe, III. Minuet, IV. Lentement, V. Bourrée. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. The total playing time: 10:50.

Water Music Suite No. II in D Major (HWV 349) by George Friderick Handel transcribed for String Quartet by Kenneth Abeling. The Movements include: I. Overture (Allegro), II. Hornpipe, III. Minuet, IV. Lentement, V. Bourrée. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. The total playing time: 10:50.

Water Music Suite No. II in D Major (HWV 349) by George Friderick Handel transcribed for Woodwind Quartet by Kenneth Abeling. The Movements include: I. Overture (Allegro), II. Hornpipe, III. Minuet, IV. Lentement, V. Bourrée. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. The total playing time: 10:50.

Water Music Suite No. II in D Major (HWV 349) by George Friderick Handel transcribed for Woodwind Quintet by Kenneth Abeling. The Movements include: I. Overture (Allegro), II. Hornpipe, III. Minuet, IV. Lentement, V. Bourrée. Along with performance as a complete suite it is perfectly suited for use as individual movements, particularly for segments of Religious services or Wedding Ceremonies. The total playing time: 10:50.

Six Fugues by George Frideric Handel transcribed for Clarinet Quartet by Kenneth Abeling. These fugues are intermediate to advanced intermediate level in difficulty and are suitable for general performance as well as religious services. The total playing time for all six fugues is 20:30.

Six Fugues by George Frideric Handel transcribed for Saxophone Quartet by Kenneth Abeling. These fugues are intermediate to advanced intermediate level in difficulty and are suitable for general performance as well as religious services. The total playing time for all six fugues is 20:30.

Six Fugues by George Frideric Handel transcribed for String Quartet by Kenneth Abeling. These fugues are intermediate to advanced intermediate level in difficulty and are suitable for general performance as well as religious services. The total playing time for all six fugues is 20:30.

Six Fugues by George Frideric Handel transcribed for Woodwind Quartet by Kenneth Abeling. These fugues are intermediate to advanced intermediate level in difficulty and are suitable for general performance as well as religious services. The total playing time for all six fugues is 20:30.

Water Music Suite No. I in F Major - 5. Air (HWV 348) by George Friderick Handel transcribed for Clarinet Quartet. This is Movement 5. Air and is perfectly suited for general performance Religious services or Wedding Ceremonies. Playing time: 2:35.

Water Music Suite No. I in F Major - 5. Air (HWV 348) by George Friderick Handel transcribed for Saxophone Quartet. This is Movement 5. Air and is perfectly suited for general performance Religious services or Wedding Ceremonies. Playing time: 2:35.

Water Music Suite No. I in F Major - 5. Air (HWV 348) by George Friderick Handel transcribed for String Quartet. This is Movement 5. Air and is perfectly suited for general performance Religious services or Wedding Ceremonies. Playing time: 2:35.

Water Music Suite No. I in F Major - 5. Air (HWV 348) by George Friderick Handel transcribed for Woodwind Quartet. This is Movement 5. Air and is perfectly suited for general performance Religious services or Wedding Ceremonies. Playing time: 2:35.

Water Music Suite No. I in F Major - 5. Air (HWV 348) by George Friderick Handel transcribed for Woodwind Quintet. This is Movement 5. Air and is perfectly suited for general performance Religious services or Wedding Ceremonies. Playing time: 2:35.

Water Music Suite No. 2 in D Major – 2. Alla Hornpipe (HWV 349) by George Frideric Handel transcribed for Clarinet Quartet. This is Movement is perfectly suited for general performance religious services or Wedding Ceremonies. Playing time: 3:20.

Water Music Suite No. 2 in D Major – 2. Alla Hornpipe (HWV 349) by George Frideric Handel transcribed for Saxophone Quartet. This is Movement is perfectly suited for general performance religious services or Wedding Ceremonies. Playing time: 3:20.

Water Music Suite No. 2 in D Major – 2. Alla Hornpipe (HWV 349) by George Frideric Handel transcribed for String Quartet. This is Movement is perfectly suited for general performance religious services or Wedding Ceremonies. Playing time: 3:20.

Water Music Suite No. 2 in D Major – 2. Alla Hornpipe (HWV 349) by George Frideric Handel transcribed for Woodwind Quartet. This is Movement is perfectly suited for general performance religious services or Wedding Ceremonies. Playing time: 3:20.

Water Music Suite No. 2 in D Major – 2. Alla Hornpipe (HWV 349) by George Frideric Handel transcribed for Woodwind Quintet. This is Movement is perfectly suited for general performance religious services or Wedding Ceremonies. Playing time: 3:20.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Clarinet Quartet. It is perhaps the most performed movement of this suite, is of intermediate to early advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Saxophone Quartet. It is perhaps the most performed movement of this suite, is of intermediate to early advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Saxophone Quartet. It is perhaps the most performed movement of this suite, is of intermediate to early advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for String Quartet. It is perhaps the most performed movement of this suite, is of intermediate to early advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Woodwind Quartet. It is perhaps the most performed movement of this suite, is of intermediate to early advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Woodwind Quintet. It is perhaps the most performed movement of this suite, is of intermediate to early advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Brass Quintet. It is perhaps the most performed movement of this suite, is early to mid-advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Saxophone Quintet. It is perhaps the most performed movement of this suite, is early to mid-advanced difficulty and suitable for a variety of performance applications.

Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Saxophone Quintet. It is perhaps the most performed movement of this suite, is early to mid-advanced difficulty and suitable for a variety of performance applications.

Hallelujah Chorus from Messiah (for SATB Choir & Orchestra) by George Frideric Handel arranged by Kenneth Abeling. This arrangement includes a full brass section and Flute, Oboe Clarinet, Bassoon and four percussion parts but is faithful to the composer’s original work. The download consists of both tabloid and letter size scores both with covers, all instrumental parts and the choir book with individual SATB lines with cover. Unlimited prints of the choir book are authorized. Unfortunately, the audio reference, for the time being, is without actual voices but with synthesized voices. Current concerns over the COVID-19 virus made getting a vocal ensemble together to record too difficult and dangerous. I hope to replace the audio in the near future. Playing time 3:50.

All We Like Sheep Have Gone Astray - from Messiah by George Frideric Handel transcribed for Clarinet Quartet. This is an advanced Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 4:30

All We Like Sheep Have Gone Astray - from Messiah by George Frideric Handel transcribed for Saxophone Quartet SATB or AATB. This is an advanced Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 4:30

All We Like Sheep Have Gone Astray - from Messiah by George Frideric Handel transcribed for String Quartet. This is an advanced Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 4:30

All We Like Sheep Have Gone Astray - from Messiah by George Frideric Handel transcribed for Woodwind Quartet. This is an advanced Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 4:30

All We Like Sheep Have Gone Astray - from Messiah by George Frideric Handel transcribed for Woodwind Quintet. This is an advanced Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 4:30

All We Like Sheep Have Gone Astray - from Messiah by George Frideric Handel transcribed for Brass Quintet. This is an advanced Intermediate to easier advanced level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 4:30

All We Like Sheep Have Gone Astray - from Messiah by George Frideric Handel transcribed for Saxophone Quintet SATTB or AATTB. This is an advanced Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 4:30

Let All the Angels of God Worship - from Messiah by George Frideric Handel transcribed for Woodwind Quartet. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 1:35 without the repeat and 3:05 with.

Let All the Angels of God Worship - from Messiah by George Frideric Handel transcribed for Saxophone Quintet SATTB or AATTB. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 1:35 without the repeat and 3:05 with.

Let All the Angels of God Worship - from Messiah by George Frideric Handel transcribed for Saxophone Quartet SATB or AATB. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 1:35 without the repeat and 3:05 with.

Let All the Angels of God Worship - from Messiah by George Frideric Handel transcribed for Clarinet Quartet. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 1:35 without the repeat and 3:05 with.

Let All the Angels of God Worship - from Messiah by George Frideric Handel transcribed for String Quartet. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 1:35 without the repeat and 3:05 with.

Let All the Angels of God Worship - from Messiah by George Frideric Handel transcribed for Brass Quintet. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 1:35 without the repeat and 3:05 with.

Let All the Angels of God Worship - from Messiah by George Frideric Handel transcribed for Woodwind Quintet. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 1:35 without the repeat and 3:05 with.

Lift Up Your Heads, O Ye Gates - from Messiah by George Frideric Handel transcribed for Woodwind Quartet. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 3:15

Lift Up Your Heads, O Ye Gates - from Messiah by George Frideric Handel transcribed for Saxophone Quintet SATTB or AATTB. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 3:15

Lift Up Your Heads, O Ye Gates - from Messiah by George Frideric Handel transcribed for Clarinet Quartet. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 3:15

Lift Up Your Heads, O Ye Gates - from Messiah by George Frideric Handel transcribed for Saxophone Quartet SATB or AATB. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 3:15

Lift Up Your Heads, O Ye Gates - from Messiah by George Frideric Handel transcribed for String Quartet. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement.

Lift Up Your Heads, O Ye Gates - from Messiah by George Frideric Handel transcribed for Woodwind Quintet. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement.

Lift Up Your Heads, O Ye Gates - from Messiah by George Frideric Handel transcribed for Brass Quintet. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement.

And He Shall Purify from Messiah by George Frideric Handel transcribed for Clarinet Quartet & Organ. This is an easier advanced level work from Part I of Handel’s Messiah and appropriate for Christmas as well as many other Religious Services as well as general performance. The playing time is approximately 2:15

And He Shall Purify from Messiah by George Frideric Handel transcribed for Saxophone Quartet & Organ. This is an easier advanced level work from Part I of Handel’s Messiah and appropriate for Christmas as well as many other Religious Services as well as general performance. The playing time is approximately 2:15

And He Shall Purify from Messiah by George Frideric Handel transcribed for String Quartet & Organ. This is an easier advanced level work from Part I of Handel’s Messiah and appropriate for Christmas as well as many other Religious Services as well as general performance. The playing time is approximately 2:15

And He Shall Purify from Messiah by George Frideric Handel transcribed for Woodwind Quartet & Organ. This is an easier advanced level work from Part I of Handel’s Messiah and appropriate for Christmas as well as many other Religious Services as well as general performance. The playing time is approximately 2:15